Author: Shahid Amin
Publisher: Univ of California Press
ISBN: 0520087801
Category : History
Languages : en
Pages : 280
Book Description
Taking Gandhi's statements about civil disobedience to heart, in February 1922 residents from the villages around the north Indian market town of Chauri Chaura attacked the local police station, burned it to the ground and murdered twenty-three constables. Appalled that his teachings were turned to violent ends, Gandhi called off his Noncooperation Movement and fasted to bring the people back to nonviolence. In the meantime, the British government denied that the riot reflected Indian resistance to its rule and tried the rioters as common criminals. These events have taken on great symbolic importance among Indians, both in the immediate region and nationally. Amin examines the event itself, but also, more significantly, he explores the ways it has been remembered, interpreted, and used as a metaphor for the Indian struggle for independence. The author, who was born fifteen miles from Chauri Chaura, brings to his study an empathetic knowledge of the region and a keen ear for the nuances of the culture and language of its people. In an ingenious negotiation between written and oral evidence, he combines brilliant archival work in the judicial records of the period with field interviews with local informants. In telling this intricate story of local memory and the making of official histories, Amin probes the silences and ambivalences that contribute to a nation's narrative. He extends his boundaries well beyond Chauri Chaura itself to explore the complex relationship between peasant politics and nationalist discourse and the interplay between memory and history.
Event, Metaphor, Memory
Author: Shahid Amin
Publisher: Univ of California Press
ISBN: 0520087801
Category : History
Languages : en
Pages : 280
Book Description
Taking Gandhi's statements about civil disobedience to heart, in February 1922 residents from the villages around the north Indian market town of Chauri Chaura attacked the local police station, burned it to the ground and murdered twenty-three constables. Appalled that his teachings were turned to violent ends, Gandhi called off his Noncooperation Movement and fasted to bring the people back to nonviolence. In the meantime, the British government denied that the riot reflected Indian resistance to its rule and tried the rioters as common criminals. These events have taken on great symbolic importance among Indians, both in the immediate region and nationally. Amin examines the event itself, but also, more significantly, he explores the ways it has been remembered, interpreted, and used as a metaphor for the Indian struggle for independence. The author, who was born fifteen miles from Chauri Chaura, brings to his study an empathetic knowledge of the region and a keen ear for the nuances of the culture and language of its people. In an ingenious negotiation between written and oral evidence, he combines brilliant archival work in the judicial records of the period with field interviews with local informants. In telling this intricate story of local memory and the making of official histories, Amin probes the silences and ambivalences that contribute to a nation's narrative. He extends his boundaries well beyond Chauri Chaura itself to explore the complex relationship between peasant politics and nationalist discourse and the interplay between memory and history.
Publisher: Univ of California Press
ISBN: 0520087801
Category : History
Languages : en
Pages : 280
Book Description
Taking Gandhi's statements about civil disobedience to heart, in February 1922 residents from the villages around the north Indian market town of Chauri Chaura attacked the local police station, burned it to the ground and murdered twenty-three constables. Appalled that his teachings were turned to violent ends, Gandhi called off his Noncooperation Movement and fasted to bring the people back to nonviolence. In the meantime, the British government denied that the riot reflected Indian resistance to its rule and tried the rioters as common criminals. These events have taken on great symbolic importance among Indians, both in the immediate region and nationally. Amin examines the event itself, but also, more significantly, he explores the ways it has been remembered, interpreted, and used as a metaphor for the Indian struggle for independence. The author, who was born fifteen miles from Chauri Chaura, brings to his study an empathetic knowledge of the region and a keen ear for the nuances of the culture and language of its people. In an ingenious negotiation between written and oral evidence, he combines brilliant archival work in the judicial records of the period with field interviews with local informants. In telling this intricate story of local memory and the making of official histories, Amin probes the silences and ambivalences that contribute to a nation's narrative. He extends his boundaries well beyond Chauri Chaura itself to explore the complex relationship between peasant politics and nationalist discourse and the interplay between memory and history.
