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Author: James Griffith
Publisher: Springer
ISBN: 3319702386
Category : Philosophy
Languages : en
Pages : 220
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Book Description
What role do fables play in Cartesian method and psychology? By looking at Descartes’ use of fables, James Griffith suggests there is a fabular logic that runs to the heart of Descartes’ philosophy. First focusing on The World and the Discourse on Method, this volume shows that by writing in fable form, Descartes allowed his readers to break from Scholastic methods of philosophizing. With this fable-structure or -logic in mind, the book reexamines the relationship between analysis, synthesis, and inexact sciences; between metaphysics and ethico-political life; and between the imagination, the will, and the passions.
Author: James Griffith
Publisher: Springer
ISBN: 3319702386
Category : Philosophy
Languages : en
Pages : 220
Get Book Here
Book Description
What role do fables play in Cartesian method and psychology? By looking at Descartes’ use of fables, James Griffith suggests there is a fabular logic that runs to the heart of Descartes’ philosophy. First focusing on The World and the Discourse on Method, this volume shows that by writing in fable form, Descartes allowed his readers to break from Scholastic methods of philosophizing. With this fable-structure or -logic in mind, the book reexamines the relationship between analysis, synthesis, and inexact sciences; between metaphysics and ethico-political life; and between the imagination, the will, and the passions.
Author: Dennis L. Sepper
Publisher: Univ of California Press
ISBN: 9780520200500
Category : Philosophy
Languages : en
Pages : 344
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Book Description
"A work of major importance for the interpretation of Descartes's development and for the understanding of the function of the imagination in Descartes's early works. Descartes's Imagination will be a must in Descartes and imagination studies. It is long overdue."--Eva T. H. Brann, author of The World of Imagination: Sum and Substance "A significant contribution to our understanding of the development of Descartes's philosophy."--William R. Shea, author of The Magic of Numbers and Motion: The Scientific Career of Rene Descartes
Author: Matthew W. Maguire
Publisher: Harvard University Press
ISBN: 9780674021884
Category : History
Languages : en
Pages : 310
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Book Description
Maguire uncovers a history of French thought that casts the imagination as a dominant faculty in our experience of the world. Original and thought-provoking, this book will interest a range of readers across intellectual history, political theory, literary and cultural studies, and the history of religious thought.
Author: Andrea Gadberry
Publisher: University of Chicago Press
ISBN: 022672316X
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
What is thinking? What does it feel like? What is it good for? Andrea Gadberry looks for answers to these questions in the philosophy of René Descartes and finds them in the philosopher’s implicit poetics. Gadberry argues that Descartes’s thought was crucially enabled by poetry and shows how markers of poetic genres from love lyric and elegy to the puzzling forms of the riddle and the anagram betray an impassioned negotiation with the difficulties of thought and its limits. Where others have seen Cartesian philosophy as a triumph of reason, Gadberry reveals that the philosopher accused of having “slashed poetry’s throat” instead enlisted poetic form to contain thought’s frustrations. Gadberry’s approach to seventeenth-century writings poses questions urgent for the twenty-first. Bringing literature and philosophy into rich dialogue, Gadberry centers close reading as a method uniquely equipped to manage skepticism, tolerate critical ambivalence, and detect feeling in philosophy. Helping us read classic moments of philosophical argumentation in a new light, this elegant study also expands outward to redefine thinking in light of its poetic formations.
Author: Vera Bühlmann
Publisher: Birkhäuser
ISBN: 3035627703
Category : Architecture
Languages : en
Pages : 536
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Book Description
In The Digital, a Continent?, the author argues in favor of a way of thinking about digital technology that draws on the new materialism. She uses photosynthesis and nuclear fission as examples of processes that are as artificial as they are natural to explain how digital technology can be viewed within the paradigm of a "communicative physics" in which poetics interacts with mathematical thinking. The author concludes that we can better understand ourselves and digital technology by developing notions of the multifaceted ways energy, form, and intellect interact in global architectonics. Theoretical consideration of digital technology Visual language and science New volume in the Applied Virtuality Book Series
Author: Pierre Legrand
Publisher: Taylor & Francis
ISBN: 1003822274
Category : Law
Languages : en
Pages : 347
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Book Description
This book’s essays aim subversively and resolutely to replace the hegemonic discursive frame governing comparative law. Beyond harnessing negative critique to resist the orthodoxy’s self-assured cognitive assumptions, at once unexamined and indefensible, the argument mobilizes negativity as an empowering idea, a resource towards the displacement of the brand of comparative law that has been fostering a closing of the comparing mind. To answer the demands of the moment and herald foreign law research as a creditable intellectual development, one requires to engage in a culturalist theorization and practice of comparative law at radical variance from the prevailing positivist model. The negative turn, then, is a call to comparative action – a comparactive motion – in support of the robustly indisciplined thinking that must thoroughly inform research into foreign law. In photography, the negative has been employed productively to generate a positive print. In comparative law, negation wants to affirm edifying epistemic yields. This book will benefit all law teachers and postgraduate law students interested in the workings of law on the international scene, whether specialists in comparative law, public international law, private international law, transnational law, or foreign relations law – in particular, individuals bringing to bear a critical inclination to their subject-matter.
