Exhibition Pacífico

Exhibition Pacífico PDF Author:
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 380

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Exhibition Pacífico

Exhibition Pacífico PDF Author:
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 380

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Book Description


Japan Business

Japan Business PDF Author: Christine Genzberger
Publisher: World Trade Press
ISBN: 9780963186423
Category : Business & Economics
Languages : en
Pages : 392

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Book Description
An enclyclopedic view of doing business with Japan. Contains the how-to, where-to and who-with information needed to operate internationally.

Business America

Business America PDF Author:
Publisher:
ISBN:
Category : Business
Languages : en
Pages : 460

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Telecom

Telecom PDF Author:
Publisher: Information Gatekeepers Inc
ISBN:
Category :
Languages : en
Pages : 28

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The History of England

The History of England PDF Author:
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 550

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Sea Japan 94

Sea Japan 94 PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Cartooning China

Cartooning China PDF Author: Amy Matthewson
Publisher: Taylor & Francis
ISBN: 1000556085
Category : Humor
Languages : en
Pages : 197

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Book Description
This book explores the series of cartoons of China and the Chinese that were published in the popular British satirical magazine Punch over a sixty-year period from 1841 to 1901. Filled with political metaphors and racial stereotypes, these illustrations served as a powerful tool in both reflecting and shaping notions and attitudes towards China at a tumultuous time in Sino-British history. A close reading of both the visual and textual satires in Punch reveals how a section of British society visualised and negotiated with China as well as Britain’s position in the global community. By contextualising Punch’s cartoons within the broader frameworks of British socio-cultural and political discourse, the author engages in a critical enquiry of popular culture and its engagements with race, geopolitical propaganda, and public consciousness. With a wide array of illustrations, this book in the Global Perspectives in Comics Studies series will be an important resource for scholars and researchers of cultural studies, political history and Empire, Chinese studies, popular culture, Victoriana, as well as media studies. It will also be of interest to readers who want to learn more about Punch, its history, and Sino-British relations.

Cosmopolitan Ambassadors: International exhibitions, cultural diplomacy and the polycentral museum

Cosmopolitan Ambassadors: International exhibitions, cultural diplomacy and the polycentral museum PDF Author: Lee Davidson
Publisher: Vernon Press
ISBN: 1622735560
Category : Political Science
Languages : en
Pages : 264

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Book Description
How are museums working internationally through exhibitions? What motivates this work? What are the benefits and challenges? What factors contribute to success? What impact does this work have for audiences and other stakeholders? What contributions are they making to cultural diplomacy, intercultural dialogue and understanding? Cosmopolitan Ambassadors first considers the current state of knowledge about international exhibitions and proposes an interdisciplinary analytical framework encompassing museum studies, visitor studies, cultural diplomacy and international cultural relations, cosmopolitanism and intercultural studies. It then presents a comprehensive empirical analysis of an exhibition exchange involving two exhibitions that crossed five countries and three continents, connecting six high profile cultural institutions and spanning almost a decade from initial conception to completion. A detailed comparison of both the intercultural production of international exhibitions by museum partnerships and by the interpretive acts and meaning-making of visitors, reveals the many complexities, challenges, tensions and rewards of international exhibitions and their intersection with cultural diplomacy. Key themes include the realities of international collaboration, its purposes, processes and challenges; the politics of cultural (self-)representation and Indigenous museology; implications for exhibition design, interpretation, and marketing; intercultural competency and museum practice; audience reception and meaning-making; cultural diplomacy in practice and perceptions of its value. This first-ever empirically-grounded, theoretical analysis provides the basis of a new model of museums as polycentral: as places that might produce a kaleidoscopic vision of multiple centres and help to dissolve cultural boundaries by encouraging dialogue, negotiation and the search for intercultural understandings. Guidelines for practice include recommendations for successful international museum partnerships, exhibition development and maximizing the potential of museum diplomacy.

The Political History of England ...: The history of England during the reign of Victoria, 1837-1901

The Political History of England ...: The history of England during the reign of Victoria, 1837-1901 PDF Author: William Hunt
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 558

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El Techo de la Ballena

El Techo de la Ballena PDF Author: María C. Gaztambide
Publisher: University Press of Florida
ISBN: 1683400763
Category : Art
Languages : en
Pages : 257

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Book Description
The work of the 1960s Caracas-based art collective El Techo de la Ballena (The Roof of the Whale) was called “subversive” and “art terrorism” and seen as a threat to Venezuela’s national image as an emerging industrial power. This volume details the historical and social contexts that shaped the collective, exploring how its anti-art aesthetic highlighted the shortcomings of the country’s newfound oil wealth and transition to democracy. Every element used by these radicalized artists in their avant-garde exhibitions—from Informalist canvases to torn book pages and kitsch objects to cattle carcasses and scatological content—issued a critique of Venezuela’s petroleum-driven capitalism and the profound inequality left in its wake. Embracing chaos, the artists contradicted the country’s politically sanctioned view of modernity, which championed constant progress in the visual arts and favored geometric abstraction and kinetic art. El Techo’s was a backward—a retrograde—modernity, argues María Gaztambide, discussing how its artists turned against the norm by incorporating anachronistic postures, primeval symbols, colonial Latin American print culture, and “guerilla” art tactics. Artists in this group tested limits to provoke what they saw as a numbed local public through shocking displays of criticism and frustration. Today, as Venezuela undergoes another dramatic series of sociopolitical changes, El Techo de la Ballena serves as a reminder of the power of art in resisting the status quo and effecting change in society.