Author: Melissa Eppihimer
Publisher: Oxford University Press
ISBN: 0190903023
Category : Art
Languages : en
Pages : 321
Book Description
Stretching across the historical region of Mesopotamia, the Akkadian dynasty (ca. 2334-2154 BCE) created a territorial state of unprecedented scale in the ancient Near East by uniting the city-states of Sumer and Akkad and parts of Syria and Iran. To establish and, later, cement their authority over disparate peoples and places, the kings used art and visual culture to extraordinary effect. Exemplars of Kingship conveys the astonishing life of the art of the Akkadian kings by assessing ancient and modern responses to its dynamic forms and transformative ideologies of kingship. For nearly two thousand years after their reign, the Akkadian kings were remembered as exemplary rulers. Modern assessments of ancient memories of Akkadian kingship have concentrated on textual attestations of the kings' place in cultural memory. This book considers the contributions of images to memories of Akkadian kingship. Through close readings of the visuals that remain, Melissa Eppihimer discusses how Akkadian steles, statues, and cylinder seals became models for later rulers in Mesopotamia and beyond who wished to emulate or critique the Akkadian kings-and how these rulers and their contemporaries were reminded of the Akkadian past when they looked at images. Exemplars of Kingship is, therefore, a book about Akkadian art and its reception in antiquity, but it is also concerned with the modern reception of Akkadian art and kingship. It argues that modern responses have constrained our understanding of ancient responses. Through a wide range of examples drawn from almost two millennia, the book highlights the individual decisions that prompted continuity and change during the long history of Mesopotamia and its artistic traditions.
Exemplars of Kingship
Author: Melissa Eppihimer
Publisher: Oxford University Press
ISBN: 0190903023
Category : Art
Languages : en
Pages : 321
Book Description
Stretching across the historical region of Mesopotamia, the Akkadian dynasty (ca. 2334-2154 BCE) created a territorial state of unprecedented scale in the ancient Near East by uniting the city-states of Sumer and Akkad and parts of Syria and Iran. To establish and, later, cement their authority over disparate peoples and places, the kings used art and visual culture to extraordinary effect. Exemplars of Kingship conveys the astonishing life of the art of the Akkadian kings by assessing ancient and modern responses to its dynamic forms and transformative ideologies of kingship. For nearly two thousand years after their reign, the Akkadian kings were remembered as exemplary rulers. Modern assessments of ancient memories of Akkadian kingship have concentrated on textual attestations of the kings' place in cultural memory. This book considers the contributions of images to memories of Akkadian kingship. Through close readings of the visuals that remain, Melissa Eppihimer discusses how Akkadian steles, statues, and cylinder seals became models for later rulers in Mesopotamia and beyond who wished to emulate or critique the Akkadian kings-and how these rulers and their contemporaries were reminded of the Akkadian past when they looked at images. Exemplars of Kingship is, therefore, a book about Akkadian art and its reception in antiquity, but it is also concerned with the modern reception of Akkadian art and kingship. It argues that modern responses have constrained our understanding of ancient responses. Through a wide range of examples drawn from almost two millennia, the book highlights the individual decisions that prompted continuity and change during the long history of Mesopotamia and its artistic traditions.
Publisher: Oxford University Press
ISBN: 0190903023
Category : Art
Languages : en
Pages : 321
Book Description
Stretching across the historical region of Mesopotamia, the Akkadian dynasty (ca. 2334-2154 BCE) created a territorial state of unprecedented scale in the ancient Near East by uniting the city-states of Sumer and Akkad and parts of Syria and Iran. To establish and, later, cement their authority over disparate peoples and places, the kings used art and visual culture to extraordinary effect. Exemplars of Kingship conveys the astonishing life of the art of the Akkadian kings by assessing ancient and modern responses to its dynamic forms and transformative ideologies of kingship. For nearly two thousand years after their reign, the Akkadian kings were remembered as exemplary rulers. Modern assessments of ancient memories of Akkadian kingship have concentrated on textual attestations of the kings' place in cultural memory. This book considers the contributions of images to memories of Akkadian kingship. Through close readings of the visuals that remain, Melissa Eppihimer discusses how Akkadian steles, statues, and cylinder seals became models for later rulers in Mesopotamia and beyond who wished to emulate or critique the Akkadian kings-and how these rulers and their contemporaries were reminded of the Akkadian past when they looked at images. Exemplars of Kingship is, therefore, a book about Akkadian art and its reception in antiquity, but it is also concerned with the modern reception of Akkadian art and kingship. It argues that modern responses have constrained our understanding of ancient responses. Through a wide range of examples drawn from almost two millennia, the book highlights the individual decisions that prompted continuity and change during the long history of Mesopotamia and its artistic traditions.
