Essay on the Origin of Languages, Melody and Musical Imitation PDF Download
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Author: By Jean Jacques Rousseau & Ed. By N.K. Singh
Publisher: Global Vision Pub House
ISBN: 9788182201378
Category : Language and languages
Languages : en
Pages : 160
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Book Description
Rousseau, In This Book, Tells Us That Historical And Psychological Problem Gave Birth To Language And The Problem Of Acquiring And Learning Of Language. His Approach To Language Is Romantic In Many Respects, But It Cannot Be Aligned With Any Simplistic Opposition In Intellectual History. Rousseau Stresses The Expressive Power Of Language In His Version Of The Genie Des Langues , And In His Account Of The Connection Between Language And The Passions And Of The Importance Of Metaphor. But, He Does Not Reject The Thesis Of The Arbitrariness Of The Linguistic Sign Or The Central Denotatory Function Of Language.
Author: By Jean Jacques Rousseau & Ed. By N.K. Singh
Publisher: Global Vision Pub House
ISBN: 9788182201378
Category : Language and languages
Languages : en
Pages : 160
Get Book Here
Book Description
Rousseau, In This Book, Tells Us That Historical And Psychological Problem Gave Birth To Language And The Problem Of Acquiring And Learning Of Language. His Approach To Language Is Romantic In Many Respects, But It Cannot Be Aligned With Any Simplistic Opposition In Intellectual History. Rousseau Stresses The Expressive Power Of Language In His Version Of The Genie Des Langues , And In His Account Of The Connection Between Language And The Passions And Of The Importance Of Metaphor. But, He Does Not Reject The Thesis Of The Arbitrariness Of The Linguistic Sign Or The Central Denotatory Function Of Language.
Author: Jean-Jacques Rousseau
Publisher: Dartmouth College Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 700
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Book Description
Rousseau's major works, available for the first time in a uniform English edition, continue with a work that situates Rousseau's linguistic and musical theory within his larger philosophical system.
Author: Jean-Jacques Rousseau
Publisher: UPNE
ISBN: 1584658002
Category : Literary Criticism
Languages : en
Pages : 658
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Book Description
"J.J. was born for music," Jean-Jacques Rousseau wrote of himself, "not to be consumed in its execution, but to speed its progress and make discoveries about it. His ideas on the art and about the art are fertile, inexhaustible." Rousseau was a practicing musician and theorist for years before publication of his first Discourse, but until now scholars have neglected these ideas. This graceful translation remedies both those failings by bringing together the Essay, which John T. Scott says "most clearly displays the juncture between Rousseau's musical theory and his major philosophical works," with a comprehensive selection of the musical writings. Many of the latter are responses to authors like Rameau, Grimm, and Raynal, and a unique feature of this edition is the inclusion of writings by these authors to help establish the historical and ideological contexts of Rousseau's writings and the intellectual exchanges of which they are a part. With an introduction that provides historical background, traces the development of Rousseau's musical theory, and shows that these writings are not an isolated part of his oeuvre but instead are animated by the same "system," this volume fashions a much-needed portal through which literary scholars, musicologists, historians, and political theorists can enter into an important but hitherto overlooked chamber of Rousseau's vast intellectual palace.
Author: John H. Moran
Publisher: University of Chicago Press
ISBN: 9780226730127
Category : Language Arts & Disciplines
Languages : en
Pages : 190
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Book Description
Additionally, Rousseau's essay is an important text for semiotics and modern critical theory, as it plays a very important role in Jacques Derrida's book Of Grammatology. Rousseau supplements his discussion of the origin of languages with theories about the origins of music, melody and harmony, and the relationship of languages to government.
Author: Jean-Jacques Rousseau
Publisher:
ISBN: 9788182206519
Category : Language and languages
Languages : en
Pages : 139
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Book Description
Author: Kevin Barry
Publisher: Cambridge University Press
ISBN: 0521341752
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
This book forms a conceptual account of the relationship between music and poetry in the late eighteenth and early nineteenth centuries.
Author: John H. Moran
Publisher: New York : F. Ungar Publishing Company
ISBN:
Category : Language and languages
Languages : en
Pages : 200
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Book Description
Author: David Nowell Smith
Publisher: Springer
ISBN: 1137308230
Category : Literary Criticism
Languages : en
Pages : 175
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Book Description
What do we mean by 'voice' in poetry? In this work, David Nowell Smith teases out the diverse meanings of 'voice', from a poem's soundworld to the rhetorical gestures through which poems speak to us, in order to embark on a philosophical exploration of the concept of voice itself.
Author: Dr Derek Carew
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409493784
Category : Music
Languages : en
Pages : 454
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Book Description
Intended as a supplement to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760-1850, this Companion provides additional information which, largely for reasons of space but also of continuity, it was not possible or desirable to include in that volume. The book is laid out alphabetically and full biographical entries are provided for all musical figures mentioned, including composers, performers, theoreticians and teachers, as well as piano makers and publishers of music, within the period covered by The Mechanical Muse. There are also entries on figures of importance from outside the period but whose influence is palpably important within it, such as J.S. Bach. As well as biographical information, all these entries contain lists of principal works and a section on further reading so that readers can follow up people and matters of particular interest. Also included in The Companion are entries devoted to particular works and other information of relevance, such as descriptions of musical forms, characteristics of dances and so on, as well as some technical information on music and explanations of technical terms pertaining to keyboard instruments themselves and to ways of playing them. This Companion is not intended to replace existing reference books such as Grove or Musik in Geschichte und Gegenwart, but will be useful for those who desire to know more about a particular topic and do not necessarily have access to more specialist reference works, or time to visit large or specialist libraries. As such it is indispensable to users of The Mechanical Muse.
Author: Michael Chanan
Publisher: Verso
ISBN: 9781859840054
Category : Music
Languages : en
Pages : 324
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Book Description
Musica Practica is a historical investigation into the social practice of Western music which advances an alternative approach to that of established musicology. Citing evidence from Barthes, Nietzsche, Bakhtin, Max Weber and Schoenberg, Michael Chanan explores the communal roots of the musical tradition and the effects of notation on creative and performing practice. He appraises the psychological wellsprings of music using the insights of linguistics, semiotics and psychoanalysis. Tracing the growth of musical printing and the creation of a market for the printed score, he examines the transformation of patronage with the demise of the ancien régime, and draws on little-known texts by Marx to analyze the formation of the musical economy in the nineteenth century. Chanan sketches out an unwritten history of musical instruments as technology, from Tutankhamen’s trumpets to the piano, the ancient Greek water organ to the digital synthesizer. The book concludes with reflections on the rise of modernism and the dissolution of the European tradition in a sea of postmodernism and “world music.” Musica Practica assumes no specialist knowledge of music beyond an ordinary familiarity with common terms and an average acquaintance with the music of different styles and periods. It is a fascinating commentary on the soundtrack of daily life in the metropolis of the late twentieth century.
