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Author: William Paul
Publisher:
ISBN: 9780231056816
Category : Literary Criticism
Languages : en
Pages : 367
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Book Description
Analyzes the style and social themes of the comic films made in Hollywood by the director, Ernst Lubitsch
Author: William Paul
Publisher:
ISBN: 9780231056816
Category : Literary Criticism
Languages : en
Pages : 367
Get Book Here
Book Description
Analyzes the style and social themes of the comic films made in Hollywood by the director, Ernst Lubitsch
Author: Scott Eyman
Publisher: Simon and Schuster
ISBN: 1501103822
Category : Biography & Autobiography
Languages : en
Pages : 572
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Book Description
“Highly recommended” (Library Journal): The only full-length biography of legendary film director Ernst Lubitsch, the director of such Hollywood classics as Trouble in Paradise, Ninotchka, and The Shop Around the Corner. In this groundbreaking biography of Ernst Lubitsch, undeniably one of the most important and influential film directors and artists of all time, critic and biographer Scott Eyman, author of the critically acclaimed New York Times bestseller John Wayne, examines not just the films Lubitsch created, but explores as well the life of the man, a life full of both great successes and overwhelming insecurities. The result is a fascinating look at a man and an era—Hollywood’s Golden Age. Born in Berlin and transported to Hollywood in the 1920s with the help of Mary Pickford, Lubitsch brought with him a level of sophistication and subtlety previously unknown to American movie audiences. He was quickly established as a director of unique quality and distinction. He captivated audiences with his unique “touch,” creating a world of fantasy in which men are tall and handsome (unlike Lubitsch himself) and humorously adept at getting women into bed, and where all the women are beautiful and charming and capable of giving as well as receiving love. He revived the flagging career of Marlene Dietrich and, in Ninotchka, created Greta Garbo’s most successful film. When movie buffs speak of “the Lubitsch touch,” they refer to a sense of style and taste, humor and humanity that defined the films of one of Hollywood’s all-time great directors. In the history of the medium, no one has ever quite equaled his unique talent. Written with the cooperation of an extraordinary ensemble of eyewitnesses, and unprecedented access to the files of Paramount Pictures, this is an enthralling biography as rich and diverse as its subject—sure to please film buffs of all types, especially those who champion Lubitsch as one of the greatest filmmakers ever.
Author: Joseph McBride
Publisher: Columbia University Press
ISBN: 0231546645
Category : Performing Arts
Languages : en
Pages : 590
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Book Description
Orson Welles called Ernst Lubitsch (1892–1947) “a giant” whose “talent and originality are stupefying.” Jean Renoir said, “He invented the modern Hollywood.” Celebrated for his distinct style and credited with inventing the classic genre of the Hollywood romantic comedy and helping to create the musical, Lubitsch won the admiration of his fellow directors, including Alfred Hitchcock and Billy Wilder, whose office featured a sign on the wall asking, “How would Lubitsch do it?” Despite the high esteem in which Lubitsch is held, as well as his unique status as a leading filmmaker in both Germany and the United States, today he seldom receives the critical attention accorded other major directors of his era. How Did Lubitsch Do It? restores Lubitsch to his former stature in the world of cinema. Joseph McBride analyzes Lubitsch’s films in rich detail in the first in-depth critical study to consider the full scope of his work and its evolution in both his native and adopted lands. McBride explains the “Lubitsch Touch” and shows how the director challenged American attitudes toward romance and sex. Expressed obliquely, through sly innuendo, Lubitsch’s risqué, sophisticated, continental humor engaged the viewer’s intelligence while circumventing the strictures of censorship in such masterworks as The Marriage Circle, Trouble in Paradise, Design for Living, Ninotchka, The Shop Around the Corner, and To Be or Not to Be. McBride’s analysis of these films brings to life Lubitsch’s wit and inventiveness and offers revealing insights into his working methods.
Author: Richard W. McCormick
Publisher: German Jewish Cultures
ISBN: 9780253048349
Category : Performing Arts
Languages : en
Pages : 372
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Book Description
Ernst Lubitsch (1982-1947) was one of the most successful and influential German filmmakers in American film comedy. In this volume, Rick McCormick argues for a more transnational view of Lubitsch's career and films with respect to nationality, ethnicity, migration, class, sexuality, and gender. McCormick focuses on Lubitsch's Jewishness, which is inseparable from the distinct transnational character of the director, categorizing his early films as "Jewish comedies" where Lubitsch strikes a tenuous balance between Jewish humor, antisemitic jokes, stereotypes, and the incorporation of antifascist subjects into his popular films. Above all, the larger political issues at stake in Lubitsch's work are brought forward: German-Jewish perspectives and experiences, the subtle treatment of covert political and social messages, and the relationship of comedy, especially sexual comedy, to emancipatory politics and, in particular, to the turbulent politics of Europe and the United States in the first half of the twentieth century. The book discusses in depth the following films by Lubitsch: The Pride of the Firm (1914), Shoe Palace Pinkus (1916), Meyer From Berlin (1918), I Don't Want to Be a Man (1918), The Oyster Princess (1919), Madame Dubarry (1919), The Doll (1919), Sumurun (1920), The Wildcat (1921), The Marriage Circle (1924), The Student Prince in Old Heidelberg (1927), The Love Parade (1929), The Man I Killed (1932), Trouble in Paradise (1932), Design for Living (1933), Ninotchka (1939), The Shop Around the Corner (1940), and To Be or Not to Be (1942).
