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Author: Alex von Tunzelmann
Publisher: HarperCollins
ISBN: 0063081695
Category : History
Languages : en
Pages : 282
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Book Description
An Economist Best Book of the Year In this timely and lively look at the act of toppling monuments, the popular historian and author of Blood and Sand explores the vital question of how a society remembers—and confronts—the past. In 2020, history came tumbling down. From the US and the UK to Belgium, New Zealand, and Bangladesh, Black Lives Matter protesters defaced, and in some cases, hauled down statues of Confederate icons, slaveholders, and imperialists. General Robert E. Lee, head of the Confederate Army, was covered in graffiti in Richmond, Virginia. Edward Colston, a member of Parliament and slave trader, was knocked off his plinth in Bristol, England, and hurled into the harbor. Statues of Christopher Columbus were toppled in Minnesota, burned and thrown into a lake in Virginia, and beheaded in Massachusetts. Belgian King Leopold II was set on fire in Antwerp and doused in red paint in Ghent. Winston Churchill’s monument in London was daubed with the word “racist.” As these iconic effigies fell, the backlash was swift and intense. But as the past three hundred years have shown, history is not erased when statues are removed. If anything, Alex von Tunzelmann reminds us, it is made. Exploring the rise and fall of twelve famous, yet now controversial statues, she takes us on a fascinating global historical tour around North America, Western and Eastern Europe, Latin America and Asia, filled with larger than life characters and dramatic stories. Von Tunzelmann reveals that statues are not historical records but political statements and distinguishes between statuary—the representation of “virtuous” individuals, usually “Great Men”—and other forms of sculpture, public art, and memorialization. Nobody wants to get rid of all memorials. But Fallen Idols asks: have statues had their day?
Author: Alex von Tunzelmann
Publisher: HarperCollins
ISBN: 0063081695
Category : History
Languages : en
Pages : 282
Get Book Here
Book Description
An Economist Best Book of the Year In this timely and lively look at the act of toppling monuments, the popular historian and author of Blood and Sand explores the vital question of how a society remembers—and confronts—the past. In 2020, history came tumbling down. From the US and the UK to Belgium, New Zealand, and Bangladesh, Black Lives Matter protesters defaced, and in some cases, hauled down statues of Confederate icons, slaveholders, and imperialists. General Robert E. Lee, head of the Confederate Army, was covered in graffiti in Richmond, Virginia. Edward Colston, a member of Parliament and slave trader, was knocked off his plinth in Bristol, England, and hurled into the harbor. Statues of Christopher Columbus were toppled in Minnesota, burned and thrown into a lake in Virginia, and beheaded in Massachusetts. Belgian King Leopold II was set on fire in Antwerp and doused in red paint in Ghent. Winston Churchill’s monument in London was daubed with the word “racist.” As these iconic effigies fell, the backlash was swift and intense. But as the past three hundred years have shown, history is not erased when statues are removed. If anything, Alex von Tunzelmann reminds us, it is made. Exploring the rise and fall of twelve famous, yet now controversial statues, she takes us on a fascinating global historical tour around North America, Western and Eastern Europe, Latin America and Asia, filled with larger than life characters and dramatic stories. Von Tunzelmann reveals that statues are not historical records but political statements and distinguishes between statuary—the representation of “virtuous” individuals, usually “Great Men”—and other forms of sculpture, public art, and memorialization. Nobody wants to get rid of all memorials. But Fallen Idols asks: have statues had their day?
Author: Stanley H. Teitelbaum
Publisher: U of Nebraska Press
ISBN: 9780803216440
Category : Sports & Recreation
Languages : en
Pages : 306
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Book Description
On the court and on the field they are the world?s winners, exhibiting a natural grace and prowess their adoring fans can only dream about. Yet so often, off the field our sports heroes lose their perspective, their balance, and ultimately their place. In a work as timely as the latest fracas on the basketball court or the most recent drug-induced scandal in the dugout, Stanley H. Teitelbaum looks into the circumstances behind many star athletes? precipitous fall from grace. ø In his psychotherapy practice, Teitelbaum has worked extensively with professional athletes and sports agents?work he draws on here for insight into the psyche of sports figures and the off-the-field challenges they face. Considering both historical and current cases, he shows how, in many instances, the very factors that elevate athletes to superstardom contribute to their downfall. An evenhanded and honest look at athletes who have faltered, Teitelbaum?s work helps us see past our sports stars? exalted images into what those images?and their frailty?say about our society and ourselves.
Author: Beth Miller
Publisher: Univ of California Press
ISBN: 0520415582
Category : Literary Collections
Languages : en
Pages : 384
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Book Description
The topics covered by this pioneering collection of essays range from peninsular Spanish to Latin American literature, from the eleventh to the twentieth centuries, and from the subject of women as portrayed in Hispanic literature to the literature of Hispanic women writers. Some pieces present polemical feminist arguments, other are more traditional. All the contributors use their subject to take new stands on old controversies, ask new questions, and reevaluate important aspects of Hispanic literature. While there is ample evidence in these essays of the dual archetype in Hispanic literature of women as icon and woman as fallen idol, the collection reaches beyond these stereotypes to more complex sociological and theoretical concerns. Although such research has ben abundantly pursued by scholars of English and American literature, it has been notably absent from Hispanic studies. This anthology is a comprehensive introduction to its subject and a stimulus to further work in the area. Contributors: Fernando Alegría Electa Arenal Julianne Burton Alan Deyermond Rosalie Gimeno Harriet Goldberg Estelle Irizarry Kathleen Kish Luis Leal Linda Gould Levine Melveena McKendrick Francine Masiello Beth Miller Elizabeth Ordóñez Rachel Phillips Marcia L. Welles This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983.
