Author:
Publisher:
ISBN:
Category : Civilization, Modern
Languages : fr
Pages :
Book Description
Etudes sur le XVIIIe siecle: Without special title
Author:
Publisher:
ISBN:
Category : Civilization, Modern
Languages : fr
Pages :
Book Description
Publisher:
ISBN:
Category : Civilization, Modern
Languages : fr
Pages :
Book Description
Etudes sur le XVIIIe siècle: No special title
Author: Université libre de Bruxelles. Groupe d'étude du XVIIIe siècle
Publisher:
ISBN:
Category : Civilization, Modern
Languages : de
Pages :
Book Description
Publisher:
ISBN:
Category : Civilization, Modern
Languages : de
Pages :
Book Description
A Critical Bibliography of French Literature V4 18th C
Author:
Publisher: Syracuse University Press
ISBN:
Category :
Languages : en
Pages : 452
Book Description
Publisher: Syracuse University Press
ISBN:
Category :
Languages : en
Pages : 452
Book Description
New Serial Titles
Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 1812
Book Description
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 1812
Book Description
Etudes sur le XVIII siècle
Author: F. Brunetiere
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Current Catalog
Author: National Library of Medicine (U.S.)
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 1068
Book Description
First multi-year cumulation covers six years: 1965-70.
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 1068
Book Description
First multi-year cumulation covers six years: 1965-70.
The Tosti Engravings
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3385203406
Category : Fiction
Languages : en
Pages : 134
Book Description
Reprint of the original, first published in 1873.
Publisher: BoD – Books on Demand
ISBN: 3385203406
Category : Fiction
Languages : en
Pages : 134
Book Description
Reprint of the original, first published in 1873.
Practical Approaches to Teaching Film
Author: Rachel S. Ritterbusch
Publisher: Cambridge Scholars Publishing
ISBN: 1527557243
Category : Performing Arts
Languages : en
Pages : 215
Book Description
Rachel Ritterbusch’s Practical Approaches to Teaching Film is a collection of essays focusing on the use of film in settings ranging from an introductory film class to an upper-division Women’s Studies course. Drawing on their experience in the classroom, contributors to this anthology show how movies can be used to promote critical thinking, create an awareness of the male gaze, challenge dominant ideology, and unmask the constructedness of film. This volume treats a wide variety of film texts, from box-office hits like The Da Vinci Code to underappreciated art films such as Susan Streitfeld’s Female Perversions; from Pépé le Moko and other French classics to more contemporary francophone works like Chaos and Rosetta; from self-reflexive films that interrogate the act of filmmaking itself to those that draw attention to the phallocentric nature of cinematic apparatus. Common to all these essays is the belief that, if used judiciously, film can be a valuable pedagogical tool. Aimed both at those currently teaching film and those wishing to do so, this volume provides practical support in the form of sample syllabi, assignments, and a glossary of film terms.
Publisher: Cambridge Scholars Publishing
ISBN: 1527557243
Category : Performing Arts
Languages : en
Pages : 215
Book Description
Rachel Ritterbusch’s Practical Approaches to Teaching Film is a collection of essays focusing on the use of film in settings ranging from an introductory film class to an upper-division Women’s Studies course. Drawing on their experience in the classroom, contributors to this anthology show how movies can be used to promote critical thinking, create an awareness of the male gaze, challenge dominant ideology, and unmask the constructedness of film. This volume treats a wide variety of film texts, from box-office hits like The Da Vinci Code to underappreciated art films such as Susan Streitfeld’s Female Perversions; from Pépé le Moko and other French classics to more contemporary francophone works like Chaos and Rosetta; from self-reflexive films that interrogate the act of filmmaking itself to those that draw attention to the phallocentric nature of cinematic apparatus. Common to all these essays is the belief that, if used judiciously, film can be a valuable pedagogical tool. Aimed both at those currently teaching film and those wishing to do so, this volume provides practical support in the form of sample syllabi, assignments, and a glossary of film terms.
Comparative Criticism: Volume 24, Fantastic Currencies in Comparative Literature: Gothic to Postmodern
Author: E. S. Shaffer
Publisher: Cambridge University Press
ISBN: 9780521818698
Category : Drama
Languages : en
Pages : 400
Book Description
This new volume looks at Fantastic Currencies: money, modes, media.
Publisher: Cambridge University Press
ISBN: 9780521818698
Category : Drama
Languages : en
Pages : 400
Book Description
This new volume looks at Fantastic Currencies: money, modes, media.
Pink
Author: Michel Pastoureau
Publisher: Princeton University Press
ISBN: 0691266263
Category : Art
Languages : en
Pages : 193
Book Description
From the acclaimed author of Blue and other color histories, the beautifully illustrated story of pink, from the first ancient pigments to Barbie Pink has such powerful associations today that it’s hard to imagine the color could ever have meant anything different. But it’s only since the introduction of the Barbie doll in 1959 that pink has become decisively feminized. Indeed, in the eighteenth century, pink was frequently masculine, and the color has signified many things beyond gender over the course of its long history—from the prim to the vulgar, and from the romantic to the eccentric. In this richly illustrated book, Michel Pastoureau, a celebrated authority on the history of colors, presents a fascinating visual, social, and cultural history of pink in the West, from antiquity to today. Pink pigments first appear in ancient Macedonian paintings, but it was not until the eighteenth century that vivid, saturated pinks were developed for dyeing and painting. At the same time, a popular new flower—the pink rose—finally gave the color a standard name, and pink, assuming a place in everyday life, began to acquire its own symbolism, distinct from that of red, yellow, or white. Bringing the story up to the twentieth and twenty-first centuries, Pink describes how the color, both adored and detested, became associated with many other things, from softness and pleasure to nudity and sex. Illustrated throughout with a wealth of captivating images, Pink is an entertaining and enlightening account of the evolving role and significance of the color in art, fashion, literature, religion, science, and everyday life across the millennia.
Publisher: Princeton University Press
ISBN: 0691266263
Category : Art
Languages : en
Pages : 193
Book Description
From the acclaimed author of Blue and other color histories, the beautifully illustrated story of pink, from the first ancient pigments to Barbie Pink has such powerful associations today that it’s hard to imagine the color could ever have meant anything different. But it’s only since the introduction of the Barbie doll in 1959 that pink has become decisively feminized. Indeed, in the eighteenth century, pink was frequently masculine, and the color has signified many things beyond gender over the course of its long history—from the prim to the vulgar, and from the romantic to the eccentric. In this richly illustrated book, Michel Pastoureau, a celebrated authority on the history of colors, presents a fascinating visual, social, and cultural history of pink in the West, from antiquity to today. Pink pigments first appear in ancient Macedonian paintings, but it was not until the eighteenth century that vivid, saturated pinks were developed for dyeing and painting. At the same time, a popular new flower—the pink rose—finally gave the color a standard name, and pink, assuming a place in everyday life, began to acquire its own symbolism, distinct from that of red, yellow, or white. Bringing the story up to the twentieth and twenty-first centuries, Pink describes how the color, both adored and detested, became associated with many other things, from softness and pleasure to nudity and sex. Illustrated throughout with a wealth of captivating images, Pink is an entertaining and enlightening account of the evolving role and significance of the color in art, fashion, literature, religion, science, and everyday life across the millennia.