Anthology of Baroque Keyboard Music PDF Download
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Author: Maurice Hinson
Publisher: Alfred Music
ISBN: 9781457440342
Category : Music
Languages : en
Pages : 252
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Book Description
This up-to-date, comprehensive survey of Baroque keyboard music includes works by 42 composers written between 1590 and 1750. The repertoire provides the widest range of styles and idioms of that period, and ranges in difficulty from late-intermediate through early-advanced levels. Dr. Hinson has also provided historical and biographical background, performance notes and suggested realizations of ornaments.
Author: Maurice Hinson
Publisher: Alfred Music
ISBN: 9781457440342
Category : Music
Languages : en
Pages : 252
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Book Description
This up-to-date, comprehensive survey of Baroque keyboard music includes works by 42 composers written between 1590 and 1750. The repertoire provides the widest range of styles and idioms of that period, and ranges in difficulty from late-intermediate through early-advanced levels. Dr. Hinson has also provided historical and biographical background, performance notes and suggested realizations of ornaments.
Author: James Friskin
Publisher: Courier Corporation
ISBN: 0486229181
Category : Music
Languages : en
Pages : 466
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Book Description
First published by Holt, Rinehart and Winston in 1954.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 648
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Book Description
Author: Georg Philipp Telemann
Publisher:
ISBN: 9781854722522
Category : Harpsichord music
Languages : en
Pages : 28
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Book Description
Telemann composed three dozen Fantasias, published in 1732. He deliberately set out to juxtapose the French and Italian styles. Marks of dynamics and of articulation have been added, and so have harmony notes of inner parts, which would have been improvised by the player in an 18th-century performance.
Author: Jane Magrath
Publisher: Alfred Music
ISBN: 9781457438974
Category : Music
Languages : en
Pages : 588
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Book Description
This reference book is an invaluable resource for teachers, students and performers for evaluating and selecting piano solo literature. Concise and thoroughly researched, thousands of works, from the Baroque through the Contemporary periods, have been graded and evaluated in detail. Includes an alphabetical list of composers, explanations of works and much more.
Author: Clifton Fadiman
Publisher: Springer Science & Business Media
ISBN: 9780387949314
Category : Mathematics
Languages : en
Pages : 326
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Book Description
Clifton Fadiman's classic collection of mathematical stories, essays and anecdotes is now once again available. Ranging from the poignant to the comical via the simply surreal, these selections include writing by Aldous Huxley, Martin Gardner, H.G. Wells, George Gamow, G.H. Hardy, Robert Heinlein, Arthur C. Clarke, and many others. Humorous, mysterious, and always entertaining, this collection is sure to bring a smile to the faces of mathematicians and non-mathematicians alike.
Author: Alan Ridout
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 22
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Book Description
These elementary pieces are based on an unusual idea: all the white-note modes are used, interspersed with pieces in modes derived for the black notes; and the final piece introduces an element of bitonality, with the left hand on the white notes and right hand on the black. The composer has also incorporated a number of different forms.
Author: Music Library Association
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 744
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Book Description
Author: Damon Knight
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 116
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Book Description
Futuria Fantasia, spanning four volumes, emerges as a seminal collection in the annals of speculative fiction, bringing together a literary cacophony ranging from the raw, unrefined edges of emerging talent to the polished narratives of seasoned authors. The anthology thrives on a diversity of themesapocalyptic visions, cosmic intrigue, and futuristic fantasiesall while showcasing a variety of literary styles, from the straightforward to the experimental. Its pages are a battleground for new ideas, pushing the boundaries of the genre and offering a snapshot of early speculative fiction's evolution. Standout pieces within the collection offer a rare glimpse into the genesis of ideas that would shape the genre for decades to come. The contributing authors and editors, including notable figures such as Damon Knight and Ray Bradbury, collectively serve as a microcosm of early speculative fiction's struggle to find its voice amidst a rapidly changing world. Their diverse backgrounds and unique perspectives contribute to the anthology's rich tapestry, aligning with historical, cultural, and literary movements that sought to explore the uncharted territories of human imagination. This convergence of varied voices not only enriches the anthology's thematic depth but also highlights the collaborative spirit inherent in the speculative fiction community. Futuria Fantasia is a must-read for those who wish to delve into the embryonic stage of speculative fiction, offering a unique opportunity to witness the germination of ideas that would define a genre. It invites readers to explore a confluence of perspectives, styles, and themes, fostering an educational journey through the speculative realms that continue to influence contemporary literature. The collection stands not only as a historical artifact but as a testament to the enduring power of collective imagination, urging readers to engage in a dialogue with the past and dream forward into the future.
Author: Chrissie Iles
Publisher: Yale University Press
ISBN: 0300221878
Category : Performing Arts
Languages : en
Pages : 253
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Book Description
A fascinating survey of pioneering work in experimental cinema and art from 1905 to the present day, revealing the high stakes and transformative potential of these forms This generously illustrated publication surveys the work of filmmakers and artists who have pushed the material and conceptual boundaries of cinema. Over the past century, the material, optical, abstract, spatial, and tactile properties of film have been tested at a level of experimentation and utopian ambition that is generally unrecognized. Whether creating synesthetic or 3-D environments, projective or non-projective installations, generations of leading-edge artists have explored how technology transforms experience. The essays published here offer an intensive look at the themes of cinematic space, formats of the screen, animation and CGI, the body and the cyborg, and the materiality of film. Contributors place particular emphasis on the idea of the cinema as a sensorium and on the ways in which it defines the human body, both through representation and in relation to the projected image. An immersive plate section brings together rarely seen and previously unpublished stills, in addition to concept drawings from historic and contemporary films.
