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Author:
Publisher: C&T Publishing Inc
ISBN: 1607053365
Category : Handicraft
Languages : en
Pages : 128
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Book Description
Author:
Publisher: C&T Publishing Inc
ISBN: 1607053365
Category : Handicraft
Languages : en
Pages : 128
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Book Description
Author: Daniel J. Boorstin
Publisher: Vintage
ISBN: 0307819167
Category : Political Science
Languages : en
Pages : 337
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Book Description
First published in 1962, this wonderfully provocative book introduced the notion of “pseudo-events”—events such as press conferences and presidential debates, which are manufactured solely in order to be reported—and the contemporary definition of celebrity as “a person who is known for his well-knownness.” Since then Daniel J. Boorstin’s prophetic vision of an America inundated by its own illusions has become an essential resource for any reader who wants to distinguish the manifold deceptions of our culture from its few enduring truths.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 110
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Book Description
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ISBN:
Category :
Languages : en
Pages : 96
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ISBN:
Category : Photography
Languages : en
Pages : 512
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
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Book Description
Author: Juan C. Abel
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 386
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 102
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Book Description
Author: DavidS. Areford
Publisher: Routledge
ISBN: 1351539671
Category : Art
Languages : en
Pages : 622
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Book Description
Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers. Author David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda. Although the medium's first century was clearly transitional and experimental, Areford explores how its potential to impact viewers in new ways?both positive and negative?was quickly realized.
