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Author: Shierry Weber Nicholsen
Publisher: MIT Press (MA)
ISBN: 9780262140621
Category : Philosophy
Languages : en
Pages : 270
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Book Description
"Nicholsen's "Exact Imagination, Late Work" is the distilled, reflected product of countless hours alongside, and deeply within, Adorno's languages. Her brilliant achievement here is to have demonstrated the emphatic intimacy between Adorno's aesthetics and his compositions." -- Tom Huhn, College of Letters and Philosophy Department, Wesleyan University Most English-language writing on Theodor Adorno has attempted to place him in various contexts and to differentiate him from other thinkers. Such work, while important, marks our failure to appropriate Adorno's ideas imaginatively. In "Exact Imagination, Late Work," Nicholsen proposes such an appropriation through a focus on the centrality of the aesthetic dimension in Adorno. Adorno uses the term "exact imagination" to mark the conjunction of knowledge, subjective experience, and aesthetic form. Exact imagination, as distinct from creative imagination, thus describes a form of nondiscursive rationality. According to Adorno, exact imagination discovers or produces truth by reconfiguring the material at hand; thus, knowledge is inseparable from the configurational form imagination gives it. "Late work" is characterized by the disjunction of subjectivity and objectivity. In its attempt to grasp late phenomena, Adorno's oeuvre itself takes on the form of late work. Exact imagination and late work mark the bounds of Nicholsen's exploration. The five interlocked essays, based on material from Adorno's "aesthetic writings, " take up such issues as subjective aesthetic experience, the historicity of artworks and our experience of them, Adorno's conception of language, the nature of configurationalor constellational form in Adorno's work, and the relation between the artwork, aesthetic experience, and philosophy. A subtext is the unraveling of Adorno's use of the ideas of his colleague Walter Benjamin. Nicholsen's essays themselves can be perceived as a constellation of their own around the central issue of the inseparability of form in its aesthetic dimension and nondiscursive rationality.
Author: Shierry Weber Nicholsen
Publisher: MIT Press (MA)
ISBN: 9780262140621
Category : Philosophy
Languages : en
Pages : 270
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Book Description
"Nicholsen's "Exact Imagination, Late Work" is the distilled, reflected product of countless hours alongside, and deeply within, Adorno's languages. Her brilliant achievement here is to have demonstrated the emphatic intimacy between Adorno's aesthetics and his compositions." -- Tom Huhn, College of Letters and Philosophy Department, Wesleyan University Most English-language writing on Theodor Adorno has attempted to place him in various contexts and to differentiate him from other thinkers. Such work, while important, marks our failure to appropriate Adorno's ideas imaginatively. In "Exact Imagination, Late Work," Nicholsen proposes such an appropriation through a focus on the centrality of the aesthetic dimension in Adorno. Adorno uses the term "exact imagination" to mark the conjunction of knowledge, subjective experience, and aesthetic form. Exact imagination, as distinct from creative imagination, thus describes a form of nondiscursive rationality. According to Adorno, exact imagination discovers or produces truth by reconfiguring the material at hand; thus, knowledge is inseparable from the configurational form imagination gives it. "Late work" is characterized by the disjunction of subjectivity and objectivity. In its attempt to grasp late phenomena, Adorno's oeuvre itself takes on the form of late work. Exact imagination and late work mark the bounds of Nicholsen's exploration. The five interlocked essays, based on material from Adorno's "aesthetic writings, " take up such issues as subjective aesthetic experience, the historicity of artworks and our experience of them, Adorno's conception of language, the nature of configurationalor constellational form in Adorno's work, and the relation between the artwork, aesthetic experience, and philosophy. A subtext is the unraveling of Adorno's use of the ideas of his colleague Walter Benjamin. Nicholsen's essays themselves can be perceived as a constellation of their own around the central issue of the inseparability of form in its aesthetic dimension and nondiscursive rationality.
Author: Gordon McMullan
Publisher: Oxford University Press
ISBN: 0198704623
Category : Art
Languages : en
Pages : 285
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Book Description
Late Style and its Discontents interrogates the critical cliche of "late style," questioning whether Titian, Beethoven, Goethe and others can usefully be assimilated to one another, as though their particular social and historical circumstances had been transcended by a singular existential predicament.
Author: Richard J. Lane
Publisher: Manchester University Press
ISBN: 9780719064371
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
This book explores the persistence of absolute in Benjamin's work by sketching out the relationship between philosphy and theology apparent in his diverse writings, from the early youth movement essays to the later books, essays and fragments. Lane examines Benjamin from two main perspectives: a history-of-ideas approach situating Benjamin in relation to the new German-Jewish thinking at the turn of the twentieth-century, as well as the German youth movements, Surrealism and the "Georgekreis"; and a conceptual approach examining more critical issues in relation to Benjamin and Kant, modern aesthetics and narrative order.