Author: Paul M.M. Cooper
Publisher: Bloomsbury Publishing
ISBN: 1408879425
Category : Fiction
Languages : en
Pages : 369
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Book Description
'Superbly told' The Times 'Richly imagined' Sunday Times 'An engrossing, seamlessly written deliberation on the enduring power of art' Mail on Sunday Assyria, in the reign of Ashurbanipal. For Aurya and Sharo, every day is a struggle for survival. One evening, everything changes. Soon, they are on the barge of King Ashurbanipal, bound for the city of Nineveh. Their fates become inextricably bound to that of the king – and the injured lion captured by his men. Twenty-six centuries later, British-Iraqi archaeologist Katya joins a dig in Mosul to protect the ancient ruins of Nineveh from looters. But the real world crashes in to their studious idyll when ISIL storm Mosul – and take Katya, Salim and local girl Lola hostage. 'Dual timeline novels often fail: one strand is more interesting than the other, or the links between the two are contrived. Not here. Both stories are superbly told and share the same preoccupation – the coexistence of cruelty and creative beauty' The Times, Historical Novel of the Month
Author: Beate Fricke
Publisher: Brepols Publishers
ISBN: 9782503541181
Category : Christian art and symbolism
Languages : en
Pages : 0
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Book Description
This book investigates the origins and transformations of medieval image culture and its reflections in theology, hagiography, historiography and art. It deals with a remarkable phenomenon: the fact that, after a period of 500 years of absence, the tenth century sees a revival of monumental sculpture in the Latin West. Since the end of Antiquity and the pagan use of free-standing, life-size sculptures in public and private ritual, Christians were obedient to the Second Commandment forbidding the making and use of graven images. Contrary to the West, in Byzantium, such a revival never occurred: only relief sculpture - mostly integrated within an architectural context - was used. However, Eastern theologians are the authors of highly fascinating and outstanding original theoretical reflections about the nature and efficacy of images. How can this difference be explained? Why do we find the most fascinating theoretical concepts of images in a culture that sticks to two-dimensional icons often venerated as cult-images that are copied and repeated, but only randomly varied? And why does a groundbreaking change in the culture of images - the revival of monumental sculpture - happen in a context that provides more restrained theoretical reflections upon images in their immediate theological, liturgical and artistic contexts? These are some of the questions that this book seeks to answer.The analysis and contextualization of the revival of monumental sculpture includes reflections on liturgy, architecture, materiality of minor arts and reliquaries, medieval theories of perception, and gift exchange and its impact upon practices of image veneration, aesthetics and political participation. Drawing on the historical investigation of specific objects and texts between the ninth and the eleventh century, the book outlines an occidental history of image culture, visuality and fiction, claiming that only images possess modes of visualizing what in the discourse of medieval theology can never be addressed and revealed.
Author: William Lane Craig
Publisher: Crossway
ISBN: 1433501155
Category : Religion
Languages : en
Pages : 418
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Book Description
This updated edition by one of the world's leading apologists presents a systematic, positive case for Christianity that reflects the latest work in the contemporary hard sciences and humanities. Brilliant and accessible.
Author: Margaret Aston
Publisher: Cambridge University Press
ISBN: 1316060470
Category : History
Languages : en
Pages : 1994
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Book Description
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.
Author: Margaret Way
Publisher: Harlequin Books
ISBN: 9780373027002
Category :
Languages : en
Pages : 191
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Book Description
Author: Stanley Teitelbaum
Publisher: Jason Aronson
ISBN: 9780765705174
Category : Medical
Languages : en
Pages : 352
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Book Description
Mourning the loss of core illusions and coping with the impact of disillusionment are critical issues in psychotherapy. In this informative and readable book, Teitelbaum explores this therapeutic issue in depth from a developmental, theoretical, and clinical perspective and emphasizes its particular importance in the treatment of depressed and narcissistic patients.
Author: Leonard Schulman
Publisher: AuthorHouse
ISBN: 1468525808
Category :
Languages : en
Pages : 244
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Book Description
Fallen Idols is a memoir that begins in the radical sixties in Greenwich Village. The author, the young Leonard Schulman, is living on West Fourth street, just two blocks away from the young emigre from Duluth, Minn.. Bob Dylan.... The author of this charming and engaging memoir, already knows of the young genius, Mr. Dylan, having been exposed to early Dylan by his first love at Brooklyn College. The songs and life of Dylan are to affect our hero in curious ways. In the course of this book he comes to know two photographers--David Gahr and Barry Feinstein--who were close to Mr. Dylan. They tell him stories unheard of before the the great bard. Schulman comes to know other important people too--mostly through his work at Time magazine. How a Brooklyn street kid, got the job and his work at the magazine (for nearly 30 years) is a big part of the book. In the course of his life he meets many people whom he comes to see as 'fallen idols." One of the most important is James Wilde, Time magazine's most intrepid war correspondent. Mr. Wilde becomes a friend and mentor. In the nineties he travels to work for Wilde in Time's Nairobi office as a stringer. Here many adventures occur (worthy of a movie). There are other fallen idols. Too numerous to enumerate. But let me mention at least one--Vittorio Fiorucci--the monstre sacre and great Montreal artist. The creator of Juste Pour Rire's little green man. The book follows in the great literary tradition of Kerouac and Cormac McCarthy as he (Schulman) traverses--over a lifetime--wide areas of the globe--seeking and finding moments of joy and passion and nirvana. It is a journey that will excite you with the tears of things, as he seeks to find, along with all of us--permanence and love. (Another of his fallen idols is Norman Mailer and. . . oh, you'll just have to read the book.) But reader beware, Mr. Schulman's book is not for the faint of heart. So be careful. . . this book may knock you out. Like Hamlet advised "t'were as if a mirror were held up to nature." Human nature, that is. And it ain't always pretty.
