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Author: Rick Gualtieri
Publisher:
ISBN: 9781940415284
Category : Fiction
Languages : en
Pages : 458
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Book Description
ONE GEEK AGAINST THE RISING DARKNESS. Bill Ryder is having a hell of a week. Magic is back, one of his friends has been entombed in solid rock, and he once again has no pulse to speak of. Too bad it's about to get worse. Something is hunting vampires in New York City. A smarmy wizard has been called in to investigate, one with skeletons in his closet and eyes for Bill's girlfriend. All the while, Neolithic horrors not seen since the dawn of time are reappearing, wreaking havoc wherever they step. Bill will need to rally his friends, both new and old, if he's to have any chance of turning the creeping tide of chaos threatening to drown his city. But it won't be easy. The balance of power in the supernatural hierarchy has been upended, and all the attitude in the world might not be enough to fix it.
Author: Rick Gualtieri
Publisher:
ISBN: 9781940415284
Category : Fiction
Languages : en
Pages : 458
Get Book Here
Book Description
ONE GEEK AGAINST THE RISING DARKNESS. Bill Ryder is having a hell of a week. Magic is back, one of his friends has been entombed in solid rock, and he once again has no pulse to speak of. Too bad it's about to get worse. Something is hunting vampires in New York City. A smarmy wizard has been called in to investigate, one with skeletons in his closet and eyes for Bill's girlfriend. All the while, Neolithic horrors not seen since the dawn of time are reappearing, wreaking havoc wherever they step. Bill will need to rally his friends, both new and old, if he's to have any chance of turning the creeping tide of chaos threatening to drown his city. But it won't be easy. The balance of power in the supernatural hierarchy has been upended, and all the attitude in the world might not be enough to fix it.
Author: Marc Olivier
Publisher: Indiana University Press
ISBN: 0253046599
Category : Literary Criticism
Languages : en
Pages : 350
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Book Description
A scholar examines 14 everyday objects featured in horror films and how they manifest their power and speak to society’s fears. Take a tour of the house where a microwave killed a gremlin, a typewriter made Jack a dull boy, a sewing machine fashioned Carrie’s prom dress, and houseplants might kill you while you sleep. In Household Horror, Marc Olivier highlights the wonder, fear, and terrifying dimension of objects in horror cinema. Inspired by object-oriented ontology and the nonhuman turn in philosophy, Olivier places objects in film on par with humans, arguing, for example, that a sleeper sofa is as much the star of Sisters as Margot Kidder, that The Exorcist is about a possessed bed, and that Rosemary’s Baby is a conflict between herbal shakes and prenatal vitamins. Household Horror reinvigorates horror film criticism by investigating the unfathomable being of objects as seemingly benign as remotes, radiators, refrigerators, and dining tables. Olivier questions what Hitchcock’s Psycho tells us about shower curtains. What can we learn from Freddie Krueger’s greatest accomplice, the mattress? Room by room, Olivier considers the dark side of fourteen household objects to demonstrate how the objects in these films manifest their own power and connect with specific cultural fears and concerns. “Provides a lively and highly original contribution to horror studies. As a work on cinema, it introduces the reader to films that may be less well-known to casual fans and scholars; more conspicuously, it returns to horror staples, gleefully reanimating works that one might otherwise assume had been critically “done to death” (Psycho, The Exorcist, The Shining).” —Allan Cameron, University of Auckland
Author: Scott Harrower
Publisher: Lexham Press
ISBN: 168359231X
Category : Religion
Languages : en
Pages : 197
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Book Description
How does God respond to trauma in a world full of horrors? Beyond their physical and emotional toll, the horrors of this world raise difficult theological and existential questions. Where is God in the darkest moments of the human experience? Is there any hope for recovery from the trauma generated by these horrors? There are no easy answers to these questions. In God of All Comfort, Scott Harrower addresses these questions head on. Using the Gospel of Matthew as a backdrop, he argues for a Trinitarian approach to horrors, showing how God--in his triune nature--reveals himself to those who have experienced trauma. He explores the many ways God relates restoratively with humanity, showing how God's light shines through the darkness of trauma.