Author: Aljoscha Berve
Publisher: Cambridge Scholars Publishing
ISBN: 1443882437
Category : Philosophy
Languages : en
Pages : 435
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Book Description
One of the most important characteristics of present day ontological research is the growing interest in, and emphasis on, the dynamic aspects of being and the process-relational character of being itself. However, many important questions still await detailed answers. For example, what is the meaning of the concepts of “dynamics,” “dynamicity,” and “dynamic ontology,” among others? Are they identical to, or similar with, respectively, “processes,” “process ontology,” “process-relational ontology”? Is “process ontology” a type of “dynamic ontology”? Dynamic Being: Essays in Process-Relational Ontology examines these and many other questions, and suggests fruitful approaches in dealing with such questions. The book carries out two main tasks: first, investigating developments in the theory of dynamic and process-relational ontologies, and, second, exploring developments in the application of these ontologies. The second task is multidisciplinary in character. The authors of the chapters in this volume are specialists not only in philosophy, but also in other fields of science, including psychology, biology, mathematics, logic, and computer science, their work providing a “seed-bed” of novel possibilities for cooperative interdisciplinary research.
Author: Paul Avis
Publisher: Routledge
ISBN: 1134609388
Category : Religion
Languages : en
Pages : 197
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Book Description
'A mere metaphor', 'only symbolic', 'just a myth' - these tell tale phrases reveal how figurative language has been cheapened and devalued in our modern and postmodern culture. In God and the Creative Imagination, Paul Avis argues the contrary: we see that actually, metaphor, symbol and myth, are the key to a real knowledge of God and the sacred. Avis examines what he calls an alternative tradition, stemming from the Romantic poets Blake, Wordsworth and Keats and drawing on the thought of Cleridge and Newman, and experience in both modern philosophy and science. God and the Creative Imagination intriguingly draws on a number of non-theological disciplines, from literature to philosophy of science, to show us that God is appropriately likened to an artist or poet and that the greatest truths are expressed in an imaginative form. Anyone wishing to further their understanding of God, belief and the imagination will find this an inspiring work.
Author: René Descartes
Publisher: BRILL
ISBN: 9004456708
Category : History
Languages : en
Pages : 288
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Book Description
Exactly four hundred years after the birth of René Descartes (1596-1650), the present volume now makes available, for the first time in a bilingual, philosophical edition prepared especially for English-speaking readers, his Regulae ad directionem ingenii / Rules for the Direction of the Natural Intelligence (1619-1628), the Cartesian treatise on method. This unique edition contains an improved version of the original Latin text, a new English translation intended to be as literal as possible and as liberal as necessary, an interpretive essay contextualizing the text historically, philologically, and philosophically, a com-prehensive index of Latin terms, a key glossary of English equivalents, and an extensive bibliography covering all aspects of Descartes' methodology. Stephen Gaukroger has shown, in his authoritative Descartes: An Intellectual Biography (1995), that one cannot understand Descartes without understanding the early Descartes. But one also cannot understand the early Descartes without understanding the Regulae / Rules. Nor can one understand the Regulae / Rules without understanding a philosophical edition thereof. Therein lies the justification for this project. The edition is intended, not only for students and teachers of philosophy as well as of related disciplines such as literary and cultural criticism, but also for anyone interested in seriously reflecting on the nature, expression, and exercise of human intelligence: What is it? How does it manifest itself? How does it function? How can one make the most of what one has of it? Is it equally distributed in all human beings? What is natural about it, and what, not? In the Regulae / Rules Descartes tries to provide, from a distinctively early modern perspective, answers both to these and to many other questions about what he refers to as ingenium.
Author:
Publisher: Oxford University Press
ISBN: 0192579002
Category : Philosophy
Languages : en
Pages : 769
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Book Description
French philosophy is an internationally celebrated national philosophical tradition, and this Oxford Handbook offers a comprehensive approach to its history since 1800. The Handbook features essays written by renowned international specialists, illuminating key movements and positions, themes and thinkers in nineteenth-, twentieth- and even twenty-first-century French philosophy. The volume takes into account developments in recent historical scholarship by broadening the notion of Modern French Philosophy in two ways. Whereas recent approaches in the field have often ignored early nineteenth-century developments, this volume offers comprehensive treatment of French thought of this period in order to grasp better later developments. Moreover, the volume extends the canon at the other end of the period of Modern French Philosophy by including work on philosophers who have come to prominence only in the last ten or twenty years. The volume takes 'French philosophy' in a broad sense to include all philosophy carried out in France over the last 200 years, and it illuminates the institutional and cultural background of this national philosophical tradition in such a way as to provide a fuller and more comprehensive understanding of its unity and of its more famous moments in the twentieth century.
