Author: Patricia Allmer
Publisher: Columbia University Press
ISBN: 023116209X
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
Essays focusing on European horror cinema from 1945 to the present. Features new contributions by distinguished international scholars exploring British, French, Spanish, Italian, German and Northern European and Eastern European horror cinema.
Author: Patricia Allmer
Publisher: Columbia University Press
ISBN: 0231850085
Category : Performing Arts
Languages : en
Pages : 429
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Book Description
This volume is the first edited collection of essays focusing on European horror cinema from 1945 to the present. It features new contributions by distinguished international scholars exploring British, French, Spanish, Italian, German and Northern European and Eastern European horror cinema. The essays employ a variety of current critical methods of analysis, ranging from psychoanalysis and Deleuzean film theory to reception theory and historical analysis. The complete volume offers a major resource on post-war European horror cinema, with in-depth studies of such classic films as Seytan (Turkey, 1974), Suspiria (Italy, 1977), Switchblade Romance (France, 2003), and Taxidermia (Hungary, 2006).
Author: Konrad Charmatz
Publisher: Syracuse University Press
ISBN: 9780815607069
Category : Biography & Autobiography
Languages : en
Pages : 294
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Book Description
When World War II erupted in Europe, Konrad Charmatz was a prospering businessman in Sosnowiec, Poland, a loving son, and an aspiring poet. For the next seven years he witnessed the Holocaust as it destroyed his family, his country, and his culture. In this astonishing story of suffering and survival, he gives his own personal account of the Warsaw ghetto, the death chambers at Auschwitz, the transport trains, the slave labor camps of Dachau, and the liberation. And from the perspective of the renowned journalist he later became, he also describes how the Holocaust was carried out, not only at the level of governments and their armies, but at the level of the individuals who took its orders. Few people survived the Holocaust from such close range or for so long, and few remembered it with the eye of a practiced journalist.
Author: George Blaustein
Publisher: Oxford University Press
ISBN: 0190209224
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
What has it meant to be an Americanist? What did it mean to be an Americanist through fascism, war, and occupation? Nightmare Envy and Other Stories is a study of Americanist writing and institutions in the 20th century. Four chapters trace four routes through the mid-twentieth century. The first chapter is the hidden history of American Studies in the United States, Europe and Japan. The second is the strange career of "national character" in anthropology. The third is a contest between military occupation and cultural diplomacy in Europe. The fourth is the emergence and fate of the "American Renaissance," as the scholar and literary critic F.O. Matthiessen carried a canon of radical literature across the Iron Curtain. Each chapter culminates in the postwar period, when the ruin of postwar Europe led writers and intellectuals on both sides of the Atlantic to understand America in new ways. Many of our modern myths of the United States and Europe were formed in this moment. Some saw the United States assume the mantle of cultural redeemer. Others saw a stereotypical America, rich in civilization but poor in culture, overtake a stereotypical Europe, rich in culture and equally rich in disaster. Drawing on American and European archives, the book weaves cultural, intellectual, and diplomatic history, with portraits of Matthiessen, Margaret Mead, Ruth Benedict, David Riesman, Alfred Kazin, and Ralph Ellison. It excavates the history of the Salzburg Seminar in American Civilization, where displaced persons, former Nazis, budding Communists, and glad-handing Americans met on the common ground of American culture. Others found keys to their own contexts in American books, reading Moby-Dick in the ruins. Nightmare Envy and Other Stories chronicles American encounters with European disaster, European encounters with American fiction, and the chasms over which culture had to reach.
Author: U. Meinhof
Publisher: Springer
ISBN: 0230504310
Category : Political Science
Languages : en
Pages : 323
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Book Description
What are the key issues facing the makers of European cultural policy in the 2lst century? How is cultural policy at the metropolitan, national and European level addressing recent developments that are complicating the cultural and social realities of contemporary Europe? This book offers an innovative assessment of these questions and aims to provoke debates about the way forward for cultural policy in Europe. Based on extensive theoretical and empirical research by an interdisplinary team of international scholars, this volume critically addresses the way in which cultural policy has evolved until now, and develops new conceptual and theoretical perspectives for re-imagining cultural change and complexity. The book offers an interesting set of studies on transcultural flows between some major European metropoles (such as Berlin, London and Paris), on the rather closed realities of other European capitals (like Rome or Ljubljana) as well as on new cultural trends emerging in cities both at the heart and at the periphery of Europe (Vienna and Belgrade). Each contribution questions the relationship between cultural diversity, cultural policy and immigration. The book thus provides new insights into the limitations of the national framework for cultural policy and into the emerging transnational dynamics in European cities.
