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Author: Anne Mullen Hohl
Publisher: Summa Publications, Inc.
ISBN: 9781883479084
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
Using contemporary theories of semiology, Professor Mullen Hohl offers a detailed analysis of exoticism in Flaubert's masterpiece. A pervasive schema of multiplicity and mutilation gives the novel its fundamental structure, rather than the previously accepted dichotomy based upon the dialectical opposition of moon and sun. In this manner Flaubert created metonymic correspondences, shared identities, and equivalences between certain characters and mythological gods of the ancient Mediterranean world--most importantly Adonis. Language and religion are seen as instruments of obfuscation and ambiguity. "Hohl thus offers a powerful challenge to the conventional reading of Salammbo as a series of dialectical oppositions between mail and female, sun and moon, civilized and barbarian." --Stirling Haig, French Review.
Author: Anne Mullen Hohl
Publisher: Summa Publications, Inc.
ISBN: 9781883479084
Category : Literary Criticism
Languages : en
Pages : 194
Get Book Here
Book Description
Using contemporary theories of semiology, Professor Mullen Hohl offers a detailed analysis of exoticism in Flaubert's masterpiece. A pervasive schema of multiplicity and mutilation gives the novel its fundamental structure, rather than the previously accepted dichotomy based upon the dialectical opposition of moon and sun. In this manner Flaubert created metonymic correspondences, shared identities, and equivalences between certain characters and mythological gods of the ancient Mediterranean world--most importantly Adonis. Language and religion are seen as instruments of obfuscation and ambiguity. "Hohl thus offers a powerful challenge to the conventional reading of Salammbo as a series of dialectical oppositions between mail and female, sun and moon, civilized and barbarian." --Stirling Haig, French Review.
Author: Jennifer Yee
Publisher: Routledge
ISBN: 1351567462
Category : Foreign Language Study
Languages : en
Pages : 136
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Book Description
In the course of the nineteenth century France built up a colonial empire second only to Britain's. The literary tradition in which it dealt with its colonial 'Other' is frequently understood in terms of Edward Said's description of Orientalism as both a Western projection and a 'will to govern' over the Orient. There is, however, a body of works that eludes such a simple categorisation, offering glimpses of colonial resistance, of a critique of imperialist hegemony, or of a blurring of the boundaries between the Self and the Other. Some of the ways in which the imperialist enterprise is subverted in the metropolitan literature of this period are examined in this volume through detailed case studies of key works by Chateaubriand, Hugo, Flaubert and Segalen.
Author: Filippo Carlà-Uhink
Publisher: Bloomsbury Publishing
ISBN: 1350050113
Category : Art
Languages : en
Pages : 337
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Book Description
Why is Cleopatra, a descendent of Alexander the Great, a Ptolemy from a Greek–Macedonian family, in popular imagination an Oriental woman? True, she assumed some aspects of pharaonic imagery in order to rule Egypt, but her Orientalism mostly derives from ancient (Roman) and modern stereotypes: both the Orient and the idea of a woman in power are signs, in the Western tradition, of 'otherness' – and in this sense they can easily overlap and interchange. This volume investigates how ancient women, and particularly powerful women, such as queens and empresses, have been re-imagined in Western (and not only Western) arts; highlights how this re-imagination and re-visualization is, more often than not, the product of Orientalist stereotypes – even when dealing with women who had nothing to do with Eastern regions; and compares these images with examples of Eastern gaze on the same women. Through the chapters in this volume, readers will discover the similarities and differences in the ways in which women in power were and still are described and decried by their opponents.
Author: GUSTAVE. FLAUBERT
Publisher:
ISBN: 9781033208397
Category :
Languages : en
Pages : 0
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Book Description
Author: Roger Célestin
Publisher: U of Minnesota Press
ISBN: 9780816626045
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
The objective to this study is, essentially, to arrive at a view of exoticism as a relation between (Western) Self and (exotic) Other that is fluctuatingly tenuous or strong depending on the narrating subject's position vis-a-vis a point of departure (and return) that I have alternately called Home, Center, and audience.
Author: Francis Fisher Browne
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 712
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Book Description
Author: Jess Nevins
Publisher: McFarland
ISBN: 147662433X
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
This introductory guide to the canon of Victorian literature covers 61 novels by authors from Jane Austen to Emile Zola. Brief critical essays describe what each book is about and argue for its cultural, historical and literary importance. Literary canons remain a subject of debate but critics, readers and students continue to find them useful as overviews--and examinations--of the great works within a given period or culture. The Victorian canon is particularly rich with splendid novels that educate, enlighten and entertain. Instructors considering this book for use in a course may request an examination copy here.
Author: Marta Garcia Morcillo
Publisher: Routledge
ISBN: 1135013179
Category : History
Languages : en
Pages : 338
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Book Description
In film imagery, urban spaces show up not only as spatial settings of a story, but also as projected ideas and forms that aim to recreate and capture the spirit of cultures, societies and epochs. Some cinematic cities have even managed to transcend fiction to become part of modern collective memory. Can we imagine a futuristic city not inspired at least remotely by Fritz Lang’s Metropolis? In the same way, ancient Babylon, Troy and Rome can hardly be shaped in popular imagination without conscious or subconscious references to the striking visions of Griffiths’ Intolerance, Petersen’s Troy and Scott’s Gladiator, to mention only a few influential examples. Imagining Ancient Cities in Film explores for the first time in scholarship film representations of cities of the Ancient World from early cinema to the 21st century. The volume analyzes the different choices made by filmmakers, art designers and screen writers to recreate ancient urban spaces as more or less convincing settings of mythical and historical events. In looking behind and beyond intended archaeological accuracy, symbolic fantasy, primitivism, exoticism and Hollywood-esque monumentality, this volume pays particular attention to the depiction of cities as faces of ancient civilizations, but also as containers of moral ideas and cultural fashions deeply rooted in the contemporary zeitgeist and in continuously revisited traditions.
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 782
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Book Description
Author: Sage Goellner
Publisher: Lexington Books
ISBN: 1498538738
Category : Literary Criticism
Languages : en
Pages : 147
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Book Description
This book applies the growing theoretical field of hauntology to a body of literature which has previously been examined through the lenses of Orientalism and exoticism. Through a chronological study and close readings of the writings of Théophile Gautier, Eugène Fromentin, Gustave Flaubert, and Pierre Loti, the project identifies haunting echoes within the texts which demonstrate an ambivalence of attitudes towards colonialism and which undermine any claim towards a monolithic imperialist French ideology. Whereas hauntological theory has be used to illuminate literature from the Francophone post-colonial period, it has not yet been applied to texts produced during the French colonial period. The originality of this project thus lies in the application of Derridean hauntological theory to works from an earlier period, each of which in one way or another addresses the theme of colonial violence. By revisiting four classic works of colonial Orientalism with haunting as a principal theme, this analysis provides a critical witnessing of France’s violent colonization of Algeria that demonstrates France’s latent anxieties about the colonial project at the time.
