Author: Edward William Dolch
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Fairy Tales Around the World
Author: Edward Holmes
Publisher:
ISBN: 9780861630363
Category : Fairy tales
Languages : en
Pages : 128
Book Description
Publisher:
ISBN: 9780861630363
Category : Fairy tales
Languages : en
Pages : 128
Book Description
Three Classic Children's Stories
Author: James Kevin Donnelly
Publisher: Pomegranate
ISBN: 9780764955464
Category : Juvenile Fiction
Languages : en
Pages : 111
Book Description
Puts a new twist on three classic fairy tales, as Little Red, her grandmother, and the woodcutter are rewarded, Jack taunts the last remaining giant in Cornwall, and Omoline, the miller's daughter, toys with the ugly little man who wants to take her child.
Publisher: Pomegranate
ISBN: 9780764955464
Category : Juvenile Fiction
Languages : en
Pages : 111
Book Description
Puts a new twist on three classic fairy tales, as Little Red, her grandmother, and the woodcutter are rewarded, Jack taunts the last remaining giant in Cornwall, and Omoline, the miller's daughter, toys with the ugly little man who wants to take her child.
Fairy Tale
Author: Marina Warner
Publisher: Oxford University Press
ISBN: 019953215X
Category : Fairy tales
Languages : en
Pages : 193
Book Description
Marina Warner guides us through the rich world of fairy tale, from Cinderella and Hansel and Gretel to Snow White and Pan's Labyrinth. Exploring pervasive themes of folklore, myth, the supernatural, imagination, and fantasy, Warner highlights the impact of the genre on human understanding, history, and culture.
Publisher: Oxford University Press
ISBN: 019953215X
Category : Fairy tales
Languages : en
Pages : 193
Book Description
Marina Warner guides us through the rich world of fairy tale, from Cinderella and Hansel and Gretel to Snow White and Pan's Labyrinth. Exploring pervasive themes of folklore, myth, the supernatural, imagination, and fantasy, Warner highlights the impact of the genre on human understanding, history, and culture.
The Oxford Book of Modern Fairy Tales
Author: Alison Lurie
Publisher: Oxford University Press, USA
ISBN: 9780192803832
Category : Fiction
Languages : en
Pages : 455
Book Description
This marvelous collection of fairy tales, some moral, some satirical, some bizarre, reflects the popularity and scope of this enduring and versatile genre. Featuring tales written by figures as diverse as Charles Dickens and Ursula Le Guin, this anthology will appeal to the child that exists in every adult.
Publisher: Oxford University Press, USA
ISBN: 9780192803832
Category : Fiction
Languages : en
Pages : 455
Book Description
This marvelous collection of fairy tales, some moral, some satirical, some bizarre, reflects the popularity and scope of this enduring and versatile genre. Featuring tales written by figures as diverse as Charles Dickens and Ursula Le Guin, this anthology will appeal to the child that exists in every adult.
The Magic Forest
Author: Stewart Edward White
Publisher: Das Press
ISBN: 144371738X
Category : Fiction
Languages : en
Pages : 140
Book Description
The Magic Forest: A Modern Fairy Story. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Publisher: Das Press
ISBN: 144371738X
Category : Fiction
Languages : en
Pages : 140
Book Description
The Magic Forest: A Modern Fairy Story. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
After the Happily Ever After
Author: Transmundane Press LLC
Publisher: Transmundane Press, LLC
ISBN: 9780998498300
Category :
Languages : en
Pages :
Book Description
The happily ever after is never the end. The curtain doesn't fall once love is recognized or evil is vanquished. Credits don't roll once the giant is slain or the big bad wolf is boiled alive. Wicked stepsisters, malevolent rulers, and hideous creatures still have lives after their sinister roles play out; heroes, lovers, and dreamers often find their victories lead to more troubles. Within these pages are more than seventy continuations, retellings, and eldritch stories that explore the dark forests, magical castles, and gruesome monsters After the Happily Ever After.
Publisher: Transmundane Press, LLC
ISBN: 9780998498300
Category :
Languages : en
Pages :
Book Description
The happily ever after is never the end. The curtain doesn't fall once love is recognized or evil is vanquished. Credits don't roll once the giant is slain or the big bad wolf is boiled alive. Wicked stepsisters, malevolent rulers, and hideous creatures still have lives after their sinister roles play out; heroes, lovers, and dreamers often find their victories lead to more troubles. Within these pages are more than seventy continuations, retellings, and eldritch stories that explore the dark forests, magical castles, and gruesome monsters After the Happily Ever After.
