Art Theory as Visual Epistemology

Art Theory as Visual Epistemology PDF Author: Harald Klinke
Publisher: Cambridge Scholars Publishing
ISBN: 1443862517
Category : Art
Languages : en
Pages : 155

Get Book Here

Book Description
How can we “know”? What does “knowledge” mean? These were the fundamental questions of epistemology in the 17th century. In response to continental rationalism, the British empiricist John Locke proposed that the only knowledge humans can have is acquired a posterior. In a discussion of the human mind, he argued, the source of knowledge is sensual experience – mostly vision. Since vision and picture-making are the realm of art, art theory picked up on questions such as: are pictures able to represent knowledge about the world? How does the production of images itself generate knowledge? How does pictorial logic differ from linguistic logic? How can artists contribute to a collective search for truth? Questions concerning the epistemic potential of art can be found throughout the centuries up until the present day. However, these are not questions of art alone, but of the representational value of images in general. Thus, the history of art theory can contribute much to recent discussions in Visual Studies and Bildwissenschaften by showing the historic dimension of arguments about what images are or should be. “What is knowledge?” is as much a philosophic question as “What is an image?” Visual epistemology is a new and promising research field that is best investigated using an interdisciplinary approach that addresses a range of interconnected areas, such as internal and external images and the interplay of producer and perceiver of images. This publication outlines this territory by gathering together several approaches to visual epistemology by many distinguished authors.

Art Theory as Visual Epistemology

Art Theory as Visual Epistemology PDF Author: Harald Klinke
Publisher: Cambridge Scholars Publishing
ISBN: 1443862517
Category : Art
Languages : en
Pages : 155

Get Book Here

Book Description
How can we “know”? What does “knowledge” mean? These were the fundamental questions of epistemology in the 17th century. In response to continental rationalism, the British empiricist John Locke proposed that the only knowledge humans can have is acquired a posterior. In a discussion of the human mind, he argued, the source of knowledge is sensual experience – mostly vision. Since vision and picture-making are the realm of art, art theory picked up on questions such as: are pictures able to represent knowledge about the world? How does the production of images itself generate knowledge? How does pictorial logic differ from linguistic logic? How can artists contribute to a collective search for truth? Questions concerning the epistemic potential of art can be found throughout the centuries up until the present day. However, these are not questions of art alone, but of the representational value of images in general. Thus, the history of art theory can contribute much to recent discussions in Visual Studies and Bildwissenschaften by showing the historic dimension of arguments about what images are or should be. “What is knowledge?” is as much a philosophic question as “What is an image?” Visual epistemology is a new and promising research field that is best investigated using an interdisciplinary approach that addresses a range of interconnected areas, such as internal and external images and the interplay of producer and perceiver of images. This publication outlines this territory by gathering together several approaches to visual epistemology by many distinguished authors.

Art and Knowledge

Art and Knowledge PDF Author: James O. Young
Publisher: Routledge
ISBN: 113451929X
Category : Philosophy
Languages : en
Pages : 196

Get Book Here

Book Description
Almost all of us would agree that the experience of art is deeply rewarding. Why this is the case remains a puzzle; nor does it explain why many of us find works of art much more important than other sources of pleasure. Art and Knowledge argues that the experience of art is so rewarding because it can be an important source of knowledge about ourselves and our relation to each other and to the world. The view that art is a source of knowledge can be traced as far back as Aristotle and Horace. Artists as various as Tasso, Sidney, Henry James and Mendelssohn have believed that art contributes to knowledge. As attractive as this view may be, it has never been satisfactorily defended, either by artists or philosophers. Art and Knowledge reflects on the essence of art and argues that it ought to provide insight as well as pleasure. It argues that all the arts, including music, are importantly representational. This kind of representation is fundamentally different from that found in the sciences, but it can provide insights as important and profound as available from the sciences. Once we recognise that works of art can contribute to knowledge we can avoid thorough relativism about aesthetic value and we can be in a position to evaluate the avant-garde art of the past 100 years. Art and Knowledge is an exceptionally clear and interesting, as well as controversial, exploration of what art is and why it is valuable. It will be of interest to all philosophers of art, artists and art critics.

Reforming the Art of Living

Reforming the Art of Living PDF Author: Rico Vitz
Publisher: Springer
ISBN: 3319052810
Category : Philosophy
Languages : en
Pages : 160

Get Book Here

Book Description
Descartes’s concern with the proper method of belief formation is evident in the titles of his works—e.g., The Search after Truth, The Rules for the Direction of the Mind and The Discourse on Method of rightly conducting one’s reason and seeking the truth in the sciences. It is most apparent, however, in his famous discussions, both in the Meditations and in the Principles, of one particularly noteworthy source of our doxastic errors—namely, the misuse of one’s will. What is not widely recognized, let alone appreciated and understood, is the relationship between his concern with belief formation and his concern with virtue. In fact, few seem to realize that Descartes regards doxastic errors as moral errors and as sins both because such errors are intrinsically vicious and because they entail notably deleterious social consequences. Reforming the Art of Living seeks to rectify this rather common oversight in two ways. First, it aims to elucidate the nature of Descartes’s account of virtuous belief formation. Second, it aims both (i) to illuminate the social significance of Descartes’s philosophical program as it relates to the understanding and practice not of science, but of religion and (ii) to develop a kind of Leibnizian critique of this aspect of his program. More specifically, it aims to show that Descartes’s project is “dangerous,” insofar as it is subversive not only of traditional Christianity but also of other traditional forms of religion, both in theory and in practice.

Knowing Art

Knowing Art PDF Author: Matthew Kieran
Publisher: Springer Science & Business Media
ISBN: 1402052650
Category : Philosophy
Languages : en
Pages : 185

Get Book Here

Book Description
Artworks potentially convey two kinds of knowledge: knowledge of art itself as well as general empirical knowledge, especially knowledge of human psychology. This book collects ten essays written by leading philosophers who distill and build upon recent work at the intersection of aesthetics and epistemology. The volume also explores the challenges that art poses for theories of knowledge as well as the challenges that artistic knowledge poses to traditional views about art.

Epistemology of Art

Epistemology of Art PDF Author: Miško Šuvaković
Publisher:
ISBN: 9788690589937
Category : Art
Languages : en
Pages : 162

Get Book Here

Book Description


The Concealed Art of the Soul

The Concealed Art of the Soul PDF Author: Jonardon Ganeri
Publisher: Clarendon Press
ISBN: 0191607045
Category : Philosophy
Languages : en
Pages : 501

Get Book Here

Book Description
In The Concealed Art of the Soul, Jonardon Ganeri presents a variety of perspectives on the nature of the self as seen by major schools of classical Indian philosophy. For Indian thinkers, a philosophical treatise about the self should not only reveal the truth about the nature of the soul, but should also engage the reader in a process of study and contemplation that will eventually lead to self-transformation. By combining careful attention to philosophical content and sensitivity to literary form, Ganeri deepens our understanding of some of the greatest works in Indian literary history. His magisterial survey includes the Upanisads, the Buddha's discourses, the epic Mahabharata, and the writings of Candrakirti, whose work was later to provide the foundation for Tibetan Buddhism. Ganeri argues that many Western theories of selfhood are not only present in, but are developed to high degree of sophistication in these writings, and that there are other ideas about the self found in the work of classical Indian thinkers which present-day analytic philosophers have not yet begun to explore. Scholars and