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Author: Christa C. Mayer-Thurman
Publisher: Metropolitan Museum of Art
ISBN: 0870999893
Category : Tapestry
Languages : en
Pages : 322
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Book Description
This volume catalogues the more than 250 textiles and objects made of fabric that were part of Robert Lehman's bequest to the Metropolitan Museum in 1975. Many of these textiles were used as hangings, covers, or upholstery to embellish the Lehmans' elegant townhouse in Manhattan. They represent sixty-five years of assembling, owning, and living with historic fabrics on a day-to-day basis, and they document an American style of living and interior decoration that has largely disappeared. Among the highlights of the collection are two series of embroidered roundels from fifteenth-century Flanders that illustrate the lives of Saints Martin and Catherine of Alexandria; four large tapestries, including the Last Supper after Bernaert van Orley that is arguably the finest Renaissance tapestry in an American collection; and a number of ecclesiastical vestments and panels of magnificent silks and velvets in an array of techniques and styles that span six centuries. Comparative illustrations supplement the catalogue entries. Glossary, bibliography, and index. -- Metropolitan Museum of Art website.
Author: Christa C. Mayer-Thurman
Publisher: Metropolitan Museum of Art
ISBN: 0870999893
Category : Tapestry
Languages : en
Pages : 322
Get Book Here
Book Description
This volume catalogues the more than 250 textiles and objects made of fabric that were part of Robert Lehman's bequest to the Metropolitan Museum in 1975. Many of these textiles were used as hangings, covers, or upholstery to embellish the Lehmans' elegant townhouse in Manhattan. They represent sixty-five years of assembling, owning, and living with historic fabrics on a day-to-day basis, and they document an American style of living and interior decoration that has largely disappeared. Among the highlights of the collection are two series of embroidered roundels from fifteenth-century Flanders that illustrate the lives of Saints Martin and Catherine of Alexandria; four large tapestries, including the Last Supper after Bernaert van Orley that is arguably the finest Renaissance tapestry in an American collection; and a number of ecclesiastical vestments and panels of magnificent silks and velvets in an array of techniques and styles that span six centuries. Comparative illustrations supplement the catalogue entries. Glossary, bibliography, and index. -- Metropolitan Museum of Art website.
Author: Monique King
Publisher:
ISBN: 9780571133710
Category : Art
Languages : en
Pages : 311
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Book Description
The Keir Collection is probably one of the most remarkable and wide-ranging collections of works of art gathered together in any country since World War II. It is famous for its Islamic art. With the publication of this sixth volume on the collection, its European textiles could well gain equal renown.
Author: Salvatore Gaspa
Publisher: Lulu.com
ISBN: 1609621123
Category : Art
Languages : en
Pages : 540
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Book Description
The papers in this volume derive from the conference on textile terminology held in June 2014 at the University of Copenhagen. Around 50 experts from the fields of Ancient History, Indo-European Studies, Semitic Philology, Assyriology, Classical Archaeology, and Terminology from twelve different countries came together at the Centre for Textile Research, to discuss textile terminology, semantic fields of clothing and technology, loan words, and developments of textile terms in Antiquity. They exchanged ideas, research results, and presented various views and methods. This volume contains 35 chapters, divided into five sections: - Textile terminologies across the ancient Near East and the Southern Levant - Textile terminologies in Europe and Egypt - Textile terminologies in metaphorical language and poetry - Textile terminologies: examples from China and Japan - Technical terms of textiles and textile tools and methodologies of classifications
Author: Susan Meller
Publisher: ABRAMS
ISBN:
Category : Textile design
Languages : en
Pages : 476
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Book Description
This book is the catalogue for the largest picture show in the world: the images on printed cloth.
Author: Serena Sabatini
Publisher: Cambridge University Press
ISBN: 1108493599
Category : Design
Languages : en
Pages : 355
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Book Description
Discusses both the revolutionary cultural, social, and economic impact of Bronze Age textile production in Europe and innovative methodologies for future studies.
Author: Robin Netherton
Publisher: Boydell Press
ISBN: 1843838567
Category : Design
Languages : en
Pages : 186
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Book Description
The best new research on medieval clothing and textiles, drawing from a range of disciplines. Topics in this volume range widely throughout the European middle ages. Three contributions concern terminology for dress. Two deal with multicultural medieval Apulia: an examination of clothing terms in surviving marriage contracts from the tenth to the fourteenth century, and a close focus on an illuminated document made for a prestigious wedding. Turning to Scandinavia, there is an analysis of clothing materials from Norway and Sweden according to gender and social distribution. Further papers consider the economic uses of cloth and clothing: wool production and the dress of the Cistercian community at Beaulieu Abbey based on its 1269-1270 account book, and the use of clothing as pledge or payment in medieval Ireland. In addition, there is a consideration of the history of dagged clothing and its negative significance to moralists, and of the painted hangings that were common in homes of all classes in the sixteenth century. ROBIN NETHERTON is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; GALE R. OWEN-CROCKER is Emerita Professor of Anglo-Saxon Culture at the University of Manchester. Contributors: Antonietta Amati, Eva I. Andersson, John Block Friedman, Susan James, John Oldland, Lucia Sinisi, Mark Zumbuhl
Author: E. J.W. Barber
Publisher: Princeton University Press
ISBN: 9780691002248
Category : Art
Languages : en
Pages : 512
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Book Description
This monograph attempts to revise present ideas of the origins and early development of textiles in Europe and the Near East. Using linguistic techniques as well as methods from palaeobiology, it demonstrates that spinning and pattern-weaving existed far earlier than has been supposed.