Event, Metaphor, Memory
Author: Shahid Amin
Publisher:
ISBN: 9780143062042
Category : History
Languages : en
Pages : 0
Book Description
Winner Of The Ananda Kentish Coomaraswamy Book Prize 1997 An Account Of The Momentous Event In Modern Indian History Which Made Mahatma Gandhi Suspend The Non-Cooperation Movement On 4 February 1922, Peasant Volunteers Who Had Enlisted In Gandhi'S Newly Launched People'S Struggle Against British Rule Turned Violent And Burned Down A Police Station In Chauri Chaura' Killing Twenty-Three Policemen. According To Shahid Amin, This Dramatic Occurrence Simply Had To Be Quickly Forgotten As A Stain Upon The Clean Sheets Of Gandhian Non-Violence. And So It Was. Chauri Chaura' Was Effectively Blotted Out Of The Grand Narrative Of Indian Heroic Nationalism, Making A Token Appearance In Authoritative' Textbooks. In Contrast With This, In Event, Metaphor, Memory Amin Reveals The Fascinating Specificities That Comprise The History Of Chauri Chaura'. By Combining Archival Records With Local Memory To Amplify Voices Of Individual Peasants, He Analyses The Way Events And Memories Are Given Meanings And Emphases, And How Records Are Appropriated By Different, Sometimes Conflicting, Histories. The Result Is A Book That Breaks New Ground In Several Areas Of Indian Historiography.
Publisher:
ISBN: 9780143062042
Category : History
Languages : en
Pages : 0
Book Description
Winner Of The Ananda Kentish Coomaraswamy Book Prize 1997 An Account Of The Momentous Event In Modern Indian History Which Made Mahatma Gandhi Suspend The Non-Cooperation Movement On 4 February 1922, Peasant Volunteers Who Had Enlisted In Gandhi'S Newly Launched People'S Struggle Against British Rule Turned Violent And Burned Down A Police Station In Chauri Chaura' Killing Twenty-Three Policemen. According To Shahid Amin, This Dramatic Occurrence Simply Had To Be Quickly Forgotten As A Stain Upon The Clean Sheets Of Gandhian Non-Violence. And So It Was. Chauri Chaura' Was Effectively Blotted Out Of The Grand Narrative Of Indian Heroic Nationalism, Making A Token Appearance In Authoritative' Textbooks. In Contrast With This, In Event, Metaphor, Memory Amin Reveals The Fascinating Specificities That Comprise The History Of Chauri Chaura'. By Combining Archival Records With Local Memory To Amplify Voices Of Individual Peasants, He Analyses The Way Events And Memories Are Given Meanings And Emphases, And How Records Are Appropriated By Different, Sometimes Conflicting, Histories. The Result Is A Book That Breaks New Ground In Several Areas Of Indian Historiography.
History and Memory after Auschwitz
Author: Dominick LaCapra
Publisher: Cornell University Press
ISBN: 1501727451
Category : History
Languages : en
Pages : 228
Book Description
The relations between memory and history have recently become a subject of contention, and the implications of that debate are particularly troubling for aesthetic, ethical, and political issues. Dominick LaCapra focuses on the interactions among history, memory, and ethicopolitical concerns as they emerge in the aftermath of the Shoah. Particularly notable are his analyses of Albert Camus's novella The Fall, Claude Lanzmann's film Shoah, and Art Spiegelman's "comic book" Maus. LaCapra also considers the Historians' Debate in the aftermath of German reunification and the role of psychoanalysis in historical understanding and critical theory. In six essays, LaCapra addresses a series of related questions. Are there experiences whose traumatic nature blocks understanding and disrupts memory while producing belated effects that have an impact on attempts to address the past? Do some events present moral and representational issues even for groups or individuals not directly involved in them? Do those more directly involved have special responsibilities to the past and the way it is remembered in the present? Can or should historiography define itself in a purely scholarly and professional way that distances it from public memory and its ethical implications? Does art itself have a special responsibility with respect to traumatic events that remain invested with value and emotion?
Publisher: Cornell University Press
ISBN: 1501727451
Category : History
Languages : en
Pages : 228
Book Description
The relations between memory and history have recently become a subject of contention, and the implications of that debate are particularly troubling for aesthetic, ethical, and political issues. Dominick LaCapra focuses on the interactions among history, memory, and ethicopolitical concerns as they emerge in the aftermath of the Shoah. Particularly notable are his analyses of Albert Camus's novella The Fall, Claude Lanzmann's film Shoah, and Art Spiegelman's "comic book" Maus. LaCapra also considers the Historians' Debate in the aftermath of German reunification and the role of psychoanalysis in historical understanding and critical theory. In six essays, LaCapra addresses a series of related questions. Are there experiences whose traumatic nature blocks understanding and disrupts memory while producing belated effects that have an impact on attempts to address the past? Do some events present moral and representational issues even for groups or individuals not directly involved in them? Do those more directly involved have special responsibilities to the past and the way it is remembered in the present? Can or should historiography define itself in a purely scholarly and professional way that distances it from public memory and its ethical implications? Does art itself have a special responsibility with respect to traumatic events that remain invested with value and emotion?