Allegories of Kingship
Author: Stephen Rupp
Publisher: Penn State Press
ISBN: 0271039280
Category : Drama
Languages : en
Pages : 201
Book Description
This study examines issues in politics and political theory in selected works of Pedro Calder&ón de la Barca (1600&–1681), the major dramatist of the middle and later decades of the seventeenth century in Spain. By analyzing secular dramas (comedias) and religious plays (autos sacramentales), Stephen Rupp demonstrates Calder&ón's awareness of the ideas and institutions of power in Hapsburg Spain and explores the terms of his intervention in the long debate over the principles of Christian statecraft. Through references to Rivadeneira, Saavedra Fajardo, and Quevedo, Rupp describes the anti-Machiavellian theory of kingship that informs Calder&ón's political theater. Rupp's argument proceeds from abstract principles of political theory to particular institutions and events at the Hapsburg court. Discussion of two comedias (La vida es sue&ño and La cisma de Inglaterra) and five autos (La vida es sue&ño, A Dios por raz&ón de Estado, El maestrazgo del Tois&ón, El nuevo palacio del Retiro, and El lirio y la azucena) demonstrates Calder&ón's assimilation of true reason of state to providence, his attitudes concerning the conciliar system and the regime of the royal favorite or valido, and his allegorical treatment of significant state occasions.
Publisher: Penn State Press
ISBN: 0271039280
Category : Drama
Languages : en
Pages : 201
Book Description
This study examines issues in politics and political theory in selected works of Pedro Calder&ón de la Barca (1600&–1681), the major dramatist of the middle and later decades of the seventeenth century in Spain. By analyzing secular dramas (comedias) and religious plays (autos sacramentales), Stephen Rupp demonstrates Calder&ón's awareness of the ideas and institutions of power in Hapsburg Spain and explores the terms of his intervention in the long debate over the principles of Christian statecraft. Through references to Rivadeneira, Saavedra Fajardo, and Quevedo, Rupp describes the anti-Machiavellian theory of kingship that informs Calder&ón's political theater. Rupp's argument proceeds from abstract principles of political theory to particular institutions and events at the Hapsburg court. Discussion of two comedias (La vida es sue&ño and La cisma de Inglaterra) and five autos (La vida es sue&ño, A Dios por raz&ón de Estado, El maestrazgo del Tois&ón, El nuevo palacio del Retiro, and El lirio y la azucena) demonstrates Calder&ón's assimilation of true reason of state to providence, his attitudes concerning the conciliar system and the regime of the royal favorite or valido, and his allegorical treatment of significant state occasions.
Exemplars of Kingship
Author: Melissa Eppihimer
Publisher: Oxford University Press, USA
ISBN: 9780190903046
Category : Art, Akkadian
Languages : en
Pages :
Book Description
Publisher: Oxford University Press, USA
ISBN: 9780190903046
Category : Art, Akkadian
Languages : en
Pages :
Book Description
The Discourse of Kingship in Classical Greece
Author: Carol Atack
Publisher: Routledge
ISBN: 0429557124
Category : History
Languages : en
Pages : 268
Book Description
This book examines how ancient authors explored ideas of kingship as a political role fundamental to the construction of civic unity, the use of kingship stories to explain the past and present unity of the polis and the distinctive function or status attributed to kings in such accounts. It explores the notion of kingship offered by historians such as Herodotus, as well as dramatists writing for the Athenian stage, paying particular attention to dramatic depictions of the unique capabilities of Theseus in uniting the city in the figure of the ‘democratic king’. It also discusses kingship in Greek philosophy: the Socratics’ identification of an ‘art of kingship’, and Xenophon and Isocrates’ model of ‘virtue monarchy’. In turn, these allow a rereading of explorations of kingship and excellence in Plato’s later political thought, seen as a critique of these models, and also in Aristotle’s account of total kingship or pambasileia, treated here as a counterfactual device developed to explore the epistemic benefits of democracy. This book offers a fascinating insight into the institution of monarchy in classical Greek thought and society, both for those working on Greek philosophy and politics, and also for students of the history of political thought.
