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Author: Pauline Greenhill
Publisher: University Press of Colorado
ISBN: 0874217822
Category : Social Science
Languages : en
Pages : 452
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Book Description
This ISBN refers to the ebook edition of this text, available directly from the publisher. It has erroneously been listed as paperback by some online vendors. The true paperback edition is indeed available at online vendors. Paste this ISBN into the search box: 9780874217810. In this, the first collection of essays to address the development of fairy tale film as a genre, Pauline Greenhill and Sidney Eve Matrix stress, "the mirror of fairy-tale film reflects not so much what its audience members actually are but how they see themselves and their potential to develop (or, likewise, to regress)." As Jack Zipes says further in the foreword, “Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles, and in our dreams and daydreams. The artistic re-creations of fairy-tale plots and characters in film—the parodies, the aesthetic experimentation, and the mixing of genres to engender new insights into art and life— mirror possibilities of estranging ourselves from designated roles, along with the conventional patterns of the classical tales.” Here, scholars from film, folklore, and cultural studies move discussion beyond the well-known Disney movies to the many other filmic adaptations of fairy tales and to the widespread use of fairy tale tropes, themes, and motifs in cinema.
Author: Pauline Greenhill
Publisher: University Press of Colorado
ISBN: 0874217822
Category : Social Science
Languages : en
Pages : 452
Get Book Here
Book Description
This ISBN refers to the ebook edition of this text, available directly from the publisher. It has erroneously been listed as paperback by some online vendors. The true paperback edition is indeed available at online vendors. Paste this ISBN into the search box: 9780874217810. In this, the first collection of essays to address the development of fairy tale film as a genre, Pauline Greenhill and Sidney Eve Matrix stress, "the mirror of fairy-tale film reflects not so much what its audience members actually are but how they see themselves and their potential to develop (or, likewise, to regress)." As Jack Zipes says further in the foreword, “Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles, and in our dreams and daydreams. The artistic re-creations of fairy-tale plots and characters in film—the parodies, the aesthetic experimentation, and the mixing of genres to engender new insights into art and life— mirror possibilities of estranging ourselves from designated roles, along with the conventional patterns of the classical tales.” Here, scholars from film, folklore, and cultural studies move discussion beyond the well-known Disney movies to the many other filmic adaptations of fairy tales and to the widespread use of fairy tale tropes, themes, and motifs in cinema.
Author: Jack Zipes
Publisher: Routledge
ISBN: 1135853940
Category : Literary Criticism
Languages : en
Pages : 894
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Book Description
The Enchanted Screen: The Unknown History of Fairy-Tale Films offers readers a long overdue, comprehensive look at the rich history of fairy tales and their influence on film, complete with the inclusion of an extensive filmography compiled by the author. With this book, Jack Zipes not only looks at the extensive, illustrious life of fairy tales and cinema, but he also reminds us that, decades before Walt Disney made his mark on the genre, fairy tales were central to the birth of cinema as a medium, as they offered cheap, copyright-free material that could easily engage audiences not only though their familiarity but also through their dazzling special effects. Since the story of fairy tales on film stretches far beyond Disney, this book, therefore, discusses a broad range of films silent, English and non-English, animation, live-action, puppetry, woodcut, montage (Jim Henson), cartoon, and digital. Zipes, thus, gives his readers an in depth look into the special relationship between fairy tales and cinema, and guides us through this vast array of films by tracing the adaptations of major fairy tales like "Little Red Riding Hood," "Cinderella," "Snow White," "Peter Pan," and many more, from their earliest cinematic appearances to today. Full of insight into some of our most beloved films and stories, and boldly illustrated with numerous film stills, The Enchanted Screen, is essential reading for film buffs and fans of the fairy tale alike.
Author: Hans Christian Andersen
Publisher: Macmillan Collector's Library
ISBN: 9781509826650
Category : Fiction
Languages : en
Pages : 0
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Book Description
Uniquely inventive and vivacious in style and with deep insight into children's points of view, Hans Christian Andersen established a new genre in literature. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition of Best Fairy Tales uses the classic translation by Jean Hersholt and is illustrated by various artists, with an afterword by Ned Halley. Hans Christian Andersen was a profoundly imaginative writer and storyteller who gave us the now standard versions of some traditional fairy tales - with an anarchic twist - but many of his most famous tales sprang directly from his imagination. The thirty stories here range from exuberant early works such as 'The Tinderbox' and 'The Emperor's New Clothes' through poignant masterpieces such as 'The Little Mermaid', 'The Little Match Girl' and 'The Ugly Duckling', to more subversive later tales such as 'The Ice Maiden' and 'The Dryad'.
