Author:
Publisher:
ISBN:
Category : Latin American literature
Languages : es
Pages : 768

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Author:
Publisher:
ISBN:
Category : Civilization, Hispanic
Languages : es
Pages : 508

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Book Description
Includes section "bibliografia hispanoamericana".

Author: University of Alabama. Department of Romance Languages
Publisher:
ISBN:
Category : Civilization, Hispanic
Languages : en
Pages : 688

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Author: University of Alabama. Dept. of Romance Languages
Publisher:
ISBN:
Category : Spanish literature
Languages : en
Pages : 164

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Author:
Publisher:
ISBN:
Category : Civilization, Hispanic
Languages : es
Pages : 676

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Author:
Publisher:
ISBN:
Category : Civilization, Hispanic
Languages : en
Pages : 588

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Book Description
Vol. 1 includes "Organization number," published Nov. 1917.

Author: Kyra A. Kietrys
Publisher: McFarland
ISBN: 0786453192
Category : Literary Criticism
Languages : en
Pages : 233

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Book Description
This collection of new essays examines the representation of the female self in recent novels written by Spanish women. The essays explore the myriad ways in which women's struggle with self-definition and self-fulfillment is contemplated in Spain during a time in which democracy has taken hold and women's rights have taken shape. Authors covered include Carmen Martin Gaite, Josefina Aldecoa, Rosa Montero, Dulce Chacon, Clara Sanchez, Lucia Etxebarria, Care Santos, Eugenia Rico, Espido Freire, and others.

Author: Barbara Fuchs
Publisher: University of Pennsylvania Press
ISBN: 0812252616
Category : Literary Criticism
Languages : en
Pages : 184

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Book Description
European exploration and conquest expanded exponentially in the late fifteenth and sixteenth centuries, and as the horizons of imperial experience grew more distant, strategies designed to convey the act of witnessing came to be a key source of textual authority. From the relación to the captivity narrative, the Hispanic imperial project relied heavily on the first-person authority of genres whose authenticity undergirded the ideological armature of national consolidation, expansion, and conquest. At the same time, increasing pressures for religious conformity in Spain, as across Europe, required subjects to bare themselves before external authorities in intimate confessions of their faith. Emerging from this charged context, the unreliable voice of the pícaro poses a rhetorical challenge to the authority of the witness, destabilizing the possibility of trustworthy representation precisely because of his or her intimate involvement in the narrative. In Knowing Fictions, Barbara Fuchs seeks at once to rethink the category of the picaresque while firmly centering it once more in the early modern Hispanic world from which it emerged. Venturing beyond the traditional picaresque canon, Fuchs traces Mediterranean itineraries of diaspora, captivity, and imperial rivalry in a corpus of texts that employ picaresque conventions to contest narrative authority. By engaging the picaresque not just as a genre with more or less strictly defined boundaries, but as a set of literary strategies that interrogate the mechanisms of truth-telling itself, Fuchs shows how self-consciously fictional picaresque texts effectively encouraged readers to adopt a critical stance toward the truth claims implicit in the forms of authoritative discourse proliferating in Imperial Spain.

Author: Jill Robbins
Publisher: Bucknell University Press
ISBN: 9780838755679
Category : Literary Criticism
Languages : en
Pages : 284

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Book Description
Ana Rossetti is a unique phenomenon in Spanish culture, a performer and a writer who resists categorization within any single genre, gender, period, or medium. One of the most exciting Spanish writers of the last twenty-five years, Rossetti can be both transgressive and playful, employing erotic signs (fetishes, taboos) derived from fashion, literature, design, pornography, psychology, theater, drag, and Catholicism to destabilize critical, analytic, political, social, and gender categories. Critics, however, have faced a dilemma that this book seeks to overcome: how to define her work - which bridges high and low cultures and includes poetry, fiction, essay, fashion, drama, children's literature, and opera - without resorting back to the very categories that her own artistic practice questions.

Author: Susan Larson
Publisher: Routledge
ISBN: 1000324036
Category : Social Science
Languages : en
Pages : 333

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Book Description
While the simultaneously creative and destructive forces of modernity in Western Europe have been well studied, the case of Spain has often been overlooked. Visualizing Spanish Modernity concentrates on the time period 1868-1939, which marks not only the beginning of the formation of a modern economy and the consolidation of the liberal state, but also the growth of urban centers and spaces made possible by electricity, transportation, mass production and the emergence of an entertainment industry. The authors examine how mass print culture, early cinema, popular drama, photography, fashion, painting, museums and urban planning played a role in the way that Spanish society saw itself and was in turn seen by the rest of the world. Assessing how new cultural forms were instrumental in shaping Spaniards into citizens of the modern world, the authors consider such subjects as the spectacle of the body, notions of race and gender, the changing meanings of time, space and motion, the relationship between technology and everyday life and popular culture.