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Author: Joy Sperling
Publisher: Greenwood
ISBN:
Category : Art
Languages : en
Pages : 304
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Book Description
Certain works of art-Mona Lisa, the Statue of Liberty, Rodin's The Thinker, Grant Wood's American Gothic-are famous to everyone: those who love art and those who are generally indifferent to it. This volume considers 29 works of art and examines the ways in which they have transcended the art world and become facets of the popular imagination. Sperling (art, Denison U.) considers how 30 great works of art-such as the Mona Lisa and the Statue of Liberty-have become part of popular culture. She begins by exploring the role of travel, tourism, photography, and books in making certain ancient monuments world famous. Other topics include, for example, how coffee-table books helped make a number of Italian Renaissance paintings ubiquitous, how marketing embedded a number of modern memorials in the public consciousness, and how twentieth-century artists endeavor to strike a balance between critical and popular fame. Thirty art works that have become facets of the popular imagination are examined.
Author: Joy Sperling
Publisher: Greenwood
ISBN:
Category : Art
Languages : en
Pages : 304
Get Book Here
Book Description
Certain works of art-Mona Lisa, the Statue of Liberty, Rodin's The Thinker, Grant Wood's American Gothic-are famous to everyone: those who love art and those who are generally indifferent to it. This volume considers 29 works of art and examines the ways in which they have transcended the art world and become facets of the popular imagination. Sperling (art, Denison U.) considers how 30 great works of art-such as the Mona Lisa and the Statue of Liberty-have become part of popular culture. She begins by exploring the role of travel, tourism, photography, and books in making certain ancient monuments world famous. Other topics include, for example, how coffee-table books helped make a number of Italian Renaissance paintings ubiquitous, how marketing embedded a number of modern memorials in the public consciousness, and how twentieth-century artists endeavor to strike a balance between critical and popular fame. Thirty art works that have become facets of the popular imagination are examined.
Author: John Nici
Publisher: Rowman & Littlefield
ISBN: 1442249552
Category : Art
Languages : en
Pages : 331
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Book Description
In a world filled with great museums and great paintings, Leonardo da Vinci’s Mona Lisa is the reigning queen. Her portrait rules over a carefully designed salon, one that was made especially for her in a museum that may seem intended for no other purpose than to showcase her virtues. What has made this portrait so renowned, commanding such adoration? And what of other works of art that continue to enthrall spectators: What makes the Great Sphinx so great? Why do iterations of The Scream and American Gothic permeate nearly all aspects of popular culture? Is it because of the mastery of the artists who created them? Or can something else account for their popularity? In Famous Works of Art—And How They Got That Way, John B. Nici looks at twenty well-known paintings, sculptures, and photographs that have left lasting impressions on the general public. As Nici notes, there are many reasons why works of art become famous; few have anything to do with quality. The author explains why the reputations of some creations have grown over the years, some disproportionate to their artistic value. Written in a style that is both entertaining and informative, this book explains how fame is achieved, and ultimately how a work either retains that fame, or passes from the public consciousness. From ancient artifacts to a can of soup, this book raises the question: Did the talent to promote and publicize a work exceed the skills employed to create that object of worship? Or are some masterpieces truly worth the admiration they receive? The creations covered in this book include the Tomb of Tutankhamun, Botticelli’s Birth of Venus, Raphael’s Sistine Madonna, El Greco’s The Burial of Count Orgaz, Rodin’s The Thinker, Van Gogh’s Starry Night, and Picasso’s Guernica. Featuring more than sixty images, including color reproductions, Famous Works of Art—And How They Got That Way will appeal to anyone who has ever wondered if a great painting, sculpture, or photograph, really deserves to be called “great.”
Author: Kirk Varnedoe
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 468
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Book Description
Readins in high & low
Author: Francesca Bonazzoli
Publisher: Prestel Publishing
ISBN: 9783791348773
Category : Art and popular culture
Languages : en
Pages : 0
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Book Description
Examines how thirty artistic masterpieces were conceived, achieved cult status, and attained eternal fame by inspiring other artworks, advertisements, cartoons, and book and album covers.