Author: Anne E. Duggan
Publisher: Wayne State University Press
ISBN: 0814338542
Category : Social Science
Languages : en
Pages : 206
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Book Description
Both film and fairy-tale studies scholars will enjoy Duggan's fresh look at the distinctive cinema of Jacques Demy.
Author: Pamela Dean
Publisher: Penguin
ISBN: 9780142406526
Category : Young Adult Fiction
Languages : en
Pages : 484
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Book Description
In the ancient Scottish ballad "Tam Lin," headstrong Janet defies Tam Lin to walk in her own land of Carterhaugh . . . and then must battle the Queen of Faery for possession of her lover’s body and soul. In this version of "Tam Lin," masterfully crafted by Pamela Dean, Janet is a college student, "Carterhaugh" is Carter Hall at the university where her father teaches, and Tam Lin is a boy named Thomas Lane. Set against the backdrop of the early 1970s, imbued with wit, poetry, romance, and magic, Tam Lin has become a cult classic—and once you begin reading, you’ll know why. This reissue features an updated introduction by the book’s original editor, the acclaimed Terri Windling.
Author: Jessica Tiffin
Publisher: Wayne State University Press
ISBN: 0814335721
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
Explores self-consciousness and metafictional awareness in modern fairy tale and its expression across literary fairy tale, popular fairy tale, and fairy-tale film. In Marvelous Geometry Jessica Tiffin argues that within twentieth- and twenty-first-century Western literature there exists a diverse body of fairy-tale texts that display a common thread of metafictional self-awareness. The narrative pattern of these texts is self-conscious, overtly structured, variously fantastical, and, Tiffin argues, easily recognized and interpreted by modern audiences. In this broadly comparative study she explores contemporary fairy-tale fictions found in modern literature and live-action and animated film and television to explore fairy tale's ability to endlessly reinvent itself and the cultural implications of its continued relevance. Tiffin's skilled analysis draws on the critical fields of postmodernism, narratological analysis, stucturalism, feminism, and performativity, without relying solely on any one perspective. She considers important fairy-tale retellings such as the feminist revisions of Angela Carter, the postmodern narratives of A. S. Byatt, as well as fairy tales written for children by James Thurber. She also investigates both popular and high-art films, contrasting Cocteau and Neil Jordan to Hollywood romances and Disney, and analyzes the differences between animated features and live-action productions. Finally, Tiffin uses a case study of the recent successful Shrek films to situate the fairy tale in the twenty-first century as an endlessly adaptable folk narrative that self-consciously and affectionately reflects generic structures and significant cultural assumptions. Marvelous Geometry covers a wide range of familiar and unfamiliar primary texts from a novel and fruitful perspective. Tiffin's focus on the metafictional nature of the fairy tale turns readers' attention to the genre's narrative structure and aesthetic qualities without ever losing sight of the fairy tale's sociocultural impact as powerful marvelous narrative. Scholars of literary and fairy-tale studies will enjoy Tiffin's expansive analysis.
Author: Jack Zipes
Publisher: Routledge
ISBN: 113462820X
Category : Performing Arts
Languages : en
Pages : 565
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Book Description
The fairy tale has become one of the dominant cultural forms and genres internationally, thanks in large part to its many manifestations on screen. Yet the history and relevance of the fairy-tale film have largely been neglected. In this follow-up to Jack Zipes’s award-winning book The Enchanted Screen (2011), Fairy-Tale Films Beyond Disney offers the first book-length multinational, multidisciplinary exploration of fairy-tale cinema. Bringing together twenty-three of the world’s top fairy-tale scholars to analyze the enormous scope of these films, Zipes and colleagues Pauline Greenhill and Kendra Magnus-Johnston present perspectives on film from every part of the globe, from Hayao Miyazaki’s Spirited Away, to Jan Švankmajer’s Alice, to the transnational adaptations of 1001 Nights and Hans Christian Andersen. Contributors explore filmic traditions in each area not only from their different cultural backgrounds, but from a range of academic fields, including criminal justice studies, education, film studies, folkloristics, gender studies, and literary studies. Fairy-Tale Films Beyond Disney offers readers an opportunity to explore the intersections, disparities, historical and national contexts of its subject, and to further appreciate what has become an undeniably global phenomenon.
