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Author: Maria Bailey
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 139
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Book Description
A curriculum unit that features the 11 objects in the Art Institute of Chicago's exhibit "Faces, Places, and Inner Spaces," chosen from diverse cultures, time periods and geographic regions and intended as a multidimensional introduction to the collections of the museum.
Author: Maria Bailey
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 139
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Book Description
A curriculum unit that features the 11 objects in the Art Institute of Chicago's exhibit "Faces, Places, and Inner Spaces," chosen from diverse cultures, time periods and geographic regions and intended as a multidimensional introduction to the collections of the museum.
Author: Jean Sousa
Publisher: Harry N. Abrams
ISBN: 9780810959668
Category : Juvenile Nonfiction
Languages : en
Pages : 0
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Book Description
An exploration of art focusing on faces, places and inner spaces.
Author: Carolyn Finney
Publisher: UNC Press Books
ISBN: 1469614480
Category : Nature
Languages : en
Pages : 194
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Book Description
Black Faces, White Spaces: Reimagining the Relationship of African Americans to the Great Outdoors
Author: Randal Pinkett
Publisher: AMACOM Div American Mgmt Assn
ISBN: 0814416802
Category : Business & Economics
Languages : en
Pages : 289
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Book Description
The book also examines social responsibility, institution building, and longstanding traditions of giving throughout African-American culture and history.
Author: Barbara Manger
Publisher: Wisconsin Historical Society
ISBN: 0870205854
Category : Juvenile Nonfiction
Languages : en
Pages : 135
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Book Description
LOOK INSIDE THE LIFE — AND HOME — OF LEGENDARY 'OUTSIDER' ARTIST MARY NOHL "Mary Nohl: A Lifetime in Art" by Barbara Manger and Janine Smith, tells the story of Milwaukee-born artist, Mary Nohl. A prolific and fanciful maker who worked in a variety of media, Nohl was both a mysterious figure and an iconic "outsider" artist. This new addition to the Badger Biographies series captures her life and will capture the imagination of readers, and artists, of all ages. Nohl didn't just make art — she lived it. From the time she was young, Mary enjoyed making things, from the model airplane that won her a citywide prize to assignments in shop class, where she learned to work with tools. Her interests in art blossomed during the years she spent training at the Art Institute of Chicago, leading to a lifetime of curiosity and ventures into new artistic media. From pottery to silver jewelry and oil painting to concrete sculpture, Mary explored new ways of making art. Many of her pieces were made from found objects that other people might think of as junk — like chicken bones, bedsprings and sand that she made into concrete. Nohl, who made her home on the shores of Lake Michigan, decorated the interior of her cottage with bright colors and eye-catching figures in driftwood and glass. During her later years, her home became known as the "Witch's House" — a place of local legend known far beyond Fox Point. Though she died in 2001, Mary's legacy continues. Her art is held at the John Michael Kohler Arts Center in Sheboygan, and her home is listed on the National Register of Historic Places. The popular Badger Biographies series for young readers explores the lives of famous and not-so-famous figures in Wisconsin history. The Wisconsin Historical Society Press is proud to celebrate the release of this, the 21st book in the series.
Author: Stephen J. Page
Publisher: Routledge
ISBN: 100005277X
Category : Business & Economics
Languages : en
Pages : 837
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Book Description
The Routledge Handbook of Events explores and critically evaluates the debates and controversies associated with the rapidly expanding domain of Event Studies. It brings together leading specialists from a range of disciplinary backgrounds, to provide a state-of-the-art review on the evolution of the subject. The first edition was a landmark study which examined how event research had evolved and developed from a range of different social science subject areas and disciplines. The Handbook was the first critique of the extent to which the subject had developed into a major area of social science inquiry. This second edition has been fully updated to reflect crucial developments in the field and includes brand new sections on ever-important aspects of Event Studies such as: anthropology, hospitality, seasonality, knowledge management, accessibility, diversity and human rights, as well as new studies on ‘the eventful city’ and the benefits of events in older life. The book is divided into four inter-related sections. Section 1 introduces and evaluates the concept of events. Section 2 critically reviews the relationship between events and other disciplines such as the contribution of economics, psychology and geography to the critical discourse of Event Studies. Section 3 focuses on the business, operational and strategic management of events, while the final section crucially focuses on critical events as a new paradigm within the burgeoning literature on Events. It offers the reader a comprehensive and critical synthesis of this field, conveying the latest thinking associated with events research, edited by two of the leading scholars in the field. The text will provide an invaluable resource for all those with an interest in Events Studies, encouraging dialogue that will span across disciplinary boundaries and other areas of study. It is an essential guide for anyone interested in events research.
