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Author:
Publisher: ReadHowYouWant.com
ISBN: 1427089078
Category :
Languages : en
Pages : 99
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Book Description
Author:
Publisher: ReadHowYouWant.com
ISBN: 1427089078
Category :
Languages : en
Pages : 99
Get Book Here
Book Description
Author:
Publisher: ReadHowYouWant.com
ISBN: 1427087555
Category :
Languages : en
Pages : 93
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Book Description
Author:
Publisher: ReadHowYouWant.com
ISBN: 1427089027
Category :
Languages : en
Pages : 79
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Book Description
Author:
Publisher: ReadHowYouWant.com
ISBN: 1427089175
Category :
Languages : en
Pages : 99
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Book Description
Author: Danny Busch
Publisher: Oxford Eu Financial Regulation
ISBN: 9780198799979
Category : Business & Economics
Languages : en
Pages : 0
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Book Description
This book examines the topical issue of governance of financial institutions, covering banks, investment firms, asset management, pension funds and insurance firms. It comprehensively analyses the impact and practice of the new and more robust requirements for management functions under MiFID II (Markets in Financial Instruments Directive) and other regulation such as MAR (Market Abuse Regulation). Thematically grouped chapters provide extensive coverage of the main areas of change and interest in this field: financial regulation, models, systemic risk, culture and ethics, and conduct and culture. Each chapter employs an interdisciplinary approach, providing high-quality analysis and discussion of the governance of financial institutions of a practical, as well as theoretical, nature. Written by a team of expert contributors, comprised of leading scholars with broad practical experience, and leading practitioners in the field of corporate governance, this book provides much needed analysis of this important topic and the new rules for those advising financial institutions.
Author: Margot Norris
Publisher: University of Virginia Press
ISBN: 9780813919928
Category : Art
Languages : en
Pages : 328
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Book Description
The twentieth century will be remembered for great innovation in two particular areas: art and culture, and technological advancement. Much of its prodigious technical inventiveness, however, was pressed into service in the conduct of warfare. Why, asks Margot Norris, did violence and suffering on such an immense scale fail to arouse artistic and cultural expressions powerful enough to prevent the recurrence of these horrors? Why was art not more successful--through its use of dramatic, emotionally charged material, its ability to stir imagination and arouse empathy and outrage--in producing an alternative to the military logic that legitimates war? Military argument in the twentieth century has been fortified by the authority of the rationalism that we attribute to science, Norris argues. Warfare is therefore legitimized by powerful discourses that art's own arsenal of styles and genres has limited power to counter. Art's difficulty in representing the violent death of entire generations or populations has been particularly acute. Choosing works that have become representative of their historically violent moment, Norris explores not only their aesthetic strategies and perspectives but also the nature of the power they wield and the ethical engagements they enable or impede. She begins by mapping the altered ethical terrain of modern technological warfare, with its increasing targeting of civilian populations for destruction. She then proceeds historically with chapters on the trench poetry and modernist poetry of World War I, Hemingway's A Farewell to Arms and Erich Maria Remarque's All Quiet on the Western Front, both the book and the film of Schindler's List, the conflicting historical stories of the Manhattan Project, a comparison of American and Japanese accounts of Hiroshima, Francis Ford Coppola's film Apocalypse Now, and the effects of press censorship in the Persian Gulf War. By looking at the whole span of the century's writing on war, Norris provides a fascinating critique of art's ethical power and limitations, along with its participation in--as well as protest against--the suffering that human beings have brought upon themselves.
Author: Audrey Fisch
Publisher: Cambridge University Press
ISBN: 1139827596
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
The slave narrative has become a crucial genre within African American literary studies and an invaluable record of the experience and history of slavery in the United States. This Companion examines the slave narrative's relation to British and American abolitionism, Anglo-American literary traditions such as autobiography and sentimental literature, and the larger African American literary tradition. Special attention is paid to leading exponents of the genre such as Olaudah Equiano, Frederick Douglass and Harriet Jacobs, as well as many other, less well known examples. Further essays explore the rediscovery of the slave narrative and its subsequent critical reception, as well as the uses to which the genre is put by modern authors such as Toni Morrison. With its chronology and guide to further reading, the Companion provides both an easy entry point for students new to the subject and comprehensive coverage and original insights for scholars in the field.
Author: Jim Hicks
Publisher:
ISBN: 9781625340009
Category : War and literature
Languages : en
Pages : 0
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Book Description
Intro -- Title Page -- Copyright -- Dedication -- Contents -- Preface -- 1. Case Study: Of Phantom Nations -- 2. Thesis: The Crime of the Scene -- 3. Victims: The Talking Dead -- 4. Observers: The Real War and the Books -- 5. Aggressors: The Beast Is Back -- Conclusion: Bringing the Stories Home -- Notes -- Works Cited -- Index.
Author: Michael Rothberg
Publisher: U of Minnesota Press
ISBN: 9780816634590
Category : History
Languages : en
Pages : 340
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Book Description
Drawing on a wide range of texts, Michael Rothberg puts forth an overarching framework for understanding representations of the Holocaust. Through close readings of such writers and thinkers as Theodor Adorno, Maurice Blanchot, Ruth Klüger, Charlotte Delbo, Art Spiegelman, and Philip Roth and an examination of films by Steven Spielberg and Claude Lanzmann, Rothberg demonstrates how the Holocaust as a traumatic event makes three fundamental demands on representation: a demand for documentation, a demand for reflection on the limits of representation, and a demand for engagement with the public.
Author: Chris Baldick
Publisher: Oxford University Press, USA
ISBN: 9780198608837
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Provides explanations of literary terms and includes information on such topics as drama, rhetoric, and textual criticism.