From Fairy Tale to Film Screenplay
Author: Terence Patrick Murphy
Publisher: Springer
ISBN: 1137552034
Category : Language Arts & Disciplines
Languages : en
Pages : 197
Book Description
In Screenplay: The Foundations of Screenwriting (1979), Syd Field first popularized the Three-Act Paradigm of Setup, Confrontation and Resolution for conceptualizing and creating the Hollywood screenplay. For Field, the budding screenwriter needs a clear screenplay structure, one which includes two well-crafted plot points, the first at the end of Act I, the second at the end of Act II. By focusing on the importance of the four essentials of beginning and end, and the two pivotal plot points, Field did the Hollywood film industry an enormous service. Nonetheless, although he handles the issue of overall structure expertly, Field falls down when offering the screenwriter advice on how to successfully build each of the three individual Acts. This is because Field did not recognize the importance of another layer of analysis that underpins the existence of plot points. This is the level of the plot genotype.This book will offer you a richer theory of plot structure than the one Field outlines. It will do this not by contradicting anything Field has to say about the Hollywood paradigm, but by complementing it with a deeper level of analysis. Plot genotypes are the compositional schemas of particular stories. They are sets of instructions, written in the language of the plot function, for executing particular plots. This book outlines the plot genotypes for The Frog Prince, The Robber Bridegroom, Puss-in-Boots, and Little Red Riding Hood and then shows how these genotypes provide the underpinnings for the film screenplays of Pretty Woman, Wrong Turn, The Mask, and Psycho. By means of a detailed study of these four Hollywood screenplays, you will be able to offer a much richer description of what is going on at any particular point in a screenplay. In this way, you will become much sharper at understanding how screenplays work. And you will become much better at learning how to write coherent screenplays yourself.
Publisher: Springer
ISBN: 1137552034
Category : Language Arts & Disciplines
Languages : en
Pages : 197
Book Description
In Screenplay: The Foundations of Screenwriting (1979), Syd Field first popularized the Three-Act Paradigm of Setup, Confrontation and Resolution for conceptualizing and creating the Hollywood screenplay. For Field, the budding screenwriter needs a clear screenplay structure, one which includes two well-crafted plot points, the first at the end of Act I, the second at the end of Act II. By focusing on the importance of the four essentials of beginning and end, and the two pivotal plot points, Field did the Hollywood film industry an enormous service. Nonetheless, although he handles the issue of overall structure expertly, Field falls down when offering the screenwriter advice on how to successfully build each of the three individual Acts. This is because Field did not recognize the importance of another layer of analysis that underpins the existence of plot points. This is the level of the plot genotype.This book will offer you a richer theory of plot structure than the one Field outlines. It will do this not by contradicting anything Field has to say about the Hollywood paradigm, but by complementing it with a deeper level of analysis. Plot genotypes are the compositional schemas of particular stories. They are sets of instructions, written in the language of the plot function, for executing particular plots. This book outlines the plot genotypes for The Frog Prince, The Robber Bridegroom, Puss-in-Boots, and Little Red Riding Hood and then shows how these genotypes provide the underpinnings for the film screenplays of Pretty Woman, Wrong Turn, The Mask, and Psycho. By means of a detailed study of these four Hollywood screenplays, you will be able to offer a much richer description of what is going on at any particular point in a screenplay. In this way, you will become much sharper at understanding how screenplays work. And you will become much better at learning how to write coherent screenplays yourself.
Theorizing Twilight
Author: Maggie Parke
Publisher: McFarland
ISBN: 078648912X
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
Since the publication of Twilight in 2005, Stephenie Meyer's four-book saga about the tortured relationship between human heroine Bella Swan and her vampire love Edward Cullen has become a world-wide sensation--inciting screams of delight, sighs of derision, and fervent pronouncements. Those looking deeper into its pages and on screen can find intriguing subtexts about everything from gender, race, sexuality, and religion. The 15 essays in this book examine the texts, the films, and the fandom, exploring the series' cultural reach and offering one of the first thorough analyses of the saga.
