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Author: D. Konzett
Publisher: Springer
ISBN: 0230107532
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
This study explores a new understanding of modernism and ethnicity as put forward in the transnational and diasporic writings of Anzia Yezierska, Zora Neale Hurston, and Jean Rhys. In its selection of three modernists from apparently different cultural backgrounds, it is meant to make us rethink the role of modernism in terms of ethnicity and displacement. Konzett critiques the traditional understanding of the monocultural 'ethnic identity' often highlighted in the studies of these writers and argues that all three writers are better understood as ironic narrators of diaspora and movement and as avant-garde modernists. As a result, they offer an alternative aesthetics of modernism which is centered around the innovative narration of displacement. Her analysis of the complexities of language and form and impact of the complex and ambiguous formal styles of the three writers on the history of their reception is a model of the effective integration of formalist, historicist, and theoretical perspectives in literary criticism.
Author: D. Konzett
Publisher: Springer
ISBN: 0230107532
Category : Literary Criticism
Languages : en
Pages : 216
Get Book Here
Book Description
This study explores a new understanding of modernism and ethnicity as put forward in the transnational and diasporic writings of Anzia Yezierska, Zora Neale Hurston, and Jean Rhys. In its selection of three modernists from apparently different cultural backgrounds, it is meant to make us rethink the role of modernism in terms of ethnicity and displacement. Konzett critiques the traditional understanding of the monocultural 'ethnic identity' often highlighted in the studies of these writers and argues that all three writers are better understood as ironic narrators of diaspora and movement and as avant-garde modernists. As a result, they offer an alternative aesthetics of modernism which is centered around the innovative narration of displacement. Her analysis of the complexities of language and form and impact of the complex and ambiguous formal styles of the three writers on the history of their reception is a model of the effective integration of formalist, historicist, and theoretical perspectives in literary criticism.
Author: Werner Sollors
Publisher: Harvard University Press
ISBN: 9780674030916
Category : History
Languages : en
Pages : 340
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Book Description
Werner Sollors's monograph looks into how African American, European immigrant and other minority writers gave the United States its increasingly multicultural self-awareness, focusing on their use of the strategies opened up by modernism.
Author: D. Konzett
Publisher: Palgrave Macmillan
ISBN: 9781349387465
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
This study explores a new understanding of modernism and ethnicity as put forward in the transnational and diasporic writings of Anzia Yezierska, Zora Neale Hurston, and Jean Rhys. In its selection of three modernists from apparently different cultural backgrounds, it is meant to make us rethink the role of modernism in terms of ethnicity and displacement. Konzett critiques the traditional understanding of the monocultural 'ethnic identity' often highlighted in the studies of these writers and argues that all three writers are better understood as ironic narrators of diaspora and movement and as avant-garde modernists. As a result, they offer an alternative aesthetics of modernism which is centered around the innovative narration of displacement. Her analysis of the complexities of language and form and impact of the complex and ambiguous formal styles of the three writers on the history of their reception is a model of the effective integration of formalist, historicist, and theoretical perspectives in literary criticism.
Author: Steven S. Lee
Publisher: Columbia University Press
ISBN: 0231540116
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
During the 1920s and 1930s, American minority artists and writers collaborated extensively with the Soviet avant-garde, seeking to build a revolutionary society that would end racial discrimination and advance progressive art. Making what Claude McKay called "the magic pilgrimage" to the Soviet Union, these intellectuals placed themselves at the forefront of modernism, using radical cultural and political experiments to reimagine identity and decenter the West. Shining rare light on these efforts, The Ethnic Avant-Garde makes a unique contribution to interwar literary, political, and art history, drawing extensively on Russian archives, travel narratives, and artistic exchanges to establish the parameters of an undervalued "ethnic avant-garde." These writers and artists cohered around distinct forms that mirrored Soviet techniques of montage, fragment, and interruption. They orbited interwar Moscow, where the international avant-garde converged with the Communist International. The book explores Vladimir Mayakovsky's 1925 visit to New York City via Cuba and Mexico, during which he wrote Russian-language poetry in an "Afro-Cuban" voice; Langston Hughes's translations of these poems while in Moscow, which he visited to assist on a Soviet film about African American life; a futurist play condemning Western imperialism in China, which became Broadway's first major production to feature a predominantly Asian American cast; and efforts to imagine the Bolshevik Revolution as Jewish messianic arrest, followed by the slow political disenchantment of the New York Intellectuals. Through an absorbing collage of cross-ethnic encounters that also include Herbert Biberman, Sergei Eisenstein, Paul Robeson, and Vladimir Tatlin, this work remaps global modernism along minority and Soviet-centered lines, further advancing the avant-garde project of seeing the world anew.
Author: Leif Sorensen
Publisher: Springer
ISBN: 1137570199
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Ethnic Modernism and the Making of US Multiculturalism in which ethnic literary modernists of the 1930s play a crucial role. Focusing on the remarkable careers of four ethnic fiction writers of the 1930s (Younghill Kang, D'Arcy McNickle, Zora Neale Hurston, and Américo Paredes) Sorensen presents a new view of the history of multicultural literature in the U.S. The first part of the book situates these authors within the modernist era to provide an alternative, multicultural vision of American modernism. The second part examines the complex reception histories of these authors' works, showing how they have been claimed or rejected as ancestors for contemporary multiethnic writing. Combining the approaches of the new modernist studies and ethnic studies, the book.
