The Modernist Response to Chinese Art PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Modernist Response to Chinese Art PDF full book. Access full book title The Modernist Response to Chinese Art by Zhaoming Qian. Download full books in PDF and EPUB format.
Author: Zhaoming Qian
Publisher: University of Virginia Press
ISBN: 9780813921761
Category : Art
Languages : en
Pages : 300
Get Book Here
Book Description
The Modernist Response to Chinese Art is a work of both erudition and sympathy that reveals the root of modernist poets' otherwise baffling interest in and use of Chinese art. Most impressive, perhaps, is the depth of their embrace of it, as Qian has so convincingly documented. --Patricia C. Williams.
Author: Zhaoming Qian
Publisher: University of Virginia Press
ISBN: 9780813921761
Category : Art
Languages : en
Pages : 300
Get Book Here
Book Description
The Modernist Response to Chinese Art is a work of both erudition and sympathy that reveals the root of modernist poets' otherwise baffling interest in and use of Chinese art. Most impressive, perhaps, is the depth of their embrace of it, as Qian has so convincingly documented. --Patricia C. Williams.
Author: Kent Su
Publisher:
ISBN: 9781638041115
Category : History
Languages : en
Pages : 0
Get Book Here
Book Description
This book explores how Chinese landscapes shaped Ezra Pound's poetry in The Cantos, uncovering their philosophical and aesthetic significance. Through meticulous research and a multidisciplinary approach, it delves into cross-cultural artistic connections, shedding light on the power of imagination and the interplay between Eastern and Western traditions.
Author: Ming Xie
Publisher: Routledge
ISBN: 1000526224
Category : Literary Criticism
Languages : en
Pages : 212
Get Book Here
Book Description
First published in 1999. The subject of this book is the translation and appropriation of Chinese poetry by some English and American writers in the early decades of this century. The author explores the be concerned as much with English translation of Chinese poetry per se as with the relationship between this body of translation from the Chinese and the developing poetics and practices of what is usually referred to as "Imagism," as much with the question of historical influence or ascription as with certain interpretive and critical aspects of this correlative relationship. Focusing on the direct influence of Chinese poetry upon the theory and practice of Imagism, attributing to Imagist poets in general and Ezra Pound in particular the perception in Chinese poetry of the essential qualities and principles for rejuvenating English poetry in the early decades of the century.
Author: Zhaoming Qian
Publisher: University of Michigan Press
ISBN: 9780472068296
Category : Literary Criticism
Languages : en
Pages : 312
Get Book Here
Book Description
DIVExplores Ezra Pound's long fascination with Chinese literature and culture /div
Author: Ezra Pound
Publisher: DigiCat
ISBN:
Category : Poetry
Languages : en
Pages : 32
Get Book Here
Book Description
Cathay is a compilation of traditional Chinese poems translated into English by poet Ezra Pound. These fifteen poems are seen less as strict translations and more as new pieces in their own right.
Author: Angela C. Y. Jung Palandri
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 514
Get Book Here
Book Description
Author: James Elkins
Publisher: Hong Kong University Press
ISBN: 9622090001
Category : Art
Languages : en
Pages : 208
Get Book Here
Book Description
This is a provocative essay of reflections on traditional mainstream scholarship on Chinese art as done by towering figures in the field such as James Cahill and Wen Fong. James Elkins offers an engaging and accessible survey of his personal journey encountering and interpreting Chinese art through Western scholars' writings. He argues that the search for optimal comparisons is itself a modern, Western interest, and that art history as a discipline is inherently Western in several identifiable senses. Although he concentrates on art history in this book, and on Chinese painting in particular, these issues bear implications for Sinology in general, and for wider questions about humanistic inquiry and historical writing. Jennifer Purtle's Foreword provides a useful counterpoint from the perspective of a Chinese art specialist, anticipating and responding to other specialists’ likely reactions to Elkins's hypotheses.
Author: Walter Baumann
Publisher:
ISBN: 9781835538760
Category : Literary Criticism
Languages : en
Pages : 0
Get Book Here
Book Description
This volume offers new interpretations of Pound's poetics, as well as new perspectives on his critical reception globally. It covers Pound's work from his beginnings as a young poet in Philadelphia in the first decade of the century through his most productive years as a poet, critic, and translator to the first critical treatments of his work in the 1940s and 50s, and on to translations of The Cantos spanning the last fifty years.
Author: Zhaoming Qian
Publisher: Duke University Press
ISBN: 9780822316695
Category : Literary Criticism
Languages : en
Pages : 250
Get Book Here
Book Description
Chinese culture held a well-known fascination for modernist poets like Ezra Pound and William Carlos Williams. What is less known but is made fully clear by Zhaoming Qian is the degree to which oriental culture made these poets the modernists they became. This ambitious and illuminating study shows that Orientalism, no less than French symbolism and Italian culture, is a constitutive element of Modernism. Consulting rare and unpublished materials, Qian traces Pound's and Williams's remarkable dialogues with the great Chinese poets--Qu Yuan, Li Bo, Wang Wei, and Bo Juyi--between 1913 and 1923. His investigation reveals that these exchanges contributed more than topical and thematic ideas to the Americans' work and suggests that their progressively modernist style is directly linked to a steadily growing contact and affinity for similar Chinese styles. He demonstrates, for example, how such influences as the ethics of pictorial representation, the style of ellipsis, allusion, and juxtaposition, and the Taoist/Zen-Buddhist notion of nonbeing/being made their way into Pound's pre-Fenollosan Chinese adaptations, Cathay, Lustra, and the Early Cantos, as well as Williams's Sour Grapes and Spring and All. Developing a new interpretation of important work by Pound and Williams, Orientalism and Modernism fills a significant gap in accounts of American Modernism, which can be seen here for the first time in its truly multicultural character.
Author: David Hinton
Publisher: Shambhala Publications
ISBN: 0834840960
Category : Poetry
Languages : en
Pages : 330
Get Book Here
Book Description
An exploration of the emerging Western consciousness of how deeply we belong to the wild Cosmos, as seen through the lineage of modern America's great avant-garde poets --a thrilling journey with today's premier translator of the Chinese classics. Henry David Thoreau, in The Maine Woods, describes a moment on Mount Ktaadin when all explanations and assumptions fell away for him and he was confronted with the wonderful, inexplicable thusness of things. David Hinton takes that moment as the starting point for his account of a rewilding of consciousness in the West: a dawning awareness of our essential oneness with the world around us. Because there was no Western vocabulary for this perception, it fell to poets to make the first efforts at articulation, and those efforts were largely driven by Taoist and Ch’an (Zen) Buddhist ideas imported from ancient China. Hinton chronicles this rewilding through the lineage of avant-garde poetry in twentieth-century America—from Walt Whitman, Ezra Pound and Robinson Jeffers to Gary Snyder, W. S. Merwin, and beyond—including generous selections of poems that together form a compelling anthology of ecopoetry. In his much-admired translations, Hinton has re-created ancient Chinese rivers-and-mountains poetry as modern American poetry; here, he reenvisions modern American poetry as an extension of that ancient Chinese tradition: an ecopoetry that weaves consciousness into the Cosmos in radical and fundamental ways.
