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Author: Thomas Leabhart
Publisher: Routledge
ISBN: 1134257929
Category : Art
Languages : en
Pages : 166
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Book Description
These compact, well-illustrated and clearly written books unravel the contribution of modern theatre's most charismatic innovators and are unbeatable value for today's student.
Author: Thomas Leabhart
Publisher: Routledge
ISBN: 1134257929
Category : Art
Languages : en
Pages : 166
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Book Description
These compact, well-illustrated and clearly written books unravel the contribution of modern theatre's most charismatic innovators and are unbeatable value for today's student.
Author: Etienne Decroux
Publisher:
ISBN: 9781961106642
Category : Gesture
Languages : en
Pages : 160
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Book Description
Author: Etienne Decroux
Publisher: Routledge
ISBN: 0415478006
Category : Art
Languages : en
Pages : 218
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Book Description
The Decroux Sourcebook is the first point of reference for any student of the âe~hidden masterâe(tm) of twentieth century theatre. This book collates a wealth of key material on Etienne Decroux, including: an English translation of Patrice Pezinâe(tm)s âe~Imaginary Interviewâe(tm), in which Decroux discusses mimeâe(tm)s place in the theatre. previously unpublished articles by Decroux from Franceâe(tm)s Bibiothèque Nationale. essays from Decrouxâe(tm)s fellow innovators Eugenio Barba and Edward Gordon Craig, explaining the synthesis of theory and practice in his work. Etienne Decrouxâe(tm)s pioneering work in physical theatre is here richly illustrated not only by a library of source material, but also with a gallery of images following his life, work and influences. The Decroux Sourcebook is an ideal companion to Thomas Leabhartâe(tm)s Etienne Decroux in the Routledge Performance Practitioners series, offering key primary and secondary resources to those conducting research at all levels.
Author: Annette Lust
Publisher: Scarecrow Press
ISBN: 9780810845930
Category : Biography & Autobiography
Languages : en
Pages : 420
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Book Description
One of the few studies covering the historical flow of mime from its beginnings to postmodern movement theatre, this book explores the evolution of mime and pantomime from the Greeks to the 20th Century, depicting the role of mime in dance, clowning, the cinema, and verbal theatre throughout the centuries. With over sixty illustrations, this worldwide study is indispensable for the student, teacher, or fan of mime.
Author: Thomas Leabhart
Publisher:
ISBN: 9780333383100
Category : Mime
Languages : en
Pages : 157
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Book Description
Modern mime, which has emerged as a major art form has its roots in the theatre work of Jacques Copeau in Paris in the 1920s. Copeau looked for a remedy to the ills of the theatre of his day by turning to the golden age of Greek theatre, the Noh and Kabuki, and commedia dell'arte. Here Copeau found an emphasis on the expressive potential of the actor's whole body, rather than just the voice.
Author: Franc Chamberlain
Publisher: Routledge
ISBN: 1000038858
Category : Performing Arts
Languages : en
Pages : 575
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Book Description
The Routledge Companion to Performance Practitioners collects the outstanding biographical and production overviews of key theatre practitioners first featured in the popular Routledge Performance Practitioners series of guidebooks. Each of the chapters is written by an expert on a particular figure, from Stanislavsky and Brecht to Laban and Decroux, and places their work in its social and historical context. Summaries and analyses of their key productions indicate how each practitioner's theoretical approaches to performance and the performer were manifested in practice. All 22 practitioners from the original series are represented, with this volume covering those born before the end of the First World War. This is the definitive first step for students, scholars and practitioners hoping to acquaint themselves with the leading names in performance, or deepen their knowledge of these seminal figures.
Author: Karl Toepfer
Publisher: Vosuri Media
ISBN: 1733249737
Category : Performing Arts
Languages : en
Pages : 1320
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Book Description
This book offers perhaps the most comprehensive history of pantomime ever written. No other book so thoroughly examines the varieties of pantomimic performance from the early Roman Empire, when the term “pantomime” came into use, until the present. After thoroughly examining the complexities and startlingly imaginative performance strategies of Roman pantomime, the author identifies the peculiar political circumstances that revived and shaped pantomime in France and Austria in the eighteenth century, leading to the Pierrot obsession in the nineteenth century. Modernist aesthetics awakened a huge, highly diverse fascination with pantomime. The book explores an extraordinary variety of modernist and postmodern approaches to pantomime in Germany, Austria, France, numerous countries of Eastern Europe, Russia, Scandinavia, Spain, Belgium, The Netherlands, Chile, England, and The United States. Making use of many performance and historical documents never before included in pantomime histories, the book also discusses pantomime’s messy relation to dance, its peculiar uses of music, its “modernization” through silent film aesthetics, and the extent to which writers, performers, or directors are “authors” of pantomimes. Just as importantly, the book explains why, more than any other performance medium, pantomime allows the spectator to see the body as the agent of narrative action.
Author: Jacques Lecoq
Publisher: Routledge
ISBN: 113424097X
Category : Performing Arts
Languages : en
Pages : 198
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Book Description
Published in France in 1987, this is the book in which Lecoq first set out his philosophy of human movement, and the way it takes expressive form in a wide range of different performance traditions. He traces the history of pantomime, sets out his definition of the components of the art of mime, and discusses the explosion of physical theatre in the second half of the twentieth century. Interviews with major theatre practitioners Ariane Mnouchkine and Jean-Louis Barrault by Jean Perret, together with chapters by Perret on Étienne Decroux and Marcel Marceau, fill out the historical material written by Lecoq, and a final section by Alain Gautré celebrates the many physical theatre practitioners working in the 1980s.
Author: John Keefe
Publisher: Routledge
ISBN: 1134230974
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
Physical Theatres: A Critical Reader is an invaluable resource for students of physically orientated theatre and performance. This book aims to trace the roots and development of physicality in theatre by combining practical experience of the field with a strong historical and theoretical underpinning. In exploring the histories, cross-overs and intersections of physical theatres, this critical Reader provides: six new, specially commissioned essays, covering each of the book’s main themes, from technical traditions to contemporary practises discussion of issues such as the foregrounding of the body, training and performance processes, and the origins of theatre in both play and human cognition a focus on the relationship and tensions between the verbal and the physical in theatre contributions from Augusto Boal, Stephen Berkoff, Étienne Decroux, Bertolt Brecht, David George, J-J. Rousseau, Ana Sanchez Colberg, Michael Chekhov, Jeff Nuttall, Jacques Lecoq, Yoshi Oida, Mike Pearson, and Aristotle.
Author: Tony Montanaro
Publisher: Tilbury House Publishers
ISBN:
Category : Drama
Languages : en
Pages : 278
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Book Description
To Tony Montanaro, mime is "eloquent gesture", with or without words, with or without props. For 40 years, Tony has been a celebrated mime, at the top of his field, but his approach in this book is more than a lesson in theatre -- it's a lesson in communication. Actors, musicians, and performers of all types will benefit from Tony's techniques and insight.