Author: Michael Hviid Jacobsen
Publisher: Routledge
ISBN: 131710482X
Category : Social Science
Languages : en
Pages : 289
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Book Description
This book explores the ways in which criminological methods can be imaginatively deployed and developed in a world increasingly characterized by the blurred nature of social reality. Whilst recognizing the importance of positivist approaches and research techniques, it advocates a commitment to understanding the ways in which those techniques can be used imaginatively, at times in combination with less conventional methods, discussing the questions concerning risk, ethics and access that arise as a result. Giving voice to cutting edge research practices both in terms of concepts and methods that shift the criminological focus towards the kind of imaginative work that comprised the foundations of the discipline, it calls into question the utility and credentials of mainstream work that fails to serve the discipline itself or the policy questions allied to it. A call not to 'give up on numbers' but also not to be defined by statistics and the methods that produce them, Liquid Criminology sheds light on a way of doing research for criminology that is not only creative but also critical. As such, it will appeal to scholars of sociology, criminology and social policy with interests in research methods and design.
Author: Theodor Adorno
Publisher: Univ of California Press
ISBN: 0520226720
Category : Music
Languages : en
Pages : 761
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Book Description
"A book of landmark importance. It is unprecedented in its design: a brilliantly selected group of essays on music coupled with lucid, deeply incisive, and in every way masterly analysis of Adorno's thinking about music. No one who studies Adorno and music will be able to dispense with it; and if they can afford only one book on Adorno and music, this will be the one. For in miniature, it contains everything one needs: a collection of exceptionally important writings on all the principal aspects of music and musical life with which Adorno dealt; totally reliable scholarship; and powerfully illuminating commentary that will help readers at all levels read and re-read the essays in question."—Rose Rosengard Subotnik, author of Deconstructive Variations: Music and Reason in Western Society "An invaluable contribution to Adorno scholarship, with well chosen essays on composers, works, the culture industry, popular music, kitsch, and technology. Leppert's introduction and commentaries are consistently useful; his attention to secondary literature remarkable; his interpretation responsible. The new translations by Susan Gillespie (and others) are outstanding not only for their care and readability, but also for their sensitivity to Adorno's forms and styles."—Lydia Goehr, author of The Quest for Voice: Music, Politics and the Limits of Philosophy "With its careful, full edition of Adorno's important musical texts and its exhaustive yet eminently readable commentaries, Richard Leppert's magisterial book represents a brilliant solution to the age-old dilemma of bringing together primary text and interpretation in one volume."—James Deaville, Director, School of the Arts, McMaster University "The developing variations of Adorno's life-long involvement with musical themes are fully audible in this remarkable collection. What might be called his 'literature on notes' brilliantly complements the 'notes to literature' he devoted to the written word. Richard Leppert's superb commentaries constitute a book-length contribution in their own right, which will enlighten and challenge even the most learned of Adorno scholars."—Martin Jay, author of The Dialectical Imagination: A History of The Frankfurt School and the Institute of Social Research "There is afoot in Anglo-American musicology today the first wholesale reconsideration of Adorno's thought since the pioneering work of Rose Rosengard Subotnik around 1980. Essays on Music will play a central role in this effort. It will do so because Richard Leppert has culled Adorno's writings so as to make clear to musicologists the place of music in the broad critique of modernity that was Adorno's overarching project; and it will do so because Leppert has explained these writings, in commentaries that amount to a book-length study, so as to reveal to non-musicologists the essentially musical foundation of this project. No one interested in Adorno from any perspective—or, for that matter, in modernity and music all told—can afford to ignore Essays on Music."—Gary Tomlinson, author of Metaphysical Song: An Essay on Opera "This book is both a major achievement by its author-editor and a remarkable act of scholarly generosity for the rest of us. Until now, English translations of Adorno's major essays on music have been scattered and often unreliable. Until now, there has been no comprehensive scholarly treatment of Adorno's musical thinking. This volume remedies both problems at a single stroke. It will be read equally—and eagerly—for Adorno's texts and for Richard Leppert's commentary on them, both of which will continue to be essential resources as musical scholarship seeks increasingly to come to grips with the social contexts and effects of music. No one knows Adorno better than Leppert, and no one is better equipped to clarify the complex interweaving of sociology, philosophy, and musical aesthetics that is central to Adorno's work. From now on, everyone who reads Adorno on music, whether a beginner or an expert, is in Richard Leppert's debt for devoting his exceptional gifts of learning and lucidity to this project."—Lawrence Kramer, author of Musical Meaning: Toward a Critical History
Author: Pamela R. Matthews
Publisher: U of Minnesota Press
ISBN: 9780816639939
Category : Philosophy
Languages : en
Pages : 534
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Book Description
Recent calls for a return to aesthetics occur precisely at a moment when it is increasingly evident that nothing concerning aesthetics is self-evident anymore. Determined to recover the value of aesthetic experience for artistic, cultural, and social analysis, the contributors to this volume--prominent scholars in literature, philosophy, art history, architecture, history, and anthropology--begin from a shared recognition that ideological readings of the aesthetic have provided invaluable insights, in particular, that analyses of aesthetics within historical and social contexts tell us a great deal about the experience of aesthetic encounters. From multiple and complementary perspectives, the contributors address topics as varied as Nabokov and Dickens, Caravaggio and Shelley Winters, gender and sexuality, advertising and AIDS. Taken together, their essays constitute a sustained and multifarious effort to resituate aesthetic pleasure in the mixed, impure conditions characteristic of every social practice and experience, however privileged or marginalized, and to ask what happens to the aesthetic if we consider it apart from--or at least in tension with--its historically dominant discursive formulations. As such, this volume establishes a renewed sense of aesthetic discourse and its usefulness as a tool for understanding culture.