Author: Nils Büttner
Publisher: Reaktion Books
ISBN: 178023614X
Category : Biography & Autobiography
Languages : en
Pages : 210
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Book Description
An accessible biography of the celebrated early Netherlandish painter, now in paperback. In his lifetime the early Netherlandish painter Hieronymus Bosch was famous for his phantasmagoric images, and today his name is synonymous with the infernal. The creator of expansive tableaus of fantastic and hellish scenes—where any devil not dancing is too busy eating human souls—he has been as equally misunderstood by history as his paintings have. In this book, Nils Büttner draws on a wealth of historical documents—not to mention Bosch’s paintings—to offer a fresh and insightful look at one of history’s most peculiar artists on the five-hundredth anniversary of his death. Bosch’s paintings have elicited a number of responses over the centuries. Some have tried to explain them as alchemical symbolism, others as coded messages of a secret cult, and still others have tried to psychoanalyze them. Some have placed Bosch among the Adamites, others among the Cathars, and others among the Brethren of the Free Spirit, seeing in his paintings an occult life of free love, strange rituals, mysterious drugs, and witchcraft. As Büttner shows, Bosch was—if anything—a hardworking painter, commissioned by aristocrats and courtesans, as all painters of his time were. Analyzing his life and paintings against the backdrop of contemporary Dutch culture and society, Büttner offers one of the clearest biographical sketches to date alongside beautiful reproductions of some of Bosch’s most important work. The result is a smart but accessible introduction to a unique artist whose work transcends genre.
Author: U. Melissa Anyiwo
Publisher: BRILL
ISBN: 9004394109
Category : Education
Languages : en
Pages : 167
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Book Description
Gender Warriors: Reading Contemporary Urban Fantasy offers classroom-ready original essays outlining contemporary debates about sexual objectification and gender norms in urban fantasy and examining how those cultural categories are reinforced and unraveled. The essays explore the foundations and evolutions of urban fantasy and presentations of gendered identities in a wide variety of sources, focusing not only on popular examples, such as Buffy the Vampire Slayer and Underworld, but also on less studied works, for instance Penny Dreadful and Anita Blake. The authors address the sociocultural institutions that bind gender to the body and shape our views of gendered norms, inviting students of all experience levels to engage in interdisciplinary conversations about both theoretical and embodied constructions of gender and the production of genre and generic conventions. The text unpacks cultural norms of gender and addresses issues of identity construction within an endlessly evolving genre. This collection demonstrates the way that representations of gender and the kick-ass female urban fantasy warrior have upended and reinforced a broad range of expectations and tropes, making it a fascinating text for any course, such as first-year studies, literature, film, gender studies, sociology, cultural studies, history, and more.
Author: Ken Provencher
Publisher: Bloomsbury Publishing USA
ISBN: 1501319663
Category : Performing Arts
Languages : en
Pages : 245
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Book Description
From the 1970s onward, “exploitation cinema” as a concept has circulated inside and outside of East Asian nations and cultures in terms of aesthetics and marketing. However, crucial questions about how global networks of production and circulation alter the identity of an East Asian film as “mainstream” or as “exploitation” have yet to be addressed in a comprehensive way. Exploiting East Asian Cinemas serves as the first authoritative guide to the various ways in which contemporary cinema from and about East Asia has trafficked across the somewhat-elusive line between mainstream and exploitation. Focusing on networks of circulation, distribution, and reception, this collection treats the exploitation cinemas of East Asia as mobile texts produced, consumed, and in many ways re-appropriated across national (and hemispheric) boundaries. As the processes of globalization have decoupled products from their nations of origin, transnational taste cultures have declared certain works as “art” or “trash,” regardless of how those works are received within their native locales. By charting the routes of circulation of notable films from Japan, China, and South Korea, this anthology contributes to transnationally-accepted formulations of what constitutes “East Asian exploitation cinema.”
Author: Hungdah Su (蘇宏達)
Publisher: 國立臺灣大學出版中心
ISBN: 9863504149
Category : Political Science
Languages : en
Pages : 514
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Book Description
To avoid a repeat of those nationalist nightmares, a common European Dream emerged after WWII, which has since developed into some essential doctrines of European integration. This dream-inspired institutionalist context has framed intergovernmental bargaining, sectoral spillovers and transnational cooperation in European integration. The powerful European Dream has even encouraged Europeans toward closer integration, though they were, quite often, very reluctant to go further. This dream-driven approach and reluctant runner’s model have highlighted some fundamental realities of European integration, extremely inspiring for the future of the EU and the ongoing Asian regionalism. This book consists of three parts and thirteen chapters. It aims to explain European integration, the EU’s role in global governance and the EU’s impact upon Asian regionalism with the help of the European Dream approach and reluctant runners’ model. Trump’s unilateralism, the rising tensions between the US and PRC and the COVID-19 pandemic may be a turning point for world politics. Both globalization and global governance have consequently slowed down, giving place to regionalism and inter-regionalism. This book hopes to contribute to the rising debate over European integration, Asian regionalism and EU-Asian inter-regionalism.
Author: Rui M. Trindade Oliveira
Publisher: Rowman & Littlefield
ISBN: 1793654352
Category : Social Science
Languages : en
Pages : 259
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Book Description
Supranational Horrors: Italian and Spanish Horror Cinema since 1968 moves beyond national cinema discourse in considering the horror production of two Southern European countries, Italy and Spain. Rui M. Trindade Oliveira examines cultural elements that films from these nations share, arguing that a fuller understanding of European horror is possible when we acknowledge the output of Italy and Spain as being interconnected, as possessing a supranational, common identity: “Italian-Spanishness.”
