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Author: Kyōto Gaikokugo Daigaku. Toshokan
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 536
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Book Description
Author: Kyōto Gaikokugo Daigaku. Toshokan
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 536
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Book Description
Author: National Gallery of Canada. Library
Publisher: Macmillan Reference USA
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 796
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Book Description
Author: National Gallery of Canada. Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 798
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Book Description
Author: Ernest Fenollosa
Publisher:
ISBN:
Category : Japanese drama
Languages : en
Pages : 286
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Book Description
Author: Ernest Fenollosa
Publisher:
ISBN:
Category :
Languages : en
Pages : 238
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Book Description
Author: Ting Chang
Publisher: Routledge
ISBN: 1351538454
Category : Art
Languages : en
Pages : 210
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Book Description
Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines a history of contact between modern Europe and East Asia through three collectors: Henri Cernuschi, Emile Guimet, and Edmond de Goncourt. Drawing on a wealth of material including European travelogues of the East and Asian reports of the West, Ting Chang explores the politics of mobility and cross-cultural encounter in the nineteenth century. This book takes a new approach to museum studies and institutional critique by highlighting what is missing from the existing scholarship -- the foreign labors, social relations, and somatic experiences of travel that are constitutive of museums yet left out of their histories. The author explores how global trade and monetary theory shaped Cernuschi's collection of archaic Chinese bronze. Exchange systems, both material and immaterial, determined Guimet's museum of religious objects and Goncourt's private collection of Asian art. Bronze, porcelain, and prints articulated the shifting relations and frameworks of understanding between France, Japan, and China in a time of profound transformation. Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris thus looks at what Asian art was imagined to do for Europe. This book will be of interest to scholars and students interested in art history, travel imagery, museum studies, cross-cultural encounters, and modern transnational histories.
Author: Daisy Bates
Publisher: Canberra : National Library of Australia
ISBN:
Category : Social Science
Languages : en
Pages : 420
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Book Description
An arrangement of Bates ethnographic manuscripts originally prepared during work for the Western Australian Government (1904-1912) for a proposed book of the same title; includes detailed editorial commentary concerning arrangement, deletion and sources and an introductory biography and background to the work; covers mainly material from the southwest, Murchison and northwest (Kimberley) regions; includes detailed information on tribal organisation and geographic location; social organisation, including moieties, semi-moieties, sections, relationship terms, marriage arrangements, bestowal, elopements, illicit marriages, sexual relations, conception, childbirth, child-rearing and avoidance rules; male initiation in the Bunbury, Vasse and Broome districts; totemism; religion, including moral code, mythic origins and beliefs about death; magic and sorcery, including bone pointing, healing and rainmaking; food procurement and preparation, including techniques, seasonality and division of labor; art and craft, including cave painting, rock engraving, manufacture of weapons and implements, bartering and trade; diseases and remedies; death and burial practices; dances, songs and ceremonies, including body adornment, songs texts and musical accompaniment.
Author: Ernest Fenollosa
Publisher: Fordham Univ Press
ISBN: 0823228703
Category : Literary Collections
Languages : en
Pages : 240
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Book Description
First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North America and East Asia. Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry. This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition. This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.
Author: Ernest Fenollosa
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 416
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Book Description
Author: W. H. Davenport Adams
Publisher: Applewood Books
ISBN: 1429019867
Category : Travel
Languages : en
Pages : 222
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Book Description