Author: Camille Rose Garcia
Publisher: Last Gasp
ISBN: 0867196394
Category : Arts and society
Languages : en
Pages : 152
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Book Description
Camille Rose Garcia's world is a beautiful place. It is the ballroom of an Empire, a forest of aquamarine jewels, a place where cream-layered cakes, crystal castles and opiate abundance serve to sedate the masses. but as the telescope retracts, the glossy veneer of privelege falls away to reveal another reality. Machine guns and machetes decorate the landscape alongside exploding poppies. Deer and princesses hand suspensefully in a cloud of malaise and disbelief becomes the ether of the living.
Author: Jonina Anderson-Lopez
Publisher: McFarland
ISBN: 1476688664
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
Horror fiction--in literature, film and television--display a wealth of potential, and appeal to diverse audiences. The trope of "the black man always dies first" still, however, haunts the genre. This book focuses on the latest cycle of diversity in horror fiction, starting with the release of Get Out in 2017, which inspired a new speculative turn for the genre. Using various critical frameworks like feminism and colonialism, the book also assesses diversity gaps in horror fictions, with an emphasis on marketing and storytelling methodology. Reviewing the canon and definitions of horror may point to influences for future implications of diversity, which has cyclically manifested in horror fictions throughout history. This book studies works from literature, film and television while acknowledging that each of the formats are distinct artforms that complement each other. The author compares diverse representation in novels like The Castle of Otranto, Frankenstein, Fledgling, Broken Monsters and Mexican Gothic. Horror films like Bride of Frankenstein, It Comes at Night, Us and Get Out are also examined. Lastly, the author emphasizes the diverse horror fictions in television, like The Exorcist, Fear the Walking Dead, The Twilight Zone and Castle Rock.
Author: Sarah Robertson
Publisher: Anthem Press
ISBN: 1839986794
Category : Literary Criticism
Languages : en
Pages : 71
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Book Description
Gothic Appalachian Literature examines the ways contemporary Appalachian authors utilize gothic tropes to explore the complex history and contemporary problems of the region, particularly in terms of their representation of economic and environmental concerns. It argues that across Appalachian fiction, the plight of characters to save their homes, land and way of life from the destructive forces of extractive industries brings sharply to bare the histories of colonization and slavery that problematize questions of belonging, ownership and possession. Robertson extensively considers contemporary manifestations of the gothic in Appalachian literature, arguing that gothic tropes abound in fiction that focuses on the impacts of extractive industries that connect this micro-region with other parts of the Global North and Global South where the devastating impacts of extractive industries are also experienced socially, economically and environmentally.
Author: Kristen Roupenian
Publisher: Simon and Schuster
ISBN: 1982101652
Category : Fiction
Languages : en
Pages : 223
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Book Description
*Includes the story “Cat Person”—now a major film* A compulsively readable collection of short stories that explore the complex—and often darkly funny—connections between gender, sex, and power across genres. “These stories are sharp and perverse, dark and bizarre, unrelenting and utterly bananas. I love them so, so much.” —Carmen Maria Machado, National Book Award Finalist and author of Her Body and Other Parties “Kristen Roupenian isn’t just an uncannily great writer, she also knows things about the human psyche…The world has made a lot more sense since reading this book.” —Miranda July, New York Times bestselling author Previously published as You Know You Want This, “Cat Person” and Other Stories brilliantly explores the ways in which women are horrifying as much as it captures the horrors that are done to them. Among its pages are a couple who becomes obsessed with their friend hearing them have sex, then seeing them have sex…until they can’t have sex without him; a ten-year-old whose birthday party takes a sinister turn when she wishes for “something mean”; a woman who finds a book of spells half hidden at the library and summons her heart’s desire: a nameless, naked man; and a self-proclaimed “biter” who dreams of sneaking up behind and sinking her teeth into a green-eyed, long-haired, pink-cheeked coworker. Spanning a range of genres and topics—from the mundane to the murderous and supernatural—these are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. These stories fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at you, daring you to feel uncomfortable—or worse, understood—as if to say, “You want this, right? You know you want this.”