Rewriting the Soul
Author: Ian Hacking
Publisher: Princeton University Press
ISBN: 069105908X
Category : Medical
Languages : en
Pages : 346
Book Description
As Foucault once identified a politics that centers on the body and another that classifies and organizes the human population, Hacking has now provided a masterful description of the politics of memory: the scientizing of the soul and the wounds it can receive.
Publisher: Princeton University Press
ISBN: 069105908X
Category : Medical
Languages : en
Pages : 346
Book Description
As Foucault once identified a politics that centers on the body and another that classifies and organizes the human population, Hacking has now provided a masterful description of the politics of memory: the scientizing of the soul and the wounds it can receive.
Memory, Metaphor, Mutations
Author: Yashodhara Dalmia
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
"As boundaries slowly dissolve and interactive realities become evident, the cultures of India and Pakistan are beginning to draw attention. Recent exchanges have taken place in the realm of music, cinema, and other cultural forms. Moreover, both nations share a heritage of Mughal miniatures, Rajasthani and Pahari art, and are bound together by history and the problematics of the present. The contemporary art of the two countries, in all its vitality, today has a new identity. The illustrated book reveals the heterogenous, complex, and vibrant life of the subcontinent of South Asia that is reflected through both Pakistani and Indian art." "In the first part of the book, Salima Hashmi introduces the art practices of Pakistan, since Partition, and their historical background. She goes on to discuss the subversive work of women artists, who have recently asserted themselves. The section ends with an overview of artists who have blended rather uniquely the miniature tradition with contemporary trends." "The second part by Yashodhara Dalmia, begins with the historical development of art in India from the turn of the twentieth-century to the present. There follows a focus on the Progressive Artists' Group, which leaned heavily towards modernism in the fifties, and remains of paramount importance today."--Jacket.
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
"As boundaries slowly dissolve and interactive realities become evident, the cultures of India and Pakistan are beginning to draw attention. Recent exchanges have taken place in the realm of music, cinema, and other cultural forms. Moreover, both nations share a heritage of Mughal miniatures, Rajasthani and Pahari art, and are bound together by history and the problematics of the present. The contemporary art of the two countries, in all its vitality, today has a new identity. The illustrated book reveals the heterogenous, complex, and vibrant life of the subcontinent of South Asia that is reflected through both Pakistani and Indian art." "In the first part of the book, Salima Hashmi introduces the art practices of Pakistan, since Partition, and their historical background. She goes on to discuss the subversive work of women artists, who have recently asserted themselves. The section ends with an overview of artists who have blended rather uniquely the miniature tradition with contemporary trends." "The second part by Yashodhara Dalmia, begins with the historical development of art in India from the turn of the twentieth-century to the present. There follows a focus on the Progressive Artists' Group, which leaned heavily towards modernism in the fifties, and remains of paramount importance today."--Jacket.
Conquest and Community
Author: Shahid Amin
Publisher: University of Chicago Press
ISBN: 022637260X
Category : Biography & Autobiography
Languages : en
Pages : 342
Book Description
Conquest and Community, by prize-winning historian Shahid Amin, is a kaleidoscopic look into one of the most divisive issues in South Asian history: the Turkic conquest of the subcontinent and the subsequent spread of Muslim rule. Covering more than eight hundred years of history, the book centers around the enduringly popular saint Ghazi Miyan, the youthful and lovable soldier of Islam to whom shrines have been erected all over the country. After detailing the warrior saint s supposed exploits, Amin charts the various ways he has been remembered throughout the last millennium. As he shows, the charming stories, ballads, and proverbs that grew up around him domesticated the bloody conquest and made it appear both virtuous and familial. Amin brings the story of Ghazi Miyan s long afterlife into the contemporary period through his ethnographic analysis of the still-active shrines as sites of interreligious public piety. What is at first glance a story of just one mythical figure becomes through Amin s thoughtful treatment an allegory for the history of Hindu-Muslim relations over an astonishingly long period of time. As the Muslim conquest of India is being mobilized for dangerously polarizing political ends in India today, this nonsectarian account of religious strife will be a timely and sane contribution to the vexed historical debate."
