Family Portrayals in "A Ballad Of Remembrance" - How Robert Hayden Dealt with His "Greatest Discouragement" PDF Download
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Author: Wiebke Formann
Publisher: GRIN Verlag
ISBN: 3638838005
Category : Biography & Autobiography
Languages : en
Pages : 40
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Book Description
Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,0, Ernst Moritz Arndt University of Greifswald, course: American Poetry, 16 entries in the bibliography, language: English, abstract: Poets are artists and therefore very creative people. But their artistic faculty does not - in most cases - conjure out of nothing. Poets are influenced by many different things. Almost all lyricists name some other members of their art who directly or indirectly made an impact on their very own work - who they used as a kind of an idol or who even aroused their interest in poetry. Robert Hayden is no exception. He admits to be influenced by poets such as Keats, Byron, Carl Sandburg, Countee Cullen and more. Naturally poets are also influenced by their surroundings, namely nature, landscape, history and of course by people, especially by friends and family members. For Hayden, and probably almost all other poets, poems serve as a means of coming to terms with particular situations. Robert Hayden's upraising was not exactly typical; his parents separated soon after his birth and he was brought up by poor foster-parents. He states that the "greatest discouragement" were the circumstances he lived in: His family neither had money nor education; at the age of forty he had to find out that his foster-parents had never formally adopted him and the worst thing were the "conflicts, the quarrelling, the tensions that kept us most of the time on the edge of some shrill domestic calamity." (Both McCluskey 138) This term paper aims at illustrating how Robert Hayden - in his poems - coped with his family background and his position between the people who loved him and who struggled about being loved most in turn. To fully understand the emotions of Robert Hayden and his attitude towards his foster-parents and his mother I will - in the first chapter - provide a depiction of his youth and his relationship between him and his natural parents and foster pare
Author: Wiebke Formann
Publisher: GRIN Verlag
ISBN: 3638838005
Category : Biography & Autobiography
Languages : en
Pages : 40
Get Book Here
Book Description
Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,0, Ernst Moritz Arndt University of Greifswald, course: American Poetry, 16 entries in the bibliography, language: English, abstract: Poets are artists and therefore very creative people. But their artistic faculty does not - in most cases - conjure out of nothing. Poets are influenced by many different things. Almost all lyricists name some other members of their art who directly or indirectly made an impact on their very own work - who they used as a kind of an idol or who even aroused their interest in poetry. Robert Hayden is no exception. He admits to be influenced by poets such as Keats, Byron, Carl Sandburg, Countee Cullen and more. Naturally poets are also influenced by their surroundings, namely nature, landscape, history and of course by people, especially by friends and family members. For Hayden, and probably almost all other poets, poems serve as a means of coming to terms with particular situations. Robert Hayden's upraising was not exactly typical; his parents separated soon after his birth and he was brought up by poor foster-parents. He states that the "greatest discouragement" were the circumstances he lived in: His family neither had money nor education; at the age of forty he had to find out that his foster-parents had never formally adopted him and the worst thing were the "conflicts, the quarrelling, the tensions that kept us most of the time on the edge of some shrill domestic calamity." (Both McCluskey 138) This term paper aims at illustrating how Robert Hayden - in his poems - coped with his family background and his position between the people who loved him and who struggled about being loved most in turn. To fully understand the emotions of Robert Hayden and his attitude towards his foster-parents and his mother I will - in the first chapter - provide a depiction of his youth and his relationship between him and his natural parents and foster pare
Author: Wiebke Formann
Publisher: GRIN Verlag
ISBN: 363883798X
Category : Literary Collections
Languages : en
Pages : 19
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Book Description
Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,0, Ernst Moritz Arndt University of Greifswald, course: American Poetry, language: English, abstract: Poets are artists and therefore very creative people. But their artistic faculty does not - in most cases - conjure out of nothing. Poets are influenced by many different things. Almost all lyricists name some other members of their art who directly or indirectly made an impact on their very own work - who they used as a kind of an idol or who even aroused their interest in poetry. Robert Hayden is no exception. He admits to be influenced by poets such as Keats , Byron, Carl Sandburg, Countee Cullen and more. Naturally poets are also influenced by their surroundings, namely nature, landscape, history and of course by people, especially by friends and family members. For Hayden, and probably almost all other poets, poems serve as a means of coming to terms with particular situations. Robert Hayden’s upraising was not exactly typical; his parents separated soon after his birth and he was brought up by poor foster-parents. He states that the “greatest discouragement” were the circumstances he lived in: His family neither had money nor education; at the age of forty he had to find out that his foster-parents had never formally adopted him and the worst thing were the “conflicts, the quarrelling, the tensions that kept us most of the time on the edge of some shrill domestic calamity.” (Both McCluskey 138) This term paper aims at illustrating how Robert Hayden – in his poems - coped with his family background and his position between the people who loved him and who struggled about being loved most in turn. To fully understand the emotions of Robert Hayden and his attitude towards his foster-parents and his mother I will – in the first chapter - provide a depiction of his youth and his relationship between him and his natural parents and foster parents. I chose to concentrate on three poems; two from the collection A Ballad of Remembrance because they emerged at a point in Hayden’s life where he felt he needed to recall to his past and besides these poems illustrate a portrayal of his foster parents. In the second chapter I will present a description of his foster mother and father on the basis of information taken from these two poems. The third chapter will, on the basis of the third poem ‘Names’, illustrate Robert Hayden’s identical crisis which emerged from his discovery that he had not been adopted legally. Finally I will evaluate the information gained from chapters one to three and present a summary of how Robert Hayden coped with his greatest discouragement.
Author: Tanya Long Bennett
Publisher: University of North Georgia
ISBN: 9781940771236
Category : Language Arts & Disciplines
Languages : en
Pages : 284
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Book Description
In the age of Buzzfeeds, hashtags, and Tweets, students are increasingly favoring conversational writing and regarding academic writing as less pertinent in their personal lives, education, and future careers. Writing and Literature: Composition as Inquiry, Learning, Thinking and Communication connects students with works and exercises and promotes student learning that is kairotic and constructive. Dr. Tanya Long Bennett, professor of English at the University of North Georgia, poses questions that encourage active rather than passive learning. Furthering ideas presented in Contribute a Verse: A Guide to First-Year Composition as a complimentary companion, Writing and Literature builds a new conversation covering various genres of literature and writing. Students learn the various writing styles appropriate for analyzing, addressing, and critiquing these genres including poetry, novels, dramas, and research writing. The text and its pairing of helpful visual aids throughout emphasizes the importance of critical reading and analysis in producing a successful composition. Writing and Literature is a refreshing textbook that links learning, literature, and life.
Author: Robert Earl Hayden
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 80
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Author: Nick Srnicek
Publisher: Verso Books
ISBN: 1784780987
Category : Political Science
Languages : en
Pages : 358
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Book Description
This major new manifesto offers a “clear and compelling vision of a postcapitalist society” and shows how left-wing politics can be rebuilt for the 21st century (Mark Fisher, author of Capitalist Realism) Neoliberalism isn’t working. Austerity is forcing millions into poverty and many more into precarious work, while the left remains trapped in stagnant political practices that offer no respite. Inventing the Future is a bold new manifesto for life after capitalism. Against the confused understanding of our high-tech world by both the right and the left, this book claims that the emancipatory and future-oriented possibilities of our society can be reclaimed. Instead of running from a complex future, Nick Srnicek and Alex Williams demand a postcapitalist economy capable of advancing standards, liberating humanity from work and developing technologies that expand our freedoms. This new edition includes a new chapter where they respond to their various critics.
