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Author: G. Douglas Atkins
Publisher: University of Georgia Press
ISBN: 0820330825
Category : Language Arts & Disciplines
Languages : en
Pages : 194
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Book Description
The essay, as a notably hard form of writing to pin down, has inspired some unflattering descriptions: It is a “greased pig,” for example, or a “pair of baggy pants into which nearly anything and everything can fit.” In Tracing the Essay, G. Douglas Atkins embraces the very qualities that have moved others to accord the essay second-class citizenship in the world of letters. Drawing from the work of Montaigne and Bacon and recent practitioners such as E. B. White and Cynthia Ozick, Atkins shows what the essay means--and how it comes to mean. The essay, related to assaying (attempting), mines experience for meaning, which it then carefully weighs. It is a via media creature, says Atkins, born of and embracing tension. It exists in places between experience and meaning, literature and philosophy, self and other, process and product, form and formlessness. Moreover, as a literary form the essay is inseparable from a way of life requiring wisdom, modesty, and honesty. “The essay was, historically,” notes Atkins, “the first form to take the experience of the individual and make it the stuff of literature.” Atkins also considers the essay’s basis in Renaissance (and Reformation) thinking and its participation in voyages of exploration and discovery of that age. Its concern is “home-cosmography,” to use a term from seventeenth-century writer William Habington. Responding to influential critiques of the essay’s supposed self-indulgence, lack of irony, and absence of form, Atkins argues that the essay exhibits a certain “sneakiness” as it proceeds in, through, and by means of the small and the mundane toward the spiritual and the revelatory.
Author: G. Douglas Atkins
Publisher: University of Georgia Press
ISBN: 0820330825
Category : Language Arts & Disciplines
Languages : en
Pages : 194
Get Book Here
Book Description
The essay, as a notably hard form of writing to pin down, has inspired some unflattering descriptions: It is a “greased pig,” for example, or a “pair of baggy pants into which nearly anything and everything can fit.” In Tracing the Essay, G. Douglas Atkins embraces the very qualities that have moved others to accord the essay second-class citizenship in the world of letters. Drawing from the work of Montaigne and Bacon and recent practitioners such as E. B. White and Cynthia Ozick, Atkins shows what the essay means--and how it comes to mean. The essay, related to assaying (attempting), mines experience for meaning, which it then carefully weighs. It is a via media creature, says Atkins, born of and embracing tension. It exists in places between experience and meaning, literature and philosophy, self and other, process and product, form and formlessness. Moreover, as a literary form the essay is inseparable from a way of life requiring wisdom, modesty, and honesty. “The essay was, historically,” notes Atkins, “the first form to take the experience of the individual and make it the stuff of literature.” Atkins also considers the essay’s basis in Renaissance (and Reformation) thinking and its participation in voyages of exploration and discovery of that age. Its concern is “home-cosmography,” to use a term from seventeenth-century writer William Habington. Responding to influential critiques of the essay’s supposed self-indulgence, lack of irony, and absence of form, Atkins argues that the essay exhibits a certain “sneakiness” as it proceeds in, through, and by means of the small and the mundane toward the spiritual and the revelatory.
Author: Kenneth Allan Robinson
Publisher:
ISBN:
Category : American essays
Languages : en
Pages : 416
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Book Description
Author: Bernard Williams
Publisher: Princeton University Press
ISBN: 1400825148
Category : Philosophy
Languages : en
Pages : 343
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Book Description
What does it mean to be truthful? What role does truth play in our lives? What do we lose if we reject truthfulness? No philosopher is better suited to answer these questions than Bernard Williams. Writing with his characteristic combination of passion and elegant simplicity, he explores the value of truth and finds it to be both less and more than we might imagine. Modern culture exhibits two attitudes toward truth: suspicion of being deceived (no one wants to be fooled) and skepticism that objective truth exists at all (no one wants to be naive). This tension between a demand for truthfulness and the doubt that there is any truth to be found is not an abstract paradox. It has political consequences and signals a danger that our intellectual activities, particularly in the humanities, may tear themselves to pieces. Williams's approach, in the tradition of Nietzsche's genealogy, blends philosophy, history, and a fictional account of how the human concern with truth might have arisen. Without denying that we should worry about the contingency of much that we take for granted, he defends truth as an intellectual objective and a cultural value. He identifies two basic virtues of truth, Accuracy and Sincerity, the first of which aims at finding out the truth and the second at telling it. He describes different psychological and social forms that these virtues have taken and asks what ideas can make best sense of them today. Truth and Truthfulness presents a powerful challenge to the fashionable belief that truth has no value, but equally to the traditional faith that its value guarantees itself. Bernard Williams shows us that when we lose a sense of the value of truth, we lose a lot both politically and personally, and may well lose everything.
Author: Yves Bonnefoy
Publisher: University of Chicago Press
ISBN: 9780226064444
Category : Art
Languages : en
Pages : 270
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Book Description
Always fascinated in his poetry by the nature of color and light and the power of the image, Bonnefoy continues to pursue these themes in his discussion of the lure and truth of representation. He sees the painter as a poet whose language is visual, and he seeks to find out what visual artists can teach those who work with words.