Publisher: University of Chicago Press
ISBN: 022637260X
Category : Biography & Autobiography
Languages : en
Pages : 342
Book Description
Conquest and Community, by prize-winning historian Shahid Amin, is a kaleidoscopic look into one of the most divisive issues in South Asian history: the Turkic conquest of the subcontinent and the subsequent spread of Muslim rule. Covering more than eight hundred years of history, the book centers around the enduringly popular saint Ghazi Miyan, the youthful and lovable soldier of Islam to whom shrines have been erected all over the country. After detailing the warrior saint s supposed exploits, Amin charts the various ways he has been remembered throughout the last millennium. As he shows, the charming stories, ballads, and proverbs that grew up around him domesticated the bloody conquest and made it appear both virtuous and familial. Amin brings the story of Ghazi Miyan s long afterlife into the contemporary period through his ethnographic analysis of the still-active shrines as sites of interreligious public piety. What is at first glance a story of just one mythical figure becomes through Amin s thoughtful treatment an allegory for the history of Hindu-Muslim relations over an astonishingly long period of time. As the Muslim conquest of India is being mobilized for dangerously polarizing political ends in India today, this nonsectarian account of religious strife will be a timely and sane contribution to the vexed historical debate."
A Date Which Will Live
Author: Emily S. Rosenberg
Publisher: Duke University Press
ISBN: 9780822332060
Category : History
Languages : en
Pages : 260
Book Description
How Pearl Harbor has been written about, thought of, and manipulated in American culture.
Publisher: Duke University Press
ISBN: 9780822332060
Category : History
Languages : en
Pages : 260
Book Description
How Pearl Harbor has been written about, thought of, and manipulated in American culture.
Breath, Eyes, Memory
Author: Edwidge Danticat
Publisher: Soho Press
ISBN: 1616955023
Category : Fiction
Languages : en
Pages : 273
Book Description
The 20th anniversary edition of Edwidge Danticat's groundbreaking debut, now an established classic--revised and with a new introduction by the author, and including extensive bonus materials At the age of twelve, Sophie Caco is sent from her impoverished Haitian village to New York to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti—to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence. In her stunning literary debut, Danticat evokes the wonder, terror, and heartache of her native Haiti—and the enduring strength of Haiti’s women—with vibrant imagery and narrative grace that bear witness to her people’s suffering and courage.
Publisher: Soho Press
ISBN: 1616955023
Category : Fiction
Languages : en
Pages : 273
Book Description
The 20th anniversary edition of Edwidge Danticat's groundbreaking debut, now an established classic--revised and with a new introduction by the author, and including extensive bonus materials At the age of twelve, Sophie Caco is sent from her impoverished Haitian village to New York to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti—to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence. In her stunning literary debut, Danticat evokes the wonder, terror, and heartache of her native Haiti—and the enduring strength of Haiti’s women—with vibrant imagery and narrative grace that bear witness to her people’s suffering and courage.
The Nation as a Local Metaphor
Author: Alon Confino
Publisher: UNC Press Books
ISBN: 9780807846650
Category : History
Languages : en
Pages : 300
Book Description
All nations make themselves up as they go along, but not all make themselves up in the same way. In this study, Alon Confino explores how Germans turned national and argues that they imagined the nation as an extension of their local place. In 1871, the
Publisher: UNC Press Books
ISBN: 9780807846650
Category : History
Languages : en
Pages : 300
Book Description
All nations make themselves up as they go along, but not all make themselves up in the same way. In this study, Alon Confino explores how Germans turned national and argues that they imagined the nation as an extension of their local place. In 1871, the
The Combing of History
Author: David William Cohen
Publisher: University of Chicago Press
ISBN: 0226112780
Category : History
Languages : en
Pages : 291
Book Description
How is historical knowledge produced? And how do silence and forgetting figure in the knowledge we call history? Taking us through time and across the globe, David William Cohen's exploration of these questions exposes the circumstantial nature of history. His investigation uncovers the conventions and paradigms that govern historical knowledge and historical texts and reveals the economic, social, and political forces at play in the production of history. Drawing from a wide range of examples, including African legal proceedings, German and American museum exhibits, Native American commemorations, public and academic debates, and scholarly research, David William Cohen explores the "walls and passageways" between academic and non-academic productions of history.
Publisher: University of Chicago Press
ISBN: 0226112780
Category : History
Languages : en
Pages : 291
Book Description
How is historical knowledge produced? And how do silence and forgetting figure in the knowledge we call history? Taking us through time and across the globe, David William Cohen's exploration of these questions exposes the circumstantial nature of history. His investigation uncovers the conventions and paradigms that govern historical knowledge and historical texts and reveals the economic, social, and political forces at play in the production of history. Drawing from a wide range of examples, including African legal proceedings, German and American museum exhibits, Native American commemorations, public and academic debates, and scholarly research, David William Cohen explores the "walls and passageways" between academic and non-academic productions of history.