Publisher: Routledge
ISBN: 0429557124
Category : History
Languages : en
Pages : 268
Book Description
This book examines how ancient authors explored ideas of kingship as a political role fundamental to the construction of civic unity, the use of kingship stories to explain the past and present unity of the polis and the distinctive function or status attributed to kings in such accounts. It explores the notion of kingship offered by historians such as Herodotus, as well as dramatists writing for the Athenian stage, paying particular attention to dramatic depictions of the unique capabilities of Theseus in uniting the city in the figure of the ‘democratic king’. It also discusses kingship in Greek philosophy: the Socratics’ identification of an ‘art of kingship’, and Xenophon and Isocrates’ model of ‘virtue monarchy’. In turn, these allow a rereading of explorations of kingship and excellence in Plato’s later political thought, seen as a critique of these models, and also in Aristotle’s account of total kingship or pambasileia, treated here as a counterfactual device developed to explore the epistemic benefits of democracy. This book offers a fascinating insight into the institution of monarchy in classical Greek thought and society, both for those working on Greek philosophy and politics, and also for students of the history of political thought.
Critical Approaches to Ancient Near Eastern Art
Author: Brian A. Brown
Publisher: Walter de Gruyter
ISBN: 1614510350
Category : Art
Languages : en
Pages : 842
Book Description
This volume assembles more than 30 articles focusing on the visual, material, and environmental arts of the Ancient Near East. Specific case studies range temporally from the fourth millennium up to the Hellenistic period and geographically from Iran to the eastern Mediterranean. Contributions apply innovative theoretical and methodological approaches to archaeological evidence and critically examine the historiography of the discipline itself. Not intended to be comprehensive, the volume instead captures a cross-section of the field of Ancient Near Eastern art history as its stands in the second decade of the twenty-first century. The volume will be of value to scholars working in the Ancient Near East as well as others interested in newer art historical and anthropological approaches to visual culture.
Publisher: Walter de Gruyter
ISBN: 1614510350
Category : Art
Languages : en
Pages : 842
Book Description
This volume assembles more than 30 articles focusing on the visual, material, and environmental arts of the Ancient Near East. Specific case studies range temporally from the fourth millennium up to the Hellenistic period and geographically from Iran to the eastern Mediterranean. Contributions apply innovative theoretical and methodological approaches to archaeological evidence and critically examine the historiography of the discipline itself. Not intended to be comprehensive, the volume instead captures a cross-section of the field of Ancient Near Eastern art history as its stands in the second decade of the twenty-first century. The volume will be of value to scholars working in the Ancient Near East as well as others interested in newer art historical and anthropological approaches to visual culture.
A Voice Without End
Author: Andrew C. Witt
Publisher: Penn State Press
ISBN: 1646021622
Category : Religion
Languages : en
Pages : 255
Book Description
The past fifty years have seen a strong interest in the shape and the message of the book of Psalms. In A Voice Without End, Andrew C. Witt evaluates the significance of Psalms 3–14, and in particular, the presence and function of the figure of David. Using representative interpreters and canonical and literary approaches, Witt uncovers how the book of Psalms develops its own speaking personae. He argues that the introduction to the book in Psalms 1–2 and the association with David in the superscriptions set up the figure of David as the principal voice within Psalms 3–14, constructing a Davidic persona who can speak as an ideal and representative figure, as well as a typological figure, in expectation of the establishment of a just kingdom in the context of the Davidic promises. In addition to its original analysis of Psalms 3–14, this study contributes to Psalms research by sharpening our understanding of the Davidic voice and by showing that key themes and motifs at the seams of the Psalter and in its thematic center are already active and engaged at the very beginning. Further, it helps to bridge premodern and modern psalm interpreters by demonstrating the ongoing value of premodern conceptual models for analyzing voices in the text. Pathbreaking and eminently readable, this book changes both the way we read the Psalter and how we understand its relationship with David. It will appeal to biblical studies scholars and seminarians.
Publisher: Penn State Press
ISBN: 1646021622
Category : Religion
Languages : en
Pages : 255
Book Description
The past fifty years have seen a strong interest in the shape and the message of the book of Psalms. In A Voice Without End, Andrew C. Witt evaluates the significance of Psalms 3–14, and in particular, the presence and function of the figure of David. Using representative interpreters and canonical and literary approaches, Witt uncovers how the book of Psalms develops its own speaking personae. He argues that the introduction to the book in Psalms 1–2 and the association with David in the superscriptions set up the figure of David as the principal voice within Psalms 3–14, constructing a Davidic persona who can speak as an ideal and representative figure, as well as a typological figure, in expectation of the establishment of a just kingdom in the context of the Davidic promises. In addition to its original analysis of Psalms 3–14, this study contributes to Psalms research by sharpening our understanding of the Davidic voice and by showing that key themes and motifs at the seams of the Psalter and in its thematic center are already active and engaged at the very beginning. Further, it helps to bridge premodern and modern psalm interpreters by demonstrating the ongoing value of premodern conceptual models for analyzing voices in the text. Pathbreaking and eminently readable, this book changes both the way we read the Psalter and how we understand its relationship with David. It will appeal to biblical studies scholars and seminarians.