Publisher: McFarland
ISBN: 078648912X
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
Since the publication of Twilight in 2005, Stephenie Meyer's four-book saga about the tortured relationship between human heroine Bella Swan and her vampire love Edward Cullen has become a world-wide sensation--inciting screams of delight, sighs of derision, and fervent pronouncements. Those looking deeper into its pages and on screen can find intriguing subtexts about everything from gender, race, sexuality, and religion. The 15 essays in this book examine the texts, the films, and the fandom, exploring the series' cultural reach and offering one of the first thorough analyses of the saga.
Fairy Tale Films
Author: Pauline Greenhill
Publisher: University Press of Colorado
ISBN: 0874217822
Category : Social Science
Languages : en
Pages : 452
Book Description
This ISBN refers to the ebook edition of this text, available directly from the publisher. It has erroneously been listed as paperback by some online vendors. The true paperback edition is indeed available at online vendors. Paste this ISBN into the search box: 9780874217810. In this, the first collection of essays to address the development of fairy tale film as a genre, Pauline Greenhill and Sidney Eve Matrix stress, "the mirror of fairy-tale film reflects not so much what its audience members actually are but how they see themselves and their potential to develop (or, likewise, to regress)." As Jack Zipes says further in the foreword, “Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles, and in our dreams and daydreams. The artistic re-creations of fairy-tale plots and characters in film—the parodies, the aesthetic experimentation, and the mixing of genres to engender new insights into art and life— mirror possibilities of estranging ourselves from designated roles, along with the conventional patterns of the classical tales.” Here, scholars from film, folklore, and cultural studies move discussion beyond the well-known Disney movies to the many other filmic adaptations of fairy tales and to the widespread use of fairy tale tropes, themes, and motifs in cinema.
Publisher: University Press of Colorado
ISBN: 0874217822
Category : Social Science
Languages : en
Pages : 452
Book Description
This ISBN refers to the ebook edition of this text, available directly from the publisher. It has erroneously been listed as paperback by some online vendors. The true paperback edition is indeed available at online vendors. Paste this ISBN into the search box: 9780874217810. In this, the first collection of essays to address the development of fairy tale film as a genre, Pauline Greenhill and Sidney Eve Matrix stress, "the mirror of fairy-tale film reflects not so much what its audience members actually are but how they see themselves and their potential to develop (or, likewise, to regress)." As Jack Zipes says further in the foreword, “Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles, and in our dreams and daydreams. The artistic re-creations of fairy-tale plots and characters in film—the parodies, the aesthetic experimentation, and the mixing of genres to engender new insights into art and life— mirror possibilities of estranging ourselves from designated roles, along with the conventional patterns of the classical tales.” Here, scholars from film, folklore, and cultural studies move discussion beyond the well-known Disney movies to the many other filmic adaptations of fairy tales and to the widespread use of fairy tale tropes, themes, and motifs in cinema.
A Cultural History of the Disney Fairy Tale
Author: Tracey L. Mollet
Publisher: Springer Nature
ISBN: 3030501493
Category : Performing Arts
Languages : en
Pages : 181
Book Description
This book charts the complex history of the relationship between the Disney fairy tale and the American Dream, demonstrating the ways in which the Disney fairy tale has been reconstructed and renegotiated alongside, and in response to important changes within American society. In all of its fairy tales of the twentieth and twenty-first centuries, the Walt Disney studios works to sell its audiences the national myth of the United States at any one historical moment. With analyses of films and television programmes such as The Little Mermaid (1989), Frozen (2013), Beauty and the Beast (2017) and Once Upon a Time (2011-2018), Mollet argues that by giving its fairy tale protagonists characteristics associated with ‘good’ Americans, and even by situating their fairy tales within America itself, Disney constructs a vision of America as a utopian space.
Publisher: Springer Nature
ISBN: 3030501493
Category : Performing Arts
Languages : en
Pages : 181
Book Description
This book charts the complex history of the relationship between the Disney fairy tale and the American Dream, demonstrating the ways in which the Disney fairy tale has been reconstructed and renegotiated alongside, and in response to important changes within American society. In all of its fairy tales of the twentieth and twenty-first centuries, the Walt Disney studios works to sell its audiences the national myth of the United States at any one historical moment. With analyses of films and television programmes such as The Little Mermaid (1989), Frozen (2013), Beauty and the Beast (2017) and Once Upon a Time (2011-2018), Mollet argues that by giving its fairy tale protagonists characteristics associated with ‘good’ Americans, and even by situating their fairy tales within America itself, Disney constructs a vision of America as a utopian space.