Author: Matt Theado
Publisher: Liverpool University Press
ISBN: 1949979946
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
The Beats, Black Mountain, and New Modes of American Poetry explores correspondences amongst the Black Mountain and Beat Generation writers, two of most well-known and influential groups of poets in the 1950s. The division of writers as Beat or Black Mountain has hindered our understanding of the ways that these poets developed from mutual influences, benefitted from direct relations, and overlapped their boundaries. This collection of academic essays refines and adds context to Beat Studies and Black Mountain Studies by investigating the groups’ intersections and undercurrents. One goal of the book is to deconstruct the Beat and Black Mountain labels in order to reveal the shifting and fluid relationships among the individual poets who developed a revolutionary poetics in the 1950s and beyond. Taken together, these essays clarify the radical experimentation with poetics undertaken by these poets.
Author: Matthew Eaton
Publisher: Taylor & Francis
ISBN: 1000834263
Category : Religion
Languages : en
Pages : 155
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Book Description
Incarnate Earth reimagines the doctrine of Incarnation by extending the unity between Creator and creation beyond Jesus to the entire world. In dialogue with contemporary theologies of deep incarnation and the philosophy of Emmanuel Levinas, the author argues that the face of Christ is encountered in the cruciform demand for justice embodied in the creaturely finitude and vulnerability that grounds ethics. Central to this vision is a recognition that the religious role-functions at the heart of Jesus’ life—the revelation of God and the redemption of the world—are performed throughout the physical world, irreducible to humanity or one heroic representative of the species. Thus, the human encounters the divine Christ in and as the face of any vulnerable thing—animal, vegetal, elemental, or otherwise—not as a transcendent being mediated through humanity. The radical nature of this reimagination necessitates renewed discussions of ecological and animal ethics, calling for compassionate care for all vulnerable bodies insofar as this is possible. It will be of interest to scholars of Christian theology and the philosophy of religion, particularly those focused on ecotheology, religious naturalism, and environmental ethics.
Author: Christopher J. Olson
Publisher: Lexington Books
ISBN: 1498519091
Category : Social Science
Languages : en
Pages : 217
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Book Description
Since the release of The Exorcist in 1973, there has been a surge of movies depicting young women becoming possessed by a demonic force that only male religious figures can exorcise, thereby saving the women from eventual damnation. This book considers this history of exorcism cinema by analyzing how the traditional exorcism narrative, established in The Exorcist, recurs across the exorcism subgenre to represent the effects of demonic possession and ritual exorcism. This traditional exorcism narrative often functions as the central plot of the exorcism film, with only the rare film deviating from this structure. The analysis presented in this book considers how exorcism films reflect, reinforce or challenge this traditional exorcism narrative. Using various cultural and critical theories, this book examines how representations of possession and exorcism reflect, reinforce or challenge prevailing social, cultural, and historical views of women, minorities, and homosexuals. In particular, exorcism films appear to explore tensions or fears regarding empowered and sexually active women, and frequently reinforce the belief that such individuals need to be subjugated and disempowered so that they no longer pose a threat to those around them. Even more recent films, produced after the emergence of third wave feminism, typically reflect this concern about women. Very rarely do exorcism films present empowered women and feminine sexuality as non-threatening. In examining this subgenre of horror films, this book looks at films that have not received much critical scrutiny regarding the messages they contain and how they relate to and comment upon the historical periods in which they were produced and initially received. Given the results of this analysis, this book concludes on the necessity to examine how possession and exorcism are portrayed in popular culture.