Pindar and the Construction of Syracusan Monarchy in the Fifth Century B.C.
Author: Kathryn A. Morgan
Publisher: Oxford University Press
ISBN: 0190266619
Category : History
Languages : en
Pages : 481
Book Description
This groundbreaking book attempts a fully contextualized reading of the poetry written by Pindar for Hieron of Syracuse in the 470s BC. It argues that the victory odes and other occasional songs composed by Pindar for the Sicilian tyrant were part of an extensive cultural program that included athletic competition, coinage, architecture, sanctuary dedication, city foundation, and much more. In the tumultuous years following the Persian invasion of Greece in 480, elite Greek leaders and their cities struggled to capitalize on the Greek victory and to define themselves as free peoples who triumphed over the threat of Persian monarchy. Pindar's victory odes are an important contribution to Hieron's goal of panhellenic pre-eminence, redescribing contemporary tyranny as an instantiation of golden-age kingship and consonant with best Greek tradition. In a delicate process of cultural legitimation, the poet's praise deploys athletic victories as a signs of more general preeminence. Three initial chapters set the stage by presenting the history and culture of Syracuse under the Deinomenid tyrants, exploring issues of performance and patronage, and juxtaposing Hieron to rival Greek leaders on the mainland. Subsequent chapters examine in turn all Pindar's preserved poetry for Hieron and members of his court, and contextualizes this poetry by comparing it to the songs written for Hieron by Pindar's poetic contemporary, Bacchylides. These odes develop a specifically “tyrannical” mythology in which a hero from the past enjoys unusual closeness with the gods, only to bring ruin on him or herself by failing to manage this closeness appropriately. Such negative exemplars counterbalance Hieron's good fortune and present the dangers against which he must (and does) protect himself by regal virtue. The readings that emerge are marked by exceptional integration of literary interpretation with the political/historical context.
Publisher: Oxford University Press
ISBN: 0190266619
Category : History
Languages : en
Pages : 481
Book Description
This groundbreaking book attempts a fully contextualized reading of the poetry written by Pindar for Hieron of Syracuse in the 470s BC. It argues that the victory odes and other occasional songs composed by Pindar for the Sicilian tyrant were part of an extensive cultural program that included athletic competition, coinage, architecture, sanctuary dedication, city foundation, and much more. In the tumultuous years following the Persian invasion of Greece in 480, elite Greek leaders and their cities struggled to capitalize on the Greek victory and to define themselves as free peoples who triumphed over the threat of Persian monarchy. Pindar's victory odes are an important contribution to Hieron's goal of panhellenic pre-eminence, redescribing contemporary tyranny as an instantiation of golden-age kingship and consonant with best Greek tradition. In a delicate process of cultural legitimation, the poet's praise deploys athletic victories as a signs of more general preeminence. Three initial chapters set the stage by presenting the history and culture of Syracuse under the Deinomenid tyrants, exploring issues of performance and patronage, and juxtaposing Hieron to rival Greek leaders on the mainland. Subsequent chapters examine in turn all Pindar's preserved poetry for Hieron and members of his court, and contextualizes this poetry by comparing it to the songs written for Hieron by Pindar's poetic contemporary, Bacchylides. These odes develop a specifically “tyrannical” mythology in which a hero from the past enjoys unusual closeness with the gods, only to bring ruin on him or herself by failing to manage this closeness appropriately. Such negative exemplars counterbalance Hieron's good fortune and present the dangers against which he must (and does) protect himself by regal virtue. The readings that emerge are marked by exceptional integration of literary interpretation with the political/historical context.
