Author: Harvard University. Fine Arts Library
Publisher: Macmillan Reference USA
ISBN:
Category : Art
Languages : en
Pages : 700

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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312

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Author: Avery Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 846

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Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1062

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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 794

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Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 704

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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 420

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Book Description
The Ultimate Netsuke Bibliography is a comprehensive bibliography of more than 4,400 bibliographic print and non-print entries covering all aspects of Japanese netsuke, the miniature carvings which Japanese men used to suspend various items from the sash belt that fastened their kimono. It is organized into 15 major and 5 minor categories. Each category is further divided into 11 subcategories. Additional features include four indices (Author, Journal, Place, and Subject), and a variety of appendices. It contains 2,196 books, 1,861 journal articles (457 from the Netsuke Kenkyukai Study Journal), 367 from the Journal of the International Netsuke Collectors Society 1,494 auction catalogs, 431 items in French, 254 items in Japanese, 60 items prior to 1900, including 9 auction catalogs. Includes most materials published through the end of 1998. A section of Late Arrivals, including last minute submissions and items in early 1999, is listed as well. This volume is a necessity for every netsuke collector, bibliophile, art library and museum.

Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 656

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Author: University of California, Los Angeles. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1038

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Book Description

Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292

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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.