Author: Kristin Thompson
Publisher: Amsterdam University Press
ISBN: 9053567089
Category : Performing Arts
Languages : en
Pages : 221
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Book Description
The first study by an acclaimed American scholar of the artistic interdependencies between the German and the Hollywood cinema in the 1920s.
Author: William Paul
Publisher: Columbia University Press
ISBN: 0231541376
Category : Performing Arts
Languages : en
Pages : 408
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Book Description
There was a time when seeing a movie meant more than seeing a film. The theater itself shaped the very perception of events on screen. This multilayered history tells the story of American film through the evolution of theater architecture and the surprisingly varied ways movies were shown, ranging from Edison's 1896 projections to the 1968 Cinerama premiere of Stanley Kubrick's 2001. William Paul matches distinct architectural forms to movie styles, showing how cinema's roots in theater influenced business practices, exhibition strategies, and film technologies.
Author: James Harvey
Publisher: Da Capo Press
ISBN: 9780306808326
Category : Performing Arts
Languages : en
Pages : 738
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Book Description
In 1934 four movies—It Happened One Night, Twentieth Century, The Thin Man, and The Gay Divorcee—ushered in the golden age of the Hollywood romantic ("screwball") comedy. Slangy, playful, and "powerfully, glamorously in love with love," the films that followed were unique in their combination of swank and slapstick. Here are the directors—Lubitsch (Trouble in Paradise), Capra (It Happened One Night), Hawks (Bringing Up Baby, His Girl Friday), McCarey (The Awful Truth), La Cava (My Man Godfrey, Stage Door), Sturges (The Lady Eve, The Palm Beach Story, The Miracle at Morgan's Creek)—and their stars—Carole Lombard, Irene Dunne, Cary Grant, Fred Astaire, Clark Gable, Barbara Stanwyck, William Powell, Myrna Loy, among others—all described and analyzed in one comprehensive and delightful volume.
Author: Noël Coward
Publisher: A&C Black
ISBN: 1408191490
Category : Drama
Languages : en
Pages : 128
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Book Description
'The actual facts are so simple. I love you. You love me. You love Otto. I love Otto. Otto loves you. Otto loves me. There now! Start to unravel from there.' Design for Living is a wickedly witty dark romantic comedy by Noel Coward. Initially banned in the UK, this provocative play portrays three amoral, glib and stylish characters and their hopelessly inescapable, if also unconventional, emotional entanglement. From 1930s bohemian Paris to the dizzying heights of Manhattan society, a tempestuous love triangle unravels between a vivacious interior designer, Gilda, playwright Leo and artist Otto - three people unashamedly and passionately in love with each other. They are trapped in what Coward called 'a three-sided erotic hodge podge.' With Coward's trademark piquant style, this lively, funny but also atypical play looks at dazzling, egotistical creatures and their self-destructive dependence on each other. Exploring themes of bisexuality, celebrity, success and self-obsession, Design for Living is a stylish and scandalous comedy.
Author: Ivana Novak
Publisher: Rowman & Littlefield
ISBN: 1538146177
Category : Philosophy
Languages : en
Pages : 177
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Book Description
Against the idea that comedy offers us a relief from the horrors of the real world, the German-Jewish-American filmmaker Ernst Lubitsch defended his masterpiece To Be or Not to Be, a comedy from 1942 about the concurrent Nazi occupation of Poland, with the claim that he had made up his mind “to make a picture with no attempt to relieve anybody from anything at any time.” The essays included in The Ethics of Ernst Lubitsch consider Lubitsch’s work from his early Berlin years to his Hollywood fame, emphasizing the idea of ‘comedy without relief’ as the fundamental ethical premise of his special cinematic ‘touch.’ In this edited collection, contributors take a closer look at how Lubitsch addresses delicate and controversial topics like sexuality, love, and revolution, and set out a picture of an engaged ethics without moralism. The Ethics of Ernst Lubitsch is a vital contribution to film scholarship and a tribute to an essential filmmaker.
Author: Saul Austerlitz
Publisher: Chicago Review Press
ISBN: 1569767637
Category : Performing Arts
Languages : en
Pages : 529
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Book Description
Charlie Chaplin. Buster Keaton. The Marx Brothers. Billy Wilder. Woody Allen. The Coen brothers. Where would the American film be without them? Yet the cinematic genre these artists represent--comedy--has perennially received short shrift from critics, film buffs, and the Academy Awards. Saul Austerlitz’s Another Fine Mess is an attempt to right that wrong. Running the gamut of film history from City Lights to Knocked Up, Another Fine Mess retells the story of American film from the perspective of its unwanted stepbrother--the comedy. In 30 long chapters and 100 shorter entries, each devoted primarily to a single performer or director, Another Fine Mess retraces the steps of the American comedy film, filling in the gaps and following the connections that link Mae West to Doris Day, or W. C. Fields to Will Ferrell. The first book of its kind in more than a generation, Another Fine Mess is an eye-opening, entertaining, and enlightening tour of the American comedy, encompassing the masterpieces, the box-office smashes, and all the little-known gems in between.
