Expressive Meaning in Beethoven's Piano Sonata in A-flat Major, Op.110 PDF Download
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Author: Miroslava N. Mintcheva
Publisher:
ISBN:
Category : Sonatas (Piano)
Languages : en
Pages : 82
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Book Description
Author: Miroslava N. Mintcheva
Publisher:
ISBN:
Category : Sonatas (Piano)
Languages : en
Pages : 82
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Book Description
Author: Heinrich Schenker
Publisher:
ISBN: 0199914222
Category : Music
Languages : en
Pages : 177
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Book Description
Heinrich Schenker ranks among the most important figures in the development of western music theory in the twentieth century. His approach to the analysis of music permeates nearly every aspect of the field and continues to this day to be a topic of great interest among music theorists, historians, composers and performers. In his four volume work, Die letzen Sonaten von Beethoven: Kritische Ausgabe mit Einführung und Erläuterung (The Last Piano Sonatas by Beethoven: Critical edition with Introduction and Commentary) Schenker presented editions of Beethoven's Opp. 109, 110, 111 and 101 that were, at the time, unprecedented in their faithfulness to such authoritative sources as Beethoven's autograph manuscripts. He included a movement-by-movement and section-by-section discussion of form and content that grew increasingly penetrating from one volume to the next as the musical theory for which he is now known was developed, alongside inspired and detailed suggestions for the performance of each section of each work. In Beethoven's Last Piano Sonatas: An Edition, with Elucidation, noted Schenker scholar John Rothgeb presents the first English language edition and translation of these important works. Rothgeb builds upon Schenker's text, adding explanations of certain points in the commentary, references to corrections and other remarks entered by Schenker in his personal copies of the volumes, and graphic presentations of several passages (a practice that became standard in Schenker's own analytical work later in his career). Making these seminal works accessible to English speaking scholars and students for the first time, Beethoven's Last Piano Sonatas is an essential reference for music theorists, historians, performers, and composers alike.
Author: Heinrich Schenker
Publisher: Oxford University Press
ISBN: 0199914230
Category : Music
Languages : en
Pages : 177
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Book Description
Heinrich Schenker ranks among the most important figures in the development of western music theory in the twentieth century. His approach to the analysis of music permeates nearly every aspect of the field and continues to this day to be a topic of great interest among music theorists, historians, composers and performers. In his four volume work, Die letzen Sonaten von Beethoven: Kritische Ausgabe mit Einführung und Erläuterung (The Last Piano Sonatas by Beethoven: Critical edition with Introduction and Commentary) Schenker presented editions of Beethoven's Opp. 109, 110, 111 and 101 that were, at the time, unprecedented in their faithfulness to such authoritative sources as Beethoven's autograph manuscripts. He included a movement-by-movement and section-by-section discussion of form and content that grew increasingly penetrating from one volume to the next as the musical theory for which he is now known was developed, alongside inspired and detailed suggestions for the performance of each section of each work. In Beethoven's Last Piano Sonatas: An Edition, with Elucidation, noted Schenker scholar John Rothgeb presents the first English language edition and translation of these important works. Rothgeb builds upon Schenker's text, adding explanations of certain points in the commentary, references to corrections and other remarks entered by Schenker in his personal copies of the volumes, and graphic presentations of several passages (a practice that became standard in Schenker's own analytical work later in his career). Making these seminal works accessible to English speaking scholars and students for the first time, Beethoven's Last Piano Sonatas is an essential reference for music theorists, historians, performers, and composers alike.
Author: Chun Ya Chang
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
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Book Description
Author: Robert S. Hatten
Publisher: Indiana University Press
ISBN: 9780253217110
Category : Music
Languages : en
Pages : 374
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Book Description
Award-winning examination of Beethoven's music.
Author: R. Larry Todd
Publisher: Routledge
ISBN: 1136731288
Category : Music
Languages : en
Pages : 488
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Book Description
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Rebecca P. Strider
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Book Description
An analysis of the musical form of Beethoven's Piano Sonata no. 31, Op. 110 includes a brief overview of the historical significance of Beethoven as an innovator in formal design and musical texture. The analysis reveals specific indicators and examples of his deviations from traditional forms, which more obviously occur in movements one and three. An in-depth harmonic and motivic study of the third movement fugue and its placement within the last movement exposes further aspects of Beethoven's progressive compositional creativity.
Author: Adolf Bernhard Marx
Publisher:
ISBN:
Category :
Languages : en
Pages : 166
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Book Description
Author: Joanna Goldstein
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Music
Languages : en
Pages : 344
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Book Description
Music is an immediate and transient art which relies upon performance for its transformation from notational symbols into the sonatas we hear. However, because music notation is an inexact language, performers' interpretations of the musical score present a variety of expressive meanings in a work which can illuminate different melodic, harmonic, and formal relationships. A Beethoven Enigma explores the process of performance analysis which reveals a work in its ever-changing form, and discusses three recorded performances of one of the more enigmatic works of the piano repertoire, Beethoven's Sonata in C minor, Opus 111. The contrasting interpretative insights of Brendel, Michelangeli, and Ashkenazy clarify many formal ambiguities, offer solutions to pianistic difficulties, and illustrate how this method for critical listening may serve as a model for the study of other works as they reveal themselves in performance.
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 576
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Book Description
