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Author: Amanda Ratcliff
Publisher:
ISBN: 9780615229317
Category :
Languages : en
Pages :
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Book Description
Author: Amanda Ratcliff
Publisher:
ISBN: 9780615229317
Category :
Languages : en
Pages :
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Book Description
Author: Gladys Engel Lang
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 522
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Book Description
How is it that some established artists but not others come to be considered worth remembering? For answers, Etched in Memory looks at how history interacts with personal biography. The authors dig deeply into the archives for material on the careers and posthumous fates of nearly 300 British and American printmakers, half of them women, active during the Etching Revival of the late nineteenth and early twentieth centuries. The authors examine the effects of changing taste on artistic productivity, on building a reputation, and on the selective survival of artists within the collective memory. They document the influence on careers of family milieu, of acces to art education, of sponsorship and networks, of having (or lacking) money, and of being in the right place at the right time. Being remembered requires, at minimum, that the artist's work be preserved and deposited in the cultural archives. It is here that demographics and other circumstances put women at a cumulative disadvantage.
Author: Amila Buturovic
Publisher: Routledge
ISBN: 1317169565
Category : Religion
Languages : en
Pages : 359
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Book Description
Despite the recent history of violence and destruction, Bosnia-Herzegovina holds a positive place in history, marked by a continuous interweaving of different religious cultures. The most expansive period in that regard is the Ottoman rule that lasted here nearly five centuries. As many Bosnians accepted Islam, the process of Islamization took on different directions and meanings, only some of which are recorded in the official documents. This book underscores the importance of material culture, specifically gravestones, funerary inscriptions and images, in tracing and understanding more subtle changes in Bosnia’s religious landscape and the complex cultural shifts and exchange between Christianity and Islam in this area. Gravestones are seen as cultural spaces that inscribe memory, history, and heritage in addition to being texts that display, in image and word, first-hand information about the deceased. In tackling these topics and ideas, the study is situated within several contextual, theoretical, and methodological frameworks. Raising questions about religious identity, history, and memory, the study unpacks the cultural and historical value of gravestones and other funerary markers and bolsters their importance in understanding the region’s complexity and improving its visibility in global discussions around multiculturalism and religious pluralism. Drawing upon several disciplinary methods, the book has much to offer anyone looking for a better understanding of the intersection of Christianity and Islam, as well as those with an interest in death studies.
Author: Benjamin Dunham
Publisher:
ISBN: 9781914934131
Category :
Languages : en
Pages : 66
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Book Description
This book is the first illustrated study of the life and work of J. Alphege Brewer (1881-1946), the early20th-century British artist who made his fame producing large, color etchings of European cathedrals and other historical buildings damaged or threatened during WWI. In both the United States and GreatBritain, these etchings and reproductions were proudly hung on parlor walls in solidarity with theAllied cause and as a remembrance of the devastating cultural losses inflicted by the onslaught of war.Brewer's "à la poupée" technique, carried out in his shop in Acton with the assistance of family members, required the plate to be painted entirely anew for each of the authorized 300-500impressions. With the same "dab hand" at the end of his life, Brewer produced exquisite woodcuts of lakes, mountains, and other pastoral views. Chapters on Brewer's life story, techniques, and the artistic context for his war etchings are included, as well as a catalog of his known etchings. Benjamin S. Dunham is a retired music association executive and magazine editor living near CapeCod in Massachusetts, USA. Because of a family connection to James Alphege Brewer, he began collecting his etchings in 2015 and now researches and manages a well-frequented website about the artist (www.jalphegebrewer.info). Mr. Dunham enjoyed an active career in arts administration and journalism, serving in CEO positions with the U.S. National Music Council, the American SymphonyOrchestra, and Chamber Music America and as editor ofSymphony News, American Recorder, andEarly Music America publications.
Author: Chris Bliersbach
Publisher: Chris Bliersbach
ISBN: 0463395131
Category : Fiction
Languages : en
Pages : 223
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Book Description
The case against AlzCura intensifies until the FDA’s shocking response to the data. Will the guilty parties walk, or will they be brought to justice? Jackie and Curt find solace in one another’s company as law enforcement officials increasingly take over the case against AlzCura. Things look promising when AlzCura cooperates with a request to produce a person of interest. Only to have hopes dashed when the person commits suicide before being questioned. Hope is renewed when Food and Drug Administration officials ask to meet with law enforcement over the evidence against AlzCura. But their response to the facts is far from helpful and serves only to thwart the momentum of the case. With the crusade and the case against AlzCura at a critical juncture, would justice prevail? Or would the well-heeled executives with insider connections escape accountability for their crimes and the deaths of untold thousands who entrusted their lives to their so-called miracle cure? Memory’s Hope is the final book in the page-turning Table for Four medical thriller series. It’s a captivating story of good versus evil with engaging characters who will take you on an emotional roller-coaster ride. Pick it up now. You’ll have trouble putting it down. A portion of the proceeds from this series is donated to the Alzheimer’s Foundation of America.
Author: Barbara Higgins
Publisher:
ISBN: 9781775005407
Category : British Columbia
Languages : en
Pages : 294
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Book Description
Author: Charles H. Norton
Publisher:
ISBN:
Category :
Languages : en
Pages : 122
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Book Description
Author: Jill Kelly
Publisher: FaithWords
ISBN: 1455514292
Category : Religion
Languages : en
Pages : 201
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Book Description
Our lives are made up of moments. Some we hope to remember forever and some we long to forget. But it's the tapestry of these moments that come together to write the story God is telling through each of our lives. In ETCHED . . . UPON MY HEART, Jill Kelly shares some of the unforgettable moments in her life-some sorrowful, others filled with joy-as a "living epistle" to her daughters. Kelly's raw and honest reflections provide encouragement and inspiration for women and mothers who long to pass on hard-won knowledge of God's steadfast love and healing grace to their children. As she writes, "God will break our hearts, but He will hold the pieces. He will cradle us and redeem every tear we cry." Although great personal pain informs these pages, Kelly's story is ultimately one of forgiveness, reconciliation, and hope. Through the moments in time that Jill Kelly recounts, you will recognize the daily reality and eternal value of God's plan for your own life.
Author:
Publisher:
ISBN:
Category : Authors, Australian
Languages : en
Pages : 27
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Book Description
Author: Batya Brutin
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110739968
Category : Art
Languages : en
Pages : 219
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Book Description
A series of numbers was tattooed on prisoners’ forearms only at one location - the Auschwitz concentration camp complex. Children, parents, grandparents, mostly Jews but also a significant number of non-Jews scarred for life. Indelibly etched with a number into their flesh and souls, constantly reminding them of the horrors of the Holocaust. References to the Auschwitz number appear in artworks from the Holocaust period and onwards, by survivors and non-survivor artists, and Jewish and non-Jewish artists. These artists refer to the number from Auschwitz to portray the Holocaust and its meaning. This book analyzes the place that the image of the Auschwitz number occupies in the artist’s consciousness and how it is grasped in the collective perception of different societies. It discusses how the Auschwitz number is used in public and private Holocaust commemoration. Additionally, the book describes the use of the Auschwitz number as a Holocaust icon to protest, warn, and fight against Holocaust denial.
