Author: Elizabeth Hill Boone
Publisher:
ISBN:
Category : Forgery of antiquities
Languages : en
Pages : 160

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 142

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Author: Dumbarton Oaks
Publisher: Dumbarton Oaks Research Library & Collection
ISBN:
Category : Art
Languages : en
Pages : 160

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Author: Karen O Bruhns
Publisher: Routledge
ISBN: 1315428555
Category : Social Science
Languages : en
Pages : 233

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Book Description
Nasca pots, Quimbaya figurines, Moche porn figures, stone shamans. Fakes and forgeries run rampant in the Andean art collections of international museums and private individuals. Authors Karen Bruhns and Nancy Kelker examine the phenomenon in this eye-opening volume. They discuss the most commonly forged classes and styles of artifacts, many of which were being duplicated as early as the 19th century. More important, they describe the system whereby these objects get made, purchased, authenticated, and placed in major museums as well as the complicity of forgers, dealers, curators, and collectors in this system. Unique to this volume are biographies of several of the forgers, who describe their craft and how they are able to effectively fool connoisseurs and specialists. This is an important accessible introduction to pre-Columbian art fraud for archaeologists, art historians, and museum professionals alike. A parallel volume by the same authors discusses fakes in Mesoamerican archaeology.

Author: Nancy L Kelker
Publisher: Routledge
ISBN: 1315428598
Category : Social Science
Languages : en
Pages : 254

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Book Description
Crystal skulls, imaginative codices, dubious Olmec heads and cute Colima dogs. Fakes and forgeries run rampant in the Mesoamerican art collections of international museums and private individuals. Authors Nancy Kelker and Karen Bruhns examine the phenomenon in this eye-opening volume. They discuss the most commonly forged classes and styles of artifacts, many of which were being duplicated as early as the 19th century. More important, they describe the system whereby these objects get made, purchased, authenticated, and placed in major museums as well as the complicity of forgers, dealers, curators, and collectors in this system. Unique to this volume are biographies of several of the forgers, who describe their craft and how they are able to effectively fool connoisseurs and specialists. An important, accessible introduction to pre-Columbian art fraud for archaeologists, art historians, and museum professionals alike. A parallel volume by the same authors discusses fakes in Andean archaeology.

Author: Barbara Braun
Publisher: Abradale Press
ISBN:
Category : Art
Languages : en
Pages : 356

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Book Description
Offers an in-depth look at pre-Columbian sources of modern art.

Author: Alison Richmond
Publisher: Routledge
ISBN: 1136441689
Category : Antiques & Collectibles
Languages : en
Pages : 269

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Book Description
'Conservation: Principles, Dilemmas, and Uncomfortable Truths' presents multi-perspective critical analyses of the ethics and principles that guide the conservation of works of art and design, archaeological artefacts, buildings, monuments, and heritage sites on behalf of society. Contributors from the fields of philosophy, sociology, history, art and design history, museology, conservation, architecture, and planning and public policy address a wide range of conservation principles, practices, and theories from the US, Canada, Europe, Australia and New Zealand, encouraging the reader to make comparisons across subjects and disciplines. By wrestling with and offering ways of disentangling the ethical dilemmas confronting those who maintain and sustain cultural heritage for today and tomorrow, 'Conservation: Principles, Dilemmas, and Uncomfortable Truths' provides an essential reference text for conservation professionals, museum and heritage professionals, art and cultural historians, lecturers and students, and all others invested in cultural heritage theories and practices. Alison Richmond, as a Senior Conservator in the Victoria and Albert Museum and Deputy Head of the Conservation Department at the Royal College of Art, maintains teaching and research roles in conservation theory, principles and ethics, and has developed decision-making tools for conservators. She is an Accredited Conservator-Restorer (ACR), a Fellow of the International Institute for Conservation (FIIC), and a Trustee of the UK’s Institute of Conservation (Icon) since 2005. Alison Bracker received her PhD in the History of Art from the University of Leeds, and manages the Events & Lectures programme at the Royal Academy of Arts in London. As co-founder of Bracker Fiske Consultants, she advises on the presentation, description, documentation, and care of artworks comprising modern media, and lectures and publishes widely on the theoretical and practical issues arising from the conservation of non-traditional and impermanent materials in contemporary works of art.

Author: Richard M. Leventhal
Publisher: Cotsen Institute of Archaeology Press
ISBN: 1938770293
Category : History
Languages : en
Pages : 416

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Book Description
Theory and Practice in Mediterranean Archaeology: Old World and New World Perspectives brings together leading scholars from the Old World and the Americas to discuss some of the most pressing issues facing archaeology today. These topics include archaeology and text, the future of large-scale archaeological fieldwork at individual sites, interpretation and preservation of archaeological sites and landscapes, past trajectories and new approaches to regional survey, and debates surrounding landscape and settlement archaeology. Essays by Old World archaeologists provide an overview of these themes, as well as a history of research over the last hundred years. These scholars review the major successes and shortcomings of that work, identifying critical issues that determine and define the field. These essays serve as a springboard for discussion and response by archaeologists working in the Americas and in other parts of the world. The combination of an Old World focus with responses from New World archaeologists provides a uniquely broad assessment of contemporary archaeological theory, methods, and practice throughout the world.

Author: R. Tripp Evans
Publisher: University of Texas Press
ISBN: 0292789262
Category : Social Science
Languages : en
Pages : 224

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Book Description
During Mexico's first century of independence, European and American explorers rediscovered its pre-Hispanic past. Finding the jungle-covered ruins of lost cities and artifacts inscribed with unintelligible hieroglyphs—and having no idea of the age, authorship, or purpose of these antiquities—amateur archaeologists, artists, photographers, and religious writers set about claiming Mexico's pre-Hispanic patrimony as a rightful part of the United States' cultural heritage. In this insightful work, Tripp Evans explores why nineteenth-century Americans felt entitled to appropriate Mexico's cultural heritage as the United States' own. He focuses in particular on five well-known figures—American writer and amateur archaeologist John Lloyd Stephens, British architect Frederick Catherwood, Joseph Smith, founder of the Church of Jesus Christ of Latter-Day Saints, and the French émigré photographers Désiré Charnay and Augustus Le Plongeon. Setting these figures in historical and cultural context, Evans uncovers their varying motives, including the Manifest Destiny-inspired desire to create a national museum of American antiquities in New York City, the attempt to identify the ancient Maya as part of the Lost Tribes of Israel (and so substantiate the Book of Mormon), and the hope of proving that ancient Mesoamerica was the cradle of North American and even Northern European civilization. Fascinating stories in themselves, these accounts of the first explorers also add an important new chapter to the early history of Mesoamerican archaeology.

Author: Naomi Oosterman
Publisher: Springer Nature
ISBN: 3030848566
Category : Law
Languages : en
Pages : 284

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Book Description
This volume brings together work by authors who draw upon sociological and criminological methods, theory, and frameworks, to produce research that pushes boundaries, considers new questions, and reshape the existing understanding of "art crimes", with a strong emphasis on methodological innovation and novel theory application. Criminologists and sociologists are poorly represented in academic discourse on art and culture related crimes. However, to understand topics like theft, security, trafficking, forgery, vandalism, offender motivation, the efficacy of and results of policy interventions, and the effects art crimes have on communities, we must develop the theoretical and methodological models we use for analyses. The readership of this book is expected to include academics, researchers, and practitioners in the fields of criminology, sociology, law, and heritage studies who have an interest in art and heritage crime.