Modernists and Mavericks: Bacon, Freud, Hockney and the London Painters

Modernists and Mavericks: Bacon, Freud, Hockney and the London Painters PDF Author: Martin Gayford
Publisher: Thames & Hudson
ISBN: 0500774242
Category : Art
Languages : en
Pages : 467

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Book Description
Martin Gayford’s masterful account of painting in London from the Second World War to the 1970s, illustrated by documentary photographs and the works themselves The development of painting in London from the Second World War to the 1970s has never before been told before as a single narrative. R. B. Kitaj’s proposal, made in 1976, that there was a “substantial School of London” was essentially correct but it caused confusion because it implied that there was a movement or stylistic group at work, when in reality no one style could cover the likes of Francis Bacon and also Bridget Riley. Modernists and Mavericks explores this period based on an exceptionally deep well of firsthand interviews, often unpublished, with such artists as Victor Pasmore, John Craxton, Lucian Freud, Frank Auerbach, Allen Jones, R. B. Kitaj, Euan Uglow, Howard Hodgkin, Terry Frost, Gillian Ayres, Bridget Riley, David Hockney, Frank Bowling, Leon Kossoff, John Hoyland, and Patrick Caulfield. But Martin Gayford also teases out the thread weaving these individual lives together and demonstrates how and why, long after it was officially declared dead, painting lived and thrived in London. Simultaneously aware of the influences of Jackson Pollock, Giacometti, and (through the teaching passed down at the major art school) the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were bound by their confidence that this ancient medium could do fresh and marvelous things, and explored in their diverse ways, the possibilities of paint.

Modernists and Mavericks: Bacon, Freud, Hockney and the London Painters

Modernists and Mavericks: Bacon, Freud, Hockney and the London Painters PDF Author: Martin Gayford
Publisher: Thames & Hudson
ISBN: 0500774242
Category : Art
Languages : en
Pages : 467

Get Book Here

Book Description
Martin Gayford’s masterful account of painting in London from the Second World War to the 1970s, illustrated by documentary photographs and the works themselves The development of painting in London from the Second World War to the 1970s has never before been told before as a single narrative. R. B. Kitaj’s proposal, made in 1976, that there was a “substantial School of London” was essentially correct but it caused confusion because it implied that there was a movement or stylistic group at work, when in reality no one style could cover the likes of Francis Bacon and also Bridget Riley. Modernists and Mavericks explores this period based on an exceptionally deep well of firsthand interviews, often unpublished, with such artists as Victor Pasmore, John Craxton, Lucian Freud, Frank Auerbach, Allen Jones, R. B. Kitaj, Euan Uglow, Howard Hodgkin, Terry Frost, Gillian Ayres, Bridget Riley, David Hockney, Frank Bowling, Leon Kossoff, John Hoyland, and Patrick Caulfield. But Martin Gayford also teases out the thread weaving these individual lives together and demonstrates how and why, long after it was officially declared dead, painting lived and thrived in London. Simultaneously aware of the influences of Jackson Pollock, Giacometti, and (through the teaching passed down at the major art school) the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were bound by their confidence that this ancient medium could do fresh and marvelous things, and explored in their diverse ways, the possibilities of paint.

Improvisation Hypermedia and the Arts since 1945

Improvisation Hypermedia and the Arts since 1945 PDF Author: Roger Dean
Publisher: Routledge
ISBN: 1134376138
Category : Performing Arts
Languages : en
Pages : 352

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Book Description
First Published in 1997. The authors’ purpose in this book is to dissect developments in improvisation in the arts since 1945, with a particular emphasis on process and technique. The approach is analytical and theoretical but is also relevant to practitioners and their audience. Their key argument is that improvisation has been of great importance and value in the contemporary arts, particularly because of its potential to develop new forms (often by breaking definitions).

Drawings from New York Collections. Vol. 1, The Italian Renaissance

Drawings from New York Collections. Vol. 1, The Italian Renaissance PDF Author:
Publisher: Metropolitan Museum of Art
ISBN:
Category :
Languages : en
Pages : 248

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Book Description


National Art Library Catalogue : Victoria and Albert Museum, London, England : Catalogue of Exhibition Catalogues

National Art Library Catalogue : Victoria and Albert Museum, London, England : Catalogue of Exhibition Catalogues PDF Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 656

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Book Description


John Sloan's Oil Paintings

John Sloan's Oil Paintings PDF Author: John Sloan
Publisher: University of Delaware Press
ISBN: 0874134390
Category : Art
Languages : en
Pages : 316

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Book Description
Descriptions and histories of the 1,265 oils by John Sloan (1871-1951), more than 1,000 of which are illustrated. Includes critical commentary, the artist's own comments, and an analysis of Sloan's work and his role in American painting. Indexing by title and subject. Illustrated.

The National Union Catalogs, 1963-

The National Union Catalogs, 1963- PDF Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 712

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Book Description


American Paintings at Harvard

American Paintings at Harvard PDF Author: Theodore E. Stebbins
Publisher: Yale University Press
ISBN: 030015352X
Category : Art
Languages : en
Pages : 649

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Book Description
This volume features nearly 500 paintings, watercolors, pastels, and miniatures from Harvard University's storied, yet little-known, collection of American art. These works, many unpublished, are drawn from the Harvard Art Museums, the University Portrait Collection, the Peabody Museum of Archaeology and Ethnology, and other entities, and date from the early colonial years to the mid-19th century. Highlights include a rare group of 17th-century portraits, along with important paintings by Robert Feke, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and Washington Allston, in addition to works depicting western and Native American subjects by Alexandre de Batz, Henry Inman, and Alfred Jacob Miller, among others. Each work is accompanied by scholarly commentary that draws on extensive new research, as well as a complete exhibition and reference history. An introduction by Theodore E. Stebbins Jr. describes the history of the collection. Lavishly illustrated in color, this compendium is a testament to the nation's oldest collection of American art, and an essential resource for scholars and collectors alike.

Masterpieces of European Painting, 1800-1920, in the Metropolitan Museum of Art

Masterpieces of European Painting, 1800-1920, in the Metropolitan Museum of Art PDF Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392406
Category : Painting
Languages : en
Pages : 344

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Book Description


Degas

Degas PDF Author: Edgar Degas
Publisher: Metropolitan Museum of Art
ISBN: 0870995197
Category : Art, French
Languages : en
Pages : 640

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Book Description
Katalog towarzyszący wystawom w: Galeries Nationales du Grand Palais w Paryżu, 9 luty - 16 maj 1988; National Galery of Canada w Ottawie, 16 czerwiec - 28 sierpień 1988; Metropolitan Museum of Art w Nowym Jorku, 27 wrzesień - 8 styczeń 1989.

Pop Art

Pop Art PDF Author: Tilman Osterwold
Publisher: Taschen
ISBN: 9783822820704
Category : Art
Languages : en
Pages : 248

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Book Description
""Everything is beautiful,"" raved Andy Warhol, in raptures at the glamour of modern life, consumer society, the world of the media and its stars. And in so saying, he was expressing the feelings of a generation who felt their age was dawning, an age of ""love"" and ""freedom."" In art, too, a new attitude towards the present was making itself felt. Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Tom Wesselmann, Richard Hamilton and many other artists were discovering Marilyn Monroe, Elvis Presley, Coca Cola, comics, advertising, household appliances and food cans as an independent aesthetic reality. Popularity and triviality were no longer terms of abuse, but were central to a new understanding of an art whose aim was to break down the barriers between art and life. The author gives us a detailed account of the styles, themes and sources of Pop Art, investigating its development in different countries and providing biographies of its leading exponents.