Author: Garofalo Architects
Publisher: University of Illinois Press
ISBN: 9780933856820
Category : Architecture
Languages : en
Pages : 110
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Book Description
An unprecedented collaboration between the Museum of Contemporary Art, Chicago, and the College of Architecture and the Arts at the University of Illinois at Chicago resulted in the architectural project Between the Museum and the City: Garofalo Architects. Chicago-based architect Douglas Garofalo, a significant emerging talent, was commissioned to design and construct a temporary architectural space that would enliven the museum's plaza, making it a bridge between the museum and the city of Chicago. The final design emerged after an unusually diverse group of people had participated in small sessions and public forums. Cultural theorists, museum workers, educators, urban planners, engineers, city officials, college and high school students, artists, and sponsors all contributed to the design, execution, and documentation. The temporary nature of Garofalo's project and the low budget available encouraged experimentation with forms and materials. The result is a unique, abstract architectural form, which crawls down the stairs of the barren museum facade and sprawls across the otherwise uninhabited plaza, offering seating and space for public uses. The exhibition, which ran from May 31 to October 12, 2003, featured both the new structure and documentation of its conceptual underpinnings and the entire working process: drawings, sketches, 3D models, computer animations. During its summer months in the plaza, the structure was a gathering place for programs and performances, a weekly farmers' market, and nighttime dinner parties, and it offered a seat of respite for bicycle messengers, museum visitors, and tourists. Between the City and the Museum preserves this architecturally and programmatically innovative project in book form, abundantly illustrated. An essay by Douglas Garofalo describes the conceptual thinking, site analysis, and collaborative strategies employed by Garofalo Architects, as well as the physical elements of this dynamic experimental structure.
Author: Donna-Claire Chesman
Publisher: Simon and Schuster
ISBN: 163758069X
Category : Music
Languages : en
Pages : 250
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Book Description
An album-by-album celebration of the life and music of Mac Miller through oral histories, intimate reflections, and critical examinations of his enduring work. “One of my most vivid memories of him is the way he would look at you while he was playing you a song. He tried to look you right in the eyes to see how you were feeling about it.” —Will Kalson, friend and first manager Following Mac Miller’s tragic passing in 2018, Donna-Claire Chesman dedicated a year to chronicling his work through the unique lens of her relationship to the music and Mac’s singular relationship to his fans. Like many who’d been following him since he’d started releasing mixtapes at eighteen years old, she felt as if she’d come of age alongside the rapidly evolving artist, with his music being crucial to her personal development. “I want people to remember his humanity as they’re listening to the music, to realize how much bravery and courage it takes to be that honest, be that self-aware, and be that real about things going on internally. He let us witness that entire journey. He never hid that.” —Kehlani, friend and musician. The project evolved to include intimate interviews with many of Mac’s closest friends and collaborators, from his Most Dope Family in Pittsburgh to the producers and musicians who assisted him in making his everlasting music, including Big Jerm, Rex Arrow, Wiz Khalifa, Benjy Grinberg, Just Blaze, Josh Berg, Syd, Thundercat, and more. These voices, along with the author’s commentary, provide a vivid and poignant portrait of this astonishing artist—one who had just released a series of increasingly complex albums, demonstrating what a musical force he was and how heartbreaking it was to lose him. “As I’m reading the lyrics, it’s crazy. It’s him telling us that he hopes we can always respect him. I feel like this is a message from him, spiritually. A lot of the time, his music was like little letters and messages to his friends, family, and people he loved, to remind them of who he really was.” —Quentin Cuff, best friend and tour manager
Author: Tove Ditlevsen
Publisher: Picador
ISBN: 1250838207
Category : Fiction
Languages : en
Pages : 144
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Book Description
From Tove Ditlevsen, the acclaimed author of the Copenhagen Trilogy, comes The Faces, a searing, haunting novel of a woman on the edge, portrayed with all the vividness of lived experience. Copenhagen, 1968. Lise, a children’s book writer and married mother of three, is increasingly haunted by disembodied faces and voices. She is convinced that her husband, already extravagantly unfaithful, will leave her. Most of all, she is scared that she will never write again. Yet as she descends into a world of pills and hospitals, she begins to wonder—is insanity really something to be feared, or does it bring a kind of freedom?
Author: Valeria Luiselli
Publisher: Coffee House Press
ISBN: 1566893550
Category : Fiction
Languages : en
Pages : 161
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Book Description
Electric Literature 25 Best Novels of 2014 Largehearted Boy Favorite Novels of 2014 "An extraordinary new literary talent."--The Daily Telegraph "In part a portrait of the artist as a young woman, this deceptively modest-seeming, astonishingly inventive novel creates an extraordinary intimacy, a sensibility so alive it quietly takes over all your senses, quivering through your nerve endings, opening your eyes and heart. Youth, from unruly student years to early motherhood and a loving marriage--and then, in the book's second half, wilder and something else altogether, the fearless, half-mad imagination of youth, I might as well call it—has rarely been so freshly, charmingly, and unforgettably portrayed. Valeria Luiselli is a masterful, entirely original writer."--Francisco Goldman In Mexico City, a young mother is writing a novel of her days as a translator living in New York. In Harlem, a translator is desperate to publish the works of Gilberto Owen, an obscure Mexican poet. And in Philadelphia, Gilberto Owen recalls his friendship with Lorca, and the young woman he saw in the windows of passing trains. Valeria Luiselli's debut signals the arrival of a major international writer and an unexpected and necessary voice in contemporary fiction. "Luiselli's haunting debut novel, about a young mother living in Mexico City who writes a novel looking back on her time spent working as a translator of obscure works at a small independent press in Harlem, erodes the concrete borders of everyday life with a beautiful, melancholy contemplation of disappearance. . . . Luiselli plays with the idea of time and identity with grace and intuition." —Publishers Weekly
