Faces of Impressionism PDF Download
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Author: Sona Johnston
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 176
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Book Description
From traditional, tightly rendered likenesses to light-filled, loosely brushed paintings, the works in this volume depict a variety of subjects: friends, family members, patrons, public figures, and the artists themselves.
Author: Sona Johnston
Publisher: Rizzoli International Publications
ISBN: 9780847822102
Category : Impressionism (Art)
Languages : en
Pages : 0
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Book Description
This fresh look at beloved and lesser-known portraits by the great Impressionists features works by such pivotal figures as Mary Cassatt, Paul Czanne, Edgar Degas, and Claude Monet. 156 illustrations, 114 in color.
Author: Sona Johnston
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 176
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Book Description
From traditional, tightly rendered likenesses to light-filled, loosely brushed paintings, the works in this volume depict a variety of subjects: friends, family members, patrons, public figures, and the artists themselves.
Author: George T. M. Shackelford
Publisher:
ISBN: 9780912804538
Category : Impressionism (Art)
Languages : en
Pages : 272
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Book Description
Author: Jane Block
Publisher: Yale University Press
ISBN: 0300190840
Category : Art
Languages : en
Pages : 257
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Book Description
"Published on the occasion of the exhibition Face to Face: Neo-Impressionist Portraits, 1886-1904. ING Cultural Centre, Brussels, February 19-May 18, 2014, Indianapolis Museum of Art, June 13-September 7, 2014."
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Gloria Lynn Groom
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
Presents a collection of more than one hundred French impressionist paintings found in the Art Institute of Chicago.
Author: Helene Barbara Weinberg
Publisher: Metropolitan Museum of Art
ISBN: 0870997009
Category : Impressionism (Art)
Languages : en
Pages : 400
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Book Description
An examination of the continuities and differences between American Impressionism and Realism. Copyright © Libri GmbH. All rights reserved.
Author: National Museum of American Art (U.S.)
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 114
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Book Description
This volume features artists who brought a new sophistication and elegancento American art in the three decades before World War I. Wealthyndustrialists eager to acquire culture began to patronize native artists whoad achieved international recognition. John Singer Sargent, Irving Wiles andecilia Beaux created portraits of these new patrons, while John La Farge andugustus Saint-Gaudens made luxurious adornments for their homes. One groupf painters - including Louis Comfort Tiffany, Frederick Arthur Bridgman,enry Ossawa Tanner and Charles Sprague Pearce - responded especially to theascnation with exotic Middle Eastern, Egyptian or "Oriental" cultures thatharacterized this age of international imperialism. The educated and refinedspects of Gilded Age culture are expressed here in Renaissance-inspiredaintings by Abbott Thayer and Mary Cassatt. Romantic literary works byisionary Albert Pinkham Ryder symbolize the idealized strivings of thiseneration, while the rugged masculine landscapes of Winslow Homer emblemizehe struggle and conflict that marked this period of contending social and
Author: SONA K. JOHNSTON
Publisher:
ISBN: 9780912298719
Category :
Languages : en
Pages : 0
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Book Description
Author: Marnin Young
Publisher: Yale University Press
ISBN: 0300208324
Category : Art
Languages : en
Pages : 273
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Book Description
The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-Franocois Raffaeelli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young's highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art.
