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Author: Gridley McKim-Smith
Publisher:
ISBN: 9780300036152
Category : Art
Languages : en
Pages : 162
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Book Description
In this innovative book, an art historian, a conversator, a conservation scientist, and an instrumental photographer join together to analyze scientifically seven of the most important paintings of Diego Velazquez.
Author: Gridley McKim-Smith
Publisher:
ISBN: 9780300036152
Category : Art
Languages : en
Pages : 162
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Book Description
In this innovative book, an art historian, a conversator, a conservation scientist, and an instrumental photographer join together to analyze scientifically seven of the most important paintings of Diego Velazquez.
Author: Tanya J. Tiffany
Publisher: Penn State Press
ISBN: 0271053798
Category : Art
Languages : en
Pages : 255
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Book Description
"Explores the early works of seventeenth-century Spanish painter Diego Velâazquez. Focuses on works from 1617 to 1623, examining the painter's critical engagement with the artistic, religious, and social practices of his native Seville"--Provided by publisher.
Author: Svetlana Alpers
Publisher: Yale University Press
ISBN: 9780300126136
Category : Art
Languages : en
Pages : 312
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Book Description
Now available in paperback A major art historian reflects on a great tradition of European painting. "The Vexations of Art is an engrossing, passionate attempt to re-engage with painting as a mode of thought at a time when 'it is not clear in what form the resource of painting?for surely painting has been a singular resource of the greater European culture?will continue."?Jackie Wullschlager, Financial Times "[A] fascinating book that will surely generate discussion for some time to come."?Mindy Nancarrow, Renaissance Quarterly
Author: Richard Verdi
Publisher: Thames & Hudson
ISBN: 050077790X
Category : Art
Languages : en
Pages : 385
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Book Description
Diego Velázquez (15991660) was one of the towering figures of western painting and Baroque art, a technical master renowned for his focus on realism and startling veracity. Everything he painted was treated as a portrait, from Spanish royalty and Pope Innocent X, to a mortar and pestle. This comprehensive introduction to Velázquezs life and art includes a discussion of all his major works, and illustrates most of Velázquezs surviving output of approximately 110 paintings. The artists greatest innovation his unorthodox and revolutionary technique is explored in relation to the styles of certain of his most celebrated contemporaries both in Spain and beyond, including Titian and Rubens. The book concludes with a final chapter on the influence and importance of Velázquezs art on later painters from the time of his own death to the art of recent times including Francisco Goya, Pablo Picasso, Francis Bacon and the Impressionists.
Author: Edwin STOWE
Publisher:
ISBN:
Category :
Languages : en
Pages : 166
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Book Description
Author: Laura Cumming
Publisher: Simon and Schuster
ISBN: 1476762163
Category : Biography & Autobiography
Languages : en
Pages : 336
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Book Description
NEW YORK TIMES BESTSELLER A Wall Street Journal Top 10 Nonfiction Book of 2016 “As compelling and entertaining as a detective novel” (The Economist), the incredible true story—part art history and part mystery—of a Velázquez portrait that went missing and the obsessed nineteenth-century bookseller determined to prove he had found it. When John Snare, a nineteenth century provincial bookseller, traveled to a liquidation auction, he found a vivid portrait of King Charles I that defied any explanation. The Charles of the painting was young—too young to be king—and yet also too young to be painted by the Flemish painter to whom the piece was attributed. Snare had found something incredible—but what? His research brought him to Diego Velázquez, whose long-lost portrait of Prince Charles has eluded art experts for generations. Velázquez (1599–1660) was the official painter of the Madrid court, during the time the Spanish Empire teetered on the edge of collapse. When Prince Charles of England—a man wealthy enough to help turn Spain’s fortunes—proposed a marriage with a Spanish princess, he allowed just a few hours to sit for his portrait, and Snare believed only Velázquez could have been the artist of choice. But in making his theory public, Snare was ostracized and forced to choose, like Velázquez himself, between art and family. A thrilling investigation into the complex meaning of authenticity and the unshakable determination that drives both artists and collectors of their work, The Vanishing Velázquez is a “brilliant” (The Atlantic) tale of mystery and detection, of tragic mishaps and mistaken identities, of class, politics, snobbery, crime, and almost farcical accident that reveals how one historic masterpiece was crafted and lost, and how far one man would go to redeem it. Laura Cumming’s book is “sumptuous...A gleaming work of someone at the peak of her craft” (The New York Times).