Author: Lawrence Alloway
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 176
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Book Description
"Catalog of the exhibition:" p. viii-xii. Bibliography: p. 133-140. Based on an exhibition organized for and shown at the Whitney Museum of American Art, April 16. 1974, with support from the National Endowment for the Arts.
Author: Stuart Hall
Publisher: Duke University Press
ISBN: 0822374684
Category : Social Science
Languages : en
Pages : 371
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Book Description
When it first appeared in 1964, Stuart Hall and Paddy Whannel's The Popular Arts opened up an almost unprecedented field of analysis and inquiry into contemporary popular culture. Counter to the prevailing views of the time, Hall and Whannel recognized popular culture's social importance and considered it worthy of serious study. In their analysis of everything from Westerns and the novels of Mickey Spillane, Ian Fleming, and Raymond Chandler to jazz, advertising, and the television industry, they were guided by the belief that studying popular culture demanded an ethical evaluation of the text and full attention to its properties. In so doing, they raised questions about the relation of culture to society and the politics of taste and judgment in ways that continue to shape cultural studies. Long out of print, this landmark text highlights the development of Hall's theoretical and methodological approach while adding a greater understanding of his work. This edition also includes a new introduction by Richard Dyer, who contextualizes The Popular Arts within the history of cultural studies and outlines its impact and enduring legacy.
Author: Thomas Crow
Publisher: Yale University Press
ISBN: 9780300076493
Category : Art
Languages : en
Pages : 288
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Book Description
Hoofdstukken over kunstenaars en kunstuitingen vormen het uitgangspunt van deze Studie over de relatie tussen avant-garde kunst en de massacultuur
Author: Liedeke Plate
Publisher: Routledge
ISBN: 0415811406
Category : Art
Languages : en
Pages : 243
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Book Description
This volume pursues a new line of research in cultural memory studies by understanding memory as a performative act in art and popular culture. Here authors combine a methodological focus on memory as performance with a theoretical focus on art and popular culture as practices of remembrance. The essays in the book thus analyze what is at stake in the complex processes of remembering and forgetting, of recollecting and disremembering, of amnesia and anamnesis, that make up cultural memory.
Author: Andy Stewart MacKay
Publisher: Hachette UK
ISBN: 178157801X
Category : Art
Languages : en
Pages : 224
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Book Description
In this age of insta-stardom and selfies, Pop Art still defines the world we live in. Emerging in the 1950s, Pop Art arrived in an explosion of colour, offering bold representations and plenty of humour. All of the celebrities, events and politics that came to define two turbulent decades are encapsulated in their work. Pop Art challenged the establishment and offered a new modernism, blurring the line between art and mass production. Uncover 100 stories in this essential guide to a groundbreaking movement. Enjoy enlightening critiques of iconic works; meet key figures including Warhol and Hockney; and discover inspirational ideas and novel new methods.
Author: Laura J. Hoptman
Publisher: The Museum of Modern Art
ISBN: 0870708317
Category : Art
Languages : en
Pages : 49
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Book Description
In 1948 Andrew Wyeth produced what would become one of the most iconic paintings in American art: a desolate landscape featuring a woman lying in a field, that he called "Christina's World." The woman in the painting, Christina Olson, lived in Cushing, Maine, where Wyeth and his wife kept a summer house. She suffered from polio, and was paralyzed from the waist down; Wyeth was moved to portray her when he saw her one day crawling through the field towards her house. "Christina's World" was to become one of the most well-loved and most scorned works of the twentieth century, igniting heated arguments about parochialism, sentimentality, kitsch and elitism that have continued to dog the art world and Wyeth's own reputation, even after the artist's death in 2009. An essay by MoMA curator Laura Hoptman revisits the genesis of the painting, discussing Wyeth's curious focus, over the course of his career, on a deliberately delimited range of subjects and exploring the mystery that continues to surround the enigmatic painting.