The Sainte-Chapelle and the Construction of Sacral Monarchy
Author: Meredith Cohen
Publisher: Cambridge University Press
ISBN: 1107025575
Category : Architecture
Languages : en
Pages : 321
Book Description
This book offers a novel perspective on one of the most important monuments of French Gothic architecture, the Sainte-Chapelle, constructed in Paris by King Louis IX of France between 1239 and 1248 especially to hold and to celebrate Christ's Crown of Thorns. Meredith Cohen argues that the chapel's architecture, decoration, and use conveyed the notion of sacral kingship to its audience in Paris and in greater Europe, thereby implicitly elevating the French king to the level of suzerain, and establishing an early visual precedent for the political theories of royal sovereignty and French absolutism. By setting the chapel within its broader urban and royal contexts, this book offers new insight into royal representation and the rise of Paris as a political and cultural capital in the thirteenth century.
Publisher: Cambridge University Press
ISBN: 1107025575
Category : Architecture
Languages : en
Pages : 321
Book Description
This book offers a novel perspective on one of the most important monuments of French Gothic architecture, the Sainte-Chapelle, constructed in Paris by King Louis IX of France between 1239 and 1248 especially to hold and to celebrate Christ's Crown of Thorns. Meredith Cohen argues that the chapel's architecture, decoration, and use conveyed the notion of sacral kingship to its audience in Paris and in greater Europe, thereby implicitly elevating the French king to the level of suzerain, and establishing an early visual precedent for the political theories of royal sovereignty and French absolutism. By setting the chapel within its broader urban and royal contexts, this book offers new insight into royal representation and the rise of Paris as a political and cultural capital in the thirteenth century.
As Above, So Below
Author: Gina Konstantopoulos
Publisher: Penn State Press
ISBN: 1646021533
Category : History
Languages : en
Pages : 205
Book Description
This volume addresses the nexus of religion and geography in the ancient Near East through case studies of various time periods and regions. Using Sumerian, Akkadian, and Aramaic text corpora, iconography, and archaeological evidence, the contributors illuminate the diverse phenomena that occur when religion is viewed through the lenses of space and place. Gina Konstantopoulos draws upon Sumerian literature to understand mythicized and semimythicized locations. Seth Richardson and Elizabeth Knott focus on the Old Babylonian period, with Richardson addressing the interplay between law, location, and the gods, while Knott turns from text to image, relocating the reader to Syria and realizing the potential of royal iconography when situated in the “right” space. Shana Zaia moves forward to the first millennium, following the capital of the Neo-Assyrian Empire as it shifted from city to city, with divine implications. Finally, Arnulf Hausleiter and Sebastiano Lora focus on northwest Arabia, unearthing a local pantheon and situating it among the various influences in the region from the second millennium onward. Covering a broad geographical and temporal scope while maintaining a cohesive focus on the theme, this book will appeal especially to Assyriologists, scholars of the ancient Near East, and specialists in historical geography.
Publisher: Penn State Press
ISBN: 1646021533
Category : History
Languages : en
Pages : 205
Book Description
This volume addresses the nexus of religion and geography in the ancient Near East through case studies of various time periods and regions. Using Sumerian, Akkadian, and Aramaic text corpora, iconography, and archaeological evidence, the contributors illuminate the diverse phenomena that occur when religion is viewed through the lenses of space and place. Gina Konstantopoulos draws upon Sumerian literature to understand mythicized and semimythicized locations. Seth Richardson and Elizabeth Knott focus on the Old Babylonian period, with Richardson addressing the interplay between law, location, and the gods, while Knott turns from text to image, relocating the reader to Syria and realizing the potential of royal iconography when situated in the “right” space. Shana Zaia moves forward to the first millennium, following the capital of the Neo-Assyrian Empire as it shifted from city to city, with divine implications. Finally, Arnulf Hausleiter and Sebastiano Lora focus on northwest Arabia, unearthing a local pantheon and situating it among the various influences in the region from the second millennium onward. Covering a broad geographical and temporal scope while maintaining a cohesive focus on the theme, this book will appeal especially to Assyriologists, scholars of the ancient Near East, and specialists in historical geography.
Dictionary of the Old Testament: Wisdom, Poetry & Writings
Author: Tremper Longman III
Publisher: InterVarsity Press
ISBN: 0830817832
Category : Religion
Languages : en
Pages : 992
Book Description
Tremper Longman III and Peter E. Enns edit this collection of 148 articles by over 90 contributors on Job, Psalms, Proverbs, Ecclesiastes, Song of Songs, Lamentations, Ruth and Esther.
Publisher: InterVarsity Press
ISBN: 0830817832
Category : Religion
Languages : en
Pages : 992
Book Description
Tremper Longman III and Peter E. Enns edit this collection of 148 articles by over 90 contributors on Job, Psalms, Proverbs, Ecclesiastes, Song of Songs, Lamentations, Ruth and Esther.