Author: Benjamin Balthaser
Publisher: University of Michigan Press
ISBN: 0472902555
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
Anti-Imperialist Modernism excavates how U.S. cross-border, multi-ethnic anti-imperialist movements at mid-century shaped what we understand as cultural modernism and the historical period of the Great Depression. The book demonstrates how U.S. multiethnic cultural movements, located in political parties, small journals, labor unions, and struggles for racial liberation, helped construct a common sense of international solidarity that critiqued ideas of nationalism and essentialized racial identity. The book thus moves beyond accounts that have tended to view the pre-war “Popular Front” through tropes of national belonging or an abandonment of the cosmopolitanism of previous decades. Impressive archival research brings to light the ways in which a transnational vision of modernism and modernity was fashioned through anti-colonial networks of North/South solidarity. Chapters examine farmworker photographers in California’s central valley, a Nez Perce intellectual traveling to the Soviet Union, imaginations of the Haitian Revolution, the memory of the U.S.–Mexico War, and U.S. radical writers traveling to Cuba. The last chapter examines how the Cold War foreclosed these movements within a nationalist framework, when activists and intellectuals had to suppress the transnational nature of their movements, often rewriting the cultural past to conform to a patriotic narrative of national belonging.
Author: Brooks E. Hefner
Publisher: University of Virginia Press
ISBN: 0813940427
Category : Literary Criticism
Languages : en
Pages : 371
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Book Description
From the hard-boiled detective stories of Dashiell Hammett to the novels of Claude McKay, The Word on the Streets examines a group of writers whose experimentation with the vernacular argues for a rethinking of American modernism—one that cuts across traditional boundaries of class, race, and ethnicity. The dawn of the modernist era witnessed a transformation of popular writing that demonstrated an experimental practice rooted in the language of the streets. Emerging alongside more recognized strands of literary modernism, the vernacular modernism these writers exhibited lays bare the aesthetic experiments inherent in American working-class and ethnic language, forging an alternative pathway for American modernist practice. Brooks Hefner shows how writers across a variety of popular genres—from Gertrude Stein and William Faulkner to humorist Anita Loos and ethnic memoirist Anzia Yezierska—employed street slang to mount their own critique of genteel realism and its classist emphasis on dialect hierarchies, the result of which was a form of American experimental writing that resonated powerfully across the American cultural landscape of the 1910s and 1920s.
Author: K. Merinda Simmons
Publisher: Bloomsbury Publishing
ISBN: 1350030414
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
From the Harlem and Southern Renaissances to postcolonial writing in the Caribbean, Race and New Modernisms introduces and critically explores key issues and debates on race and ethnicity in the study of transnational modernism today. Topics covered include: · Key terms and concepts in scholarly discussions of race and ethnicity · European modernism and cultural appropriation · Modernism, colonialism, and empire · Southern and Harlem Renaissances · Social movements and popular cultures in the modernist period Covering writers and artists such as Josephine Baker, W.E.B. Du Bois, T.S. Eliot, William Faulkner, Marcus Garvey, Édouard Glissant, Ernest Hemingway, Zora Neale Hurston, Claude McKay, and Paul Robeson, the book considers the legacy of modernist discussions of race in twenty-first century movements such as Black Lives Matter.
Author: Mark Wollaeger
Publisher: Oxford University Press
ISBN: 0199324700
Category : Art
Languages : en
Pages : 751
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Book Description
The Oxford Handbook of Global Modernisms expands the scope of modernism beyond its traditional focus on English and Irish literature to explore the contributions of artists from countries and regions like the US, Cuba, Spain, the Balkans, China, Japan, India, Vietnam, and Nigeria.
Author: Lauren Kroiz
Publisher: Univ of California Press
ISBN: 0520272498
Category : Art
Languages : en
Pages : 278
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Book Description
“Creative Composites provides an intelligent, rigorous account of several under-examined figures who gathered around the photographer Alfred Stieglitz and played important roles in the first American avant-garde. Drawing on rich archival sources, Lauren Kroiz revisits the cultural debates of the period and constructs an intricate and convincing comparative analysis of the role that gender, race and ethnicity, and cultural nationalism played in the construction of American modernism. This important historical and interpretive text represents a much-needed contribution not only to the history of American art but also to American social and cultural history.”—Marcia Brennan, author of Curating Consciousness: Mysticism and the Modern Museum “Describing the associations between immigrant critics and artists enmeshed in the New York art world in the early twentieth century, Kroiz skillfully demonstrates that American modernism reached beyond its European influences and was a deeply hybrid enterprise with multiple, global, and overlapping roots. Kroiz is sure-footed when seriously addressing works of art and marvelous at working through the issues around the ethnic identities of many of the key figures. Illuminating a crucial and oft-overlooked aspect of the history of American modernism—this peripatetic and shifting multiculturalism—Creative Composites is a timely, deeply researched text that highlights the wealth of mixed ancestry in our cultural heritage.”—Jessica May, author of American Modern: Documentary Photography by Abbott, Evans, and Bourke-White