Author: Lynn Margulis
Publisher: Springer Science & Business Media
ISBN: 1461222842
Category : Medical
Languages : en
Pages : 372
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Book Description
"Lynn Margulis is one of the most successful synthetic thinkers in modern biology. This collection of her work, enhanced by essays co-authored with Dorion Sagan, is a welcome introduction to the full breadth of her many contributions." EDWARD O. WILSON, AUTHOR OF THE DIVERSITY OF LIFE "An important contribution to the history of the 20th century. Read it and you will taste the flavor of real science." JAMES LOVELOCK, AUTHOR OF GAIA: A NEW LOOK AT LIFE ON EARTH "Truly inspirational and of fundamental importance. This thoughtful series of essays on some of the largest questions concerning the nature of life on earth deserves careful study."PETER RAVEN, MISSOURI BOTANICAL GARDEN
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 314
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Book Description
Author: Thomas King
Publisher: House of Anansi
ISBN: 0887846963
Category : American literature
Languages : en
Pages : 184
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Book Description
Winner of the 2003 Trillium Book Award "Stories are wondrous things," award-winning author and scholar Thomas King declares in his 2003 CBC Massey Lectures. "And they are dangerous." Beginning with a traditional Native oral story, King weaves his way through literature and history, religion and politics, popular culture and social protest, gracefully elucidating North America's relationship with its Native peoples. Native culture has deep ties to storytelling, and yet no other North American culture has been the subject of more erroneous stories. The Indian of fact, as King says, bears little resemblance to the literary Indian, the dying Indian, the construct so powerfully and often destructively projected by White North America. With keen perception and wit, King illustrates that stories are the key to, and only hope for, human understanding. He compels us to listen well.
Author: Avi
Publisher: Scholastic Inc.
ISBN: 0545174155
Category : Juvenile Fiction
Languages : en
Pages : 210
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Book Description
A ninth-grader's suspension for singing "The Star-Spangled Banner" during homeroom becomes a national news story.
Author: Edward Curtin
Publisher: SCB Distributors
ISBN: 1949762270
Category : Literary Collections
Languages : en
Pages : 423
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Book Description
“Seeking Truth in a Country of Lies is a dazzling journey into the heart of many issues — political, philosophical, and personal — that should concern us all. Ed Curtin has the touch of the poet and the eye of an eagle.” —ROBERT F. KENNEDY, JR “A powerful exposé of the CIA and our secret state... Curtin is a passionate long-time reform advocate; his stories will rouse your heart.” —OLIVER STONE, filmmaker, writer, and director Seeking Truth in A Country of Lies is a collection of lyrical and critical essays offering keen insight into a very wide range of topics: from probing analyses related to work, the digital revolution, propaganda, the attacks of September 11, 2001, the CIA, government assassinations and wars, to spellbinding reflections on poetry, nature, time, and even silence. Following in the path of such earlier celebrated essayists as Thoreau and John Berger, Curtin’s critique is at once political, social, cultural, and deeply personal. Constructed over a broad swath of time, these essays address some of the most significant events in world history, shining shafts of brilliant light on abhorrent matters long unspeakable. Reading Curtin is akin to taking a walk in the woods with a good friend who gradually unrolls a stunning life-changing revelation, where, having started out with a particular destination in mind, one is then lured ever onwards into diverging paths another after another, until, as the compass finally turns one gently back toward home, that sanctuary no longer looks the same. A restless wonderment has been aroused, dots are connected, and a comprehensive picture emerges. Here’s but a taste: “The morning star welcomed me. The sun rose majestically. And across my window three early flies jitterbug in the first light. The whole earth is conspiring to explode with life and seeking our assent.” “Most suicides die of natural causes, slowly and in silence.” "Rub Lucifer, the Prince of Darkness, the right way and the CIA emerges into the light." and his acerbic twist updating Robert Frost to contemporary context: “Two roads diverged in a yellow wood, and I took the one to the mall.” The power of Curtin’s essays lies in their capacity to evoke in the reader the exhilaration and passion for truth that the writer felt when writing them, that the writer hoped would be carried into the world as rebellion against propaganda, war, and injustice.
Author: John Courtney Murray
Publisher: Rowman & Littlefield
ISBN: 9780742549012
Category : Political Science
Languages : en
Pages : 324
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Book Description
The 1960 publication of We Hold These Truths marked a significant event in the history of modern American thought. Since that time, Sheed & Ward has kept the book in print and has published several studies of John Courtney Murray's life and work. We are proud to present a new edition of this classic text, which features a comprehensive introduction by Peter Lawler that places Murray in the context of Catholic and American history and thought while revealing his relevance today. From the new Introduction by Peter Lawler: The Jesuit John Courtney Murray (1904-67) was, in his time, probably the best known and most widely respected American Catholic writer on the relationship between Catholic philosophy and theology and his country's political life. The highpoint of his influence was the publication of We Hold These Truths in the same year as an election of our country's first Catholic president. Those two events were celebrated by a Time cover story (December 12, 1960) on Murray's work and influence. The story's author, Protestant Douglas Auchincloss, reported that it was "The most relentlessly intellectual cover story I've done." His amazingly wide ranging and dense-if not altogether accurate-account of Murray's thought was crowned with a smart and pointed conclusion: "If anyone can help U.S. Catholics and their non-Catholic countrymen toward the disagreement that precedes understanding-John Courtney Murray can." . . . Murray's work, of course, is treated with great respect and has had considerable influence, but now it's time to begin to think of him as one of America's very few genuine political philosophers. His disarmingly lucid and accessible prose has caused his book to be widely cited and celebrated, but it still is not well understood. It is both praised and blamed for reconciling Catholic faith with the fundamental premises of American political life. It is praised by liberals for paving the way for Vatican II's embrace of the American idea of religious liberty, and it is