Author: Margarita Gleba
Publisher: Ancient Textiles
ISBN: 9781789253429
Category : Art
Languages : en
Pages : 0
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Book Description
There is evidence that ever since early prehistory, textiles have always had more than simply a utilitarian function. Textiles express who we are - our gender, age, family affiliation, occupation, religion, ethnicity and social, political, economic and legal status. Besides expressing our identity, textiles protect us from the harsh conditions of the environment, whether as clothes or shelter. We use them at birth for swaddling, in illness as bandages and at death as shrouds. We use them to carry and contain people and things. We use them for subsistence to catch fish and animals and for transport as sails. In fact, textiles represent one of the earliest human craft technologies and they have always been a fundamental part of subsistence, economy and exchange. Textiles have an enormous potential in archaeological research to inform us of social, chronological and cultural aspects of ancient societies. In archaeology, the study of textiles is often relegated to the marginalized zone of specialist and specialized subject and lack of dialogue between textile researchers and scholars in other fields means that as a resource, textiles are not used to their full potential or integrated into the overall interpretation of a particular site or broader aspects of human activity. Textiles and Textile Production in Europe is a major new survey that aims to redress this. Twenty-three chapters collect and systematize essential information on textiles and textile production from sixteen European countries, resulting in an up-to-date and detailed sourcebook and an easily accessible overview of the development of European textile technology and economy from prehistory to AD 400. All chapters have an introduction, give the chronological and cultural background and an overview of the material in question organized chronologically and thematically. The sources of information used by the authors are primarily textiles and textile tools recovered from archaeological contexts. In addition, other evidence for the study of ancient textile production, ranging from iconography to written sources to palaeobotanical and archaeozoological remains are included. The introduction gives a summary on textile preservation, analytical techniques and production sequence that provides a background for the terminology and issues discussed in the various chapters. Extensively illustrated, with over 200 color illustrations, maps, chronologies and index, this will be an essential sourcebook not just for textile researchers but also the wider archaeological community.
Author: Linda Eaton
Publisher: The Monacelli Press, LLC
ISBN: 1580933939
Category : Design
Languages : en
Pages : 385
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Book Description
The Winterthur Museum’s richly illustrated history of British and American fabrics made or used from 1700–1850 is a visual reference for designers and a definitive contribution to textile studies. From slipcovers that belonged to George Washington, to bedhangings described by Harriet Beecher Stowe, Delaware’s Winterthur Museum holds some of the finest cotton and linen textiles made or used in America and Britain between 1700 and 1850. One of the fastest growing and potentially most lucrative trades in the eighteenth and early nineteenth centuries, on the forefront of developments in science and engineering, chemistry and technology, the textile industry is a fascinating lens into international trade relations and cultural exchange over nearly two centuries. Printed Textiles is a major update to the classic text published by Winterthur in 1970—a sourcebook compiled by celebrated curator Florence Montgomery that detailed all aspects of the fabrics’ lifespan, from their design and method of manufacture to their use and exchange value. Linda Eaton, Director of Collections and Senior Curator of Textiles, updates the classic with a particular focus on furnishing fabrics—referred to as “furnitures.” Building on research that has come to light since 1970 and benefiting from the technical and scientific expertise of the conservators and scientists at Winterthur, Eaton presents a thorough and sweeping study enriched by the diverse approaches to material culture today. With hundreds of beautifully photographed samples—engagingly contextualized with iconic figures in American history including Betsy Ross and Benjamin Franklin—this significant addition to textile scholarship allows for a full appreciation of these fascinating fabrics. Printed Textiles is destined to become an essential reference for interior designers, fashion and textile design students, conservators, collectors, and anyone with an interest in the textile industry.
Author: Willem Janssen
Publisher: Bloomsbury Publishing
ISBN: 1509963979
Category : Law
Languages : en
Pages : 313
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Book Description
This book provides the first comprehensive appraisal of the paradigm shift towards mandatory sustainability requirements in EU public procurement law. Traditionally, EU public procurement law focused on 'how to buy', dictating procedural rules so that public buyers in the Member States did not discriminate against suppliers and service providers from other Member States. Mandatory green and social requirements mean that, with a view to achieving sustainable development goals and mitigating climate change, the EU will limit this discretionary power for public buyers, pushing them to acquire more sustainable goods and services. Based on legal analysis informed by economic perspectives, the book aims to contribute to an understanding and critical discussion of the EU legislator's move towards regulating 'what to buy'. The book discusses the role of the Public Procurement Directives in relation to this paradigm shift, as well as various other sectoral legislative instruments that have been revamped or newly introduced in light of the European Green Deal. The paradigm shift is analysed from different perspectives, including subsidiarity, alternative regulation, economics and public purchasing. The book includes novel sectoral studies on transport, food, clothing, and construction, discussing how change is taking place and what its major challenges are for the future. Chapters on Italy, the Netherlands, Spain, and more, offer case studies of Member States that have already introduced mandatory requirements and highlight lessons learnt. This is an essential book for professionals working with public procurement law in academia and practice, and to those engaged in achieving public policy objectives in light of climate change and social injustice.