Author: Jenny Marsh Parker
Publisher: Rochester, N.Y. : Scrantom, Wetmore
ISBN:
Category : Art museums
Languages : en
Pages : 538
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Author: Karen Burroughs Hannsberry
Publisher: McFarland
ISBN: 9781476604831
Category : Performing Arts
Languages : en
Pages : 797
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Book Description
The film noir male is an infinitely watchable being, exhibiting a wide range of emotions, behaviors, and motivations. Some of the characters from the film noir era are extremely violent, such as Neville Brand’s Chester in D.O.A. (1950), whose sole pleasure in life seems to come from inflicting pain on others. Other noirs feature flawed authority figures, such as Kirk Douglas’s Jim McLeod in Detective Story (1951), controlled by a rigid moral code that costs him his marriage and ultimately his life. Others present ruthless crime bosses, hapless males whose lives are turned upside down because of their ceaseless longing for a woman, and even courageous men on the right side of the law. The private and public lives of more than ninety actors who starred in the films noirs of the 1940s and 1950s are presented here. Some of the actors, such as Humphrey Bogart, Kirk Douglas, Burt Lancaster, Edward G. Robinson, Robert Mitchum, Raymond Burr, Fred MacMurray, Jack Palance and Mickey Rooney, enjoyed great renown, while others, like Gene Lockhart, Moroni Olsen and Harold Vermilyea, were less familiar, particularly to modern audiences. An appendix focuses on the actors who were least known but frequently seen in minor roles.
Author: James Joseph Walsh
Publisher: Library of Alexandria
ISBN: 146552049X
Category : Fiction
Languages : en
Pages : 840
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Book Description
Of all the epochs of effort after a new life, that of the age of Aquinas, Roger Bacon, St. Francis, St. Louis, Giotto, and Dante is the most purely spiritual, the most really constructive, and indeed the most truly philosophic. … The whole thirteenth century is crowded with creative forces in philosophy, art, poetry, and statesmanship as rich as those of the humanist Renaissance. And if we are accustomed to look on them as so much more limited and rude it is because we forget how very few and poor were their resources and their instruments. In creative genius Giotto is the peer, if not the superior of Raphael. Dante had all the qualities of his three chief successors and very much more besides. It is a tenable view that in inventive fertility and in imaginative range, those vast composite creations—the Cathedrals of the Thirteenth Century, in all their wealth of architectural statuary, painted glass, enamels, embroideries, and inexhaustible decorative work may be set beside the entire painting of the sixteenth century. Albert and Aquinas, in philosophic range, had no peer until we come down to Descartes, nor was Roger Bacon surpassed in versatile audacity of genius and in true encyclopaedic grasp by any thinker between him and his namesake the Chancellor. In statesmanship and all the qualities of the born leader of men we can only match the great chiefs of the Thirteenth Century by comparing them with the greatest names three or even four centuries later. Now this great century, the last of the true Middle Ages, which as it drew to its own end gave birth to Modern Society, has a special character of its own, a character that gives it an abiding and enchanting interest. We find in it a harmony of power, a universality of endowment, a glow, an aspiring ambition and confidence such as we never find in later centuries, at least so generally and so permanently diffused. … The Thirteenth Century was an era of no special character. It was in nothing one-sided and in nothing discordant. It had great thinkers, great rulers, great teachers, great poets, great artists, great moralists, and great workmen. It could not be called the material age, the devotional age, the political age, or the poetic age in any special degree. It was equally poetic, political, industrial, artistic, practical, intellectual, and devotional. And these qualities acted in harmony on a uniform conception of life with a real symmetry of purpose.
Author: A Kingsley Porter University Professor Helen Vendler
Publisher: Bedford Books
ISBN: 9781457652196
Category : Poetry
Languages : en
Pages :
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Author: Frances Elizabeth Willard
Publisher: Chicago : Women's Temperance Publication Association
ISBN:
Category : Social reformers
Languages : en
Pages : 808
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Book Description
Willard's autobiography is not only the story of an outstanding woman of the 19th century, it is the personal history of the W.C.T.U., the largest of the 19th century women's organizations.
