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Author: David Desser
Publisher: Indiana University Press
ISBN: 9780253204691
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
The decade of the 1960s encompassed a "New Wave" of films whose makers were rebels, challenging cinematic traditions and the culture at large. The films of the New Wave in Japan have, until now, been largely overlooked. Eros plus Massacre (taking its title from a 1969 Yoshida Yoshishige film) is the first major study devoted to the examination and explanation of Japanese New Wave film. Desser organizes his volume around the defining motifs of the New Wave. Chapters examine in depth such themes as youth, identity, sexuality, and women, as they are revealed in the Japanese film of the sixties. Desser's research in Japanese film archives, his interviews with major figures of the movement, and his keen insight into Japanese culture combine to offer a solid and balanced analysis of films by Oshima, Shinoda, Imamura, Yoshida, Suzuki, and others.
Author: David Desser
Publisher: Indiana University Press
ISBN: 9780253204691
Category : Performing Arts
Languages : en
Pages : 260
Get Book Here
Book Description
The decade of the 1960s encompassed a "New Wave" of films whose makers were rebels, challenging cinematic traditions and the culture at large. The films of the New Wave in Japan have, until now, been largely overlooked. Eros plus Massacre (taking its title from a 1969 Yoshida Yoshishige film) is the first major study devoted to the examination and explanation of Japanese New Wave film. Desser organizes his volume around the defining motifs of the New Wave. Chapters examine in depth such themes as youth, identity, sexuality, and women, as they are revealed in the Japanese film of the sixties. Desser's research in Japanese film archives, his interviews with major figures of the movement, and his keen insight into Japanese culture combine to offer a solid and balanced analysis of films by Oshima, Shinoda, Imamura, Yoshida, Suzuki, and others.
Author: Isolde Standish
Publisher: Bloomsbury Publishing USA
ISBN: 1441161546
Category : Performing Arts
Languages : en
Pages : 415
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Book Description
In A New History of Japanese Cinema Isolde Standish focuses on the historical development of Japanese film. She details an industry and an art form shaped by the competing and merging forces of traditional culture and of economic and technological innovation. Adopting a thematic, exploratory approach, Standish links the concept of Japanese cinema as a system of communication with some of the central discourses of the twentieth century: modernism, nationalism, humanism, resistance, and gender. After an introduction outlining the earliest years of cinema in Japan, Standish demonstrates cinema's symbolic position in Japanese society in the 1930s - as both a metaphor and a motor of modernity. Moving into the late thirties and early forties, Standish analyses cinema's relationship with the state-focusing in particular on the war and occupation periods. The book's coverage of the post-occupation period looks at "romance" films in particular. Avant-garde directors came to the fore during the 1960s and early seventies, and their work is discussed in depth. The book concludes with an investigation of genre and gender in mainstream films of recent years. In grappling with Japanese film history and criticism, most western commentators have concentrated on offering interpretations of what have come to be considered "classic" films. A New History of Japanese Cinema takes a genuinely innovative approach to the subject, and should prove an essential resource for many years to come.
Author: Alexander Zahlten
Publisher: Duke University Press
ISBN: 0822372460
Category : Social Science
Languages : en
Pages : 337
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Book Description
In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies. A Study of the Weatherhead East Asian Institute, Columbia University
Author: Isolde Standish
Publisher: Bloomsbury Publishing USA
ISBN: 1441125183
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
A superb new study of Japanese culture in the post-war period, focusing on a handful of filmmakers who created movies for a politically conscious audience.
Author: Jack Hunter
Publisher:
ISBN: 9781871592931
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
An illustrated guide to sex, blood and madness in Japanese exploitation cinema, including over 200 explicit and rare photographs.
Author: Larissa Lai
Publisher: arsenal pulp press
ISBN: 1551523582
Category : Poetry
Languages : en
Pages : 170
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Book Description
“Part exoskeletal enjambment, part shared soft biology, Automaton Biographies wends through creative industries and uncommon commons, picking up the shards of both our latent futures and our Polaroid pasts.”—Mark Nowak, poet The first poetry book by novelist Larissa Lai (When Fox is a Thousand) is a multilayered “autobiography” that puts an ear to the white noise of advertising, pop music, CNN, and biotechnology, exploring the problem of what it means to exist on the boundaries of “human.” Lai, who teaches English at the University of British Columbia in Vancouver, is prominent within the women’s, LGBT, and Asian American communities.
Author: Keiko I. McDonald
Publisher: Rutherford [N.J.] : Fairleigh Dickinson University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
Author: Dudley Andrew
Publisher: Hall Reference Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 362
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Book Description
Author: Marata Eros
Publisher: Simon and Schuster
ISBN: 1476752222
Category : Fiction
Languages : en
Pages : 320
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Book Description
A sexy and poignant new adult novel in the vein of Jamie McGuire’s Beautiful Disaster from New York Times bestseller Marata Eros, about two lost souls who find each other in the wake of tragedy—only to learn that love may not be enough to heal the wounds of a dark and tortured past… “I don’t want my broken fixed. . . .” Six months ago, Brooke Starr was one impeccable piano performance away from Juilliard. Now, she is lonely, devastated, orphaned . . . seeking solace in a place where the sun never sets and trying to make sense of the dark tragedy that clouds her shattered heart. There are no coincidences. . . . Deep-sea fisherman Chance Taylor can’t imagine what his life would be if he’d never taken that midnight stroll to the pier. Had never seen the intriguing, raven-haired girl swan dive into the Alaskan sea. Had never plunged into the icy waters to rescue her . . . and finally felt her electric charge. As their blazing chemistry consumes them, Chance is determined to save Brooke from her demons. But Brooke knows she must find her own footing. She thinks she’s already lost everything—until the terror of her past catches up with her and threatens all that she has left: her life, her love, and the freedom to choose between drowning in grief and finding joy in the darkness.
Author: Donald Richie
Publisher: Oxford University Press, USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 124
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Book Description
Donald Richie, whose earlier works have done so much to introduce Japanese cinema to the West, has here written the first introduction to Japanese film. Written in a highly accessible style, this up-to-date history offers a study of those qualities which make a film distinctly Japanese. It will be an invaluable resource to students of film appreciation, as well as to readers with an interest in Japan.