Author: Tom Huhn
Publisher: Cambridge University Press
ISBN: 1139826336
Category : Philosophy
Languages : en
Pages : 524
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Book Description
The great German philosopher and aesthetic theorist Theodor Wiesengrund Adorno (1903–69) was one of the main philosophers of the first generation of the Frankfurt School of critical theory. An accomplished musician, Adorno first focused on the theory of culture and art. Later he turned to the problem of the self-defeating dialectic of modern reason and freedom. In this collection of essays, imbued with the most up-to-date research, a distinguished roster of Adorno specialists explore the full range of his contributions to philosophy, history, music theory, aesthetics and sociology. New readers will find this the most convenient and accessible guide to Adorno currently available. Advanced students and specialists will find a conspectus of recent developments in the interpretation of Adorno.
Author: Josh Robinson
Publisher: State University of New York Press
ISBN: 1438469853
Category : Philosophy
Languages : en
Pages : 290
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Book Description
Adorno's Poetics of Form is the first book-length examination of the elusive deployment of the concept of form in Adorno's writings on art and literature, and the first monograph to offer a comprehensive account of the relation of these writings to his broader philosophical project. It examines form within the constellation of concepts that exist around it, considering how it appears when seen in conjunction with and in opposition to content, expression, genre, and material. Illuminated from these angles, form is revealed as the site of a complex web of dynamic conceptual interactions. The book thus offers a resolution to a problem in Adorno's work that has remained unsolved for several decades, and in doing so sets out the consequences of Adorno's poetics for literary and critical theory today.
Author: Geoff Boucher
Publisher: Bloomsbury Publishing
ISBN: 0857724509
Category : Art
Languages : en
Pages : 177
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Book Description
Dismissed as a miserable elitist who condemned popular culture in the name of 'high art', Theodor W. Adorno (1903-1969) is one of the most provocative and important yet least understood of contemporary thinkers. This book challenges this popular image and re-examines Adorno as a utopian philosopher who believed authentic art could save the world. Adorno Reframed is not only a comprehensive introduction to the reader coming to Adorno for the first time, but also an important re-evaluation of this founder of the Frankfurt School. Using a wealth of concrete illustrations from popular culture, Geoffrey Boucher recasts Adorno as a revolutionary whose subversive irony and profoundly historical aesthetics defended the integrity of the individual against social totality.
Author: Jonathan Flatley
Publisher: University of Chicago Press
ISBN: 0226823946
Category : Art
Languages : en
Pages : 295
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Book Description
Scholarly considerations of Andy Warhol abound, including very fine catalogues raisonné, notable biographies, and essays in various exhibition catalogues and anthologies. But nowhere is there an in-depth scholarly examination of Warhol’s oeuvre as a whole—until now. Jonathan Flatley’s Like Andy Warhol is a revelatory look at the artist’s likeness-producing practices, not only reflected in his famous Campbell’s soup cans and Marilyn Monroe silkscreens but across Warhol’s whole range of interests including movies, drag queens, boredom, and his sprawling collections. Flatley shows us that Warhol’s art is an illustration of the artist’s own talent for “liking.” He argues that there is in Warhol’s productions a utopian impulse, an attempt to imagine new, queer forms of emotional attachment and affiliation, and to transform the world into a place where these forms find a new home. Like Andy Warhol is not just the best full-length critical study of Warhol in print, it is also an instant classic of queer theory.