Author: Fernando Checa Cremades
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
Diego Rodriguez de Silva y Velazquez (1599-1660) is widely recognized as both the supreme exponent of the Spanish Golden Age and as one of the greatest artists of all time. During his lifetime, he was admired not only at the cosmopolitan court of King Philip IV in Madrid, but also by the imperial court in Vienna and the papal court in Rome. Rediscovered in the 19th century, his work became an essential stimulus to the development of modern painting. Fernando Checa's monograph recasts the traditional critical reception of Velazquez as a Realist master, exploring other avenues of interpretation by examining his relationship with Classicism and with the most progressive trends in painting in his day. At the heart of the book is the color catalogue, which includes Velazquez's entire oeuvre with numerous details.
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892369272
Category : Art
Languages : en
Pages : 88
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Book Description
In this daylong symposium, a group of international experts and scholars of nineteenth-century art gathered to discuss Courbet's landscape oeuvre and debate his contribution to the history of modern painting, in conjunction with the exhibition Courbet and the Modern Landscape. The preface by Mary Morton and five papers presented here comprise the J. Paul Getty Museum's first online-only publication.
Author: Claire Farago
Publisher: Routledge
ISBN: 1351551299
Category : Art
Languages : en
Pages : 648
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Book Description
For nearly three centuries Leonardo da Vinci's work was known primarily through the abridged version of his Treatise on Painting, first published in Paris in 1651 and soon translated into all the major European languages. Here for the first time is a study that examines the historical reception of this vastly influential text. This collection charts the varied interpretations of Leonardo's ideas in French, Italian, Spanish, English, German, Dutch, Flemish, Greek, and Polish speaking environments where the Trattato was an important resource for the academic instruction of artists, one of the key sources drawn upon by art theorists, and widely read by a diverse network of artists, architects, biographers, natural philosophers, translators, astronomers, publishers, engineers, theologians, aristocrats, lawyers, politicians, entrepreneurs, and collectors. The cross-cultural approach employed here demonstrates that Leonardo's Treatise on Painting is an ideal case study through which to chart the institutionalization of art in Europe and beyond for 400 years. The volume includes original essays by scholars studying a wide variety of national and institutional settings. The coherence of the volume is established by the shared subject matter and interpretative aim: to understand how Leonardo's ideas were used. With its focus on the active reception of an important text overlooked in studies of the artist's solitary genius, the collection takes Leonardo studies to a new level of historical inquiry. Leonardo da Vinci's most significant contribution to Western art was his interpretation of painting as a science grounded in geometry and direct observation of nature. One of the most important questions to emerge from this study is, what enabled the same text to produce so many different styles of painting?
Author: Anthony Bailey
Publisher: Henry Holt and Company
ISBN: 1429973773
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
Behind the famous painting by Diego Velázquez lies a rich story of the artist's life in art What began as propaganda art to celebrate a rare Spanish victory in the Eighty Years' War with Holland, The Surrender at Breda is today recognized as Velázquez's narrative masterpiece. Breda is packed with vivid military detail—whole armies are suggested on the huge canvas, twelve feet high and eleven feet wide. Unlike typical surrender scenes, there is neither a heroic victor on horseback nor a vanquished commander on his knees. Instead the rivals appear on foot almost as equals. The loser bends forward to offer the key and receives a chivalrous pat on his shoulder, as if to say: "Fortune has favored me, but our roles might have been reversed." Anthony Bailey examines the paintings from which the artist arose, coaxing stories from them that flesh out a complete portrait of one of the world's major artists whose personal life has remained largely unknown.