Author: Walter Rankin
Publisher: McFarland
ISBN: 1476604797
Category : Performing Arts
Languages : en
Pages : 221
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Book Description
Though Grimm's Fairy Tales was published about 200 years ago, the revered collection of folk stories remains one of the most iconic pieces of children's literature and has had significant influence in modern pop culture. This work examines the many ways that recent films have employed archetypal images, themes, symbols, and structural elements that originated in the most well-known Grimm fairy tales. The author draws similarities between the cannibalistic symbolism of the Grimm brothers' Little Red Cap and the 1991 film The Silence of the Lambs and reveals Faustian parallels between Rumpelstiltskin and the 1968 film Rosemary's Baby. Each of eight chapters reveals a similar pairing, and film stills and illustrations are featured throughout the work.
Author: Pauline Greenhill
Publisher:
ISBN: 9780814342220
Category :
Languages : en
Pages : 288
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Book Description
Reality, Magic, and Other Lies: Fairy-Tale Film Truths explores connections and discontinuities between lies and truths in fairy-tale films to directly address the current politics of fairy tale and reality. Since the Enlightenment, notions of magic and wonder have been relegated to the realm of the fanciful, with science and reality understood as objective and true. But the skepticism associated with postmodern thought and critiques from diverse perspectives--including but not limited to anti-racist, decolonial, disability, and feminist theorizing--renders this binary distinction questionable. Further, the precise content of magic and science has shifted through history and across location. Pauline Greenhill offers the idea that fairy tales, particularly through the medium of film, often address those distinctions by making magic real and reality magical. Reality, Magic, and Other Lies consists of an introduction, two sections, and a conclusion, with the first section, "Studio, Director, and Writer Oeuvres," addressing how fairy-tale films engage with and challenge scientific or factual approaches to truth and reality, drawing on films from the stop-motion animation company LAIKA, the independent filmmaker Tarsem, and the storyteller and writer Fred Pellerin. The second section, "Themes and Issues from Three Fairy Tales," shows fairy-tale film magic exploring real-life issues and experiences using the stories of "Hansel and Gretel," "The Juniper Tree," and "Cinderella." The concluding section, "Moving Forward?" suggests that the key to facing the reality of contemporary issues is to invest in fairy tales as a guide, rather than a means of escape, by gathering your community and never forgetting to believe. Reality, Magic, and Other Lies--which will be of interest to film and fairy-tale scholars and students--considers the ways in which fairy tales in their mediated forms deconstruct the world and offer alternative views for peaceful, appropriate, just, and intersectionally multifaceted encounters with humans, non-human animals, and the rest of the environment.
Author: Fiona Robinson
Publisher: Abrams Books for Young Readers
ISBN: 9781419740855
Category : Juvenile Nonfiction
Languages : en
Pages : 48
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Book Description
An innovative picture book biography about an unsung hero of early animation Lotte Reiniger (1899-1981) was a German film director and animator best known for The Adventures of Prince Achmed, which was released in 1926 and is the oldest surviving animated movie. (It came out a full 11 years before Disney's Snow White!) As a little kid, Reiniger loved reading fairytales and fell in love with puppetry. At school, she learned about paperschnitte, or papercuts, which helped her create her signature style of silhouettes. She grew up to make more than 40 films throughout her long career, most of which were fairytales that used her stop-film animation technique of hand-cut silhouettes. Reiniger is now seen as the foremost pioneer of silhouette animation and the inventor of an early form of the multiplane camera. With art inspired by Reiniger's cut-paper style and a text that uses a fairytale motif that mimics her movies, Out of the Shadows is a sweeping tribute to one of most important figures of animation, whose influence still resonates today.
