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Author: George Watt
Publisher: Routledge
ISBN: 1317200799
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
A sympathetic view of the fallen women in Victorian England begins in the novel. First published in 1984, this book shows that the fallen woman in the nineteenth-century novel is, amongst other things, a direct response to the new society. Through the examination of Dickens, Gaskell, Collins, Moore, Trollope, Gissing and Hardy, it demonstrates that the fallen woman is the first in a long line of sympathetic creations which clash with many prevailing social attitudes, and especially with the supposedly accepted dichotomy of the ‘two women’. This book will be of interest to students of nineteenth-century literature and women in literature.
Author: Allison Mann
Publisher:
ISBN: 9781735773834
Category :
Languages : en
Pages :
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Book Description
Author: George Watt
Publisher: Routledge
ISBN: 1317200802
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
A sympathetic view of the fallen women in Victorian England begins in the novel. First published in 1984, this book shows that the fallen woman in the nineteenth-century novel is, amongst other things, a direct response to the new society. Through the examination of Dickens, Gaskell, Collins, Moore, Trollope, Gissing and Hardy, it demonstrates that the fallen woman is the first in a long line of sympathetic creations which clash with many prevailing social attitudes, and especially with the supposedly accepted dichotomy of the ‘two women’. This book will be of interest to students of nineteenth-century literature and women in literature.
Author: Regina G. Kunzel
Publisher: Yale University Press
ISBN: 9780300065091
Category : Social Science
Languages : en
Pages : 292
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Book Description
During the first half of the twentieth century, out-of-wedlock pregnancy came to be seen as one of the most urgent and compelling problems of the day. The effort to define its meaning fueled a struggle among three groups of women: evangelical reformers who regarded unmarried mothers as fallen sisters to be saved, a new generation of social workers who viewed them as problem girls to be treated, and unmarried mothers themselves. Drawing on previously unexamined case records from maternity homes, Regina Kunzel explores how women negotiated the crisis of single pregnancy and analyzes the different ways they understood and represented unmarried motherhood. Fallen Women, Problem Girls is a social and cultural history of out-of-wedlock pregnancy in the United States from 1890 to 1945. Kunzel analyzes how evangelical women drew on a long tradition of female benevolence to create maternity homes that would redeem and reclaim unmarried mothers. She shows how, by the 1910s, social workers struggling to achieve professional legitimacy tried to dissociate their own work from that earlier tradition, replacing the reform rhetoric of sisterhood with the scientific language of professionalism. By analyzing the important and unexplored transition from the conventions of nineteenth-century reform to the professional imperatives of twentieth-century social welfare, Kunzel offers a new interpretation of gender and professionalization. Kunzel places shifting constructions of out-of-wedlock pregnancy within a broad history of gender, sexuality, class, and race, and argues that the contests among evangelical women, social workers, and unmarried mothers distilled larger generational and cross-class conflicts among women in the first half of the twentieth century.
Author: Sandra Dallas
Publisher: St. Martin's Press
ISBN: 1250030943
Category : Fiction
Languages : en
Pages : 354
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Book Description
From the ballrooms and mansions of Denver's newly wealthy, to the seamy life of desperate women, Fallen Women illuminates the darkest places of the human heart. It is the spring of 1885 and wealthy New York socialite Beret Osmundsen has been estranged from her younger sister, Lillie, for a year when she gets word from her aunt and uncle that Lillie has died suddenly in Denver. What they do not tell her is that Lillie had become a prostitute and was brutally murdered in the brothel where she had been living. When Beret discovers the sordid truth of Lillie's death, she makes her way to Denver, determined to find her sister's murderer. Detective Mick McCauley may not want her involved in the case, but Beret is determined, and the investigation soon takes her from the dangerous, seedy underworld of Denver's tenderloin to the highest levels of Denver society. Along the way, Beret not only learns the depths of Lillie's depravity, but also exposes the sinister side of Gilded Age ambition in the process. Sandra Dallas once again delivers a page-turner filled with mystery, intrigue, and the kind of intricate detail that truly transports you to another time and place.
Author: Lea Jacobs
Publisher: Univ of California Press
ISBN: 9780520207905
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
Examines how film censors and producers treated the "fallen woman" or "sex picture" subject.
Author: Stephie Walls
Publisher: Createspace Independent Publishing Platform
ISBN: 9781541184862
Category :
Languages : en
Pages : 364
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Book Description
Gianna LeBron grew up in poverty. Destined to change her circumstances and her zip code, she rises up from the inner-city streets with an Ivy League education and affluent husband. A few short years later, she's alone with three children, destitute and desperate. Finding herself in the same hell she'd fought so hard to escape, and determined to find a solution, she compromises who she is. Selling her soul for the almighty dollar, she does what she has to do in order to provide for her children. Caught between a secret love and her toddler's unending need for medical care, Gianna's forced to decide how far she'll go to heal her daughter and save the man she loves. For money. For health. For Jase.
Author: George Watt
Publisher: Routledge
ISBN: 1317200799
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
A sympathetic view of the fallen women in Victorian England begins in the novel. First published in 1984, this book shows that the fallen woman in the nineteenth-century novel is, amongst other things, a direct response to the new society. Through the examination of Dickens, Gaskell, Collins, Moore, Trollope, Gissing and Hardy, it demonstrates that the fallen woman is the first in a long line of sympathetic creations which clash with many prevailing social attitudes, and especially with the supposedly accepted dichotomy of the ‘two women’. This book will be of interest to students of nineteenth-century literature and women in literature.
Author: Amanda Anderson
Publisher: Cornell University Press
ISBN: 1501722670
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency.
Author: T. Winnifrith
Publisher: Springer
ISBN: 0230377726
Category : Social Science
Languages : en
Pages : 178
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Book Description
Tom Winnifrith examines how the great nineteenth-century novelists managed to say something new and important about sexual behaviour in spite of rules which dictated that the recording of this behaviour should combine the utmost discretion and deep disapproval. On the surface their fallen heroines seem to suffer the conventional cruel fate of the erring female: death or Australia or both. Tom Winnifrith examines ways in which the great novelists continued to portray the complexities underlying the simple division of women into angels and whores.
Author: Deborah Anna Logan
Publisher: University of Missouri Press
ISBN: 9780826211750
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
Logan's study is distinguished by its exclusive focus on women writers, including Charlotte Bronte, George Eliot, Elizabeth Gaskell, Harriet Martineau, Elizabeth Barrett Browning, Florence Nightingale, Sarah Grand, and Mary Prince. Logan utilizes primary texts from these Victorian writers as well as contemporary critics such as Catherine Gallagher and Elaine Showalter to provide the background on social factors that contributed to the construction of fallen-woman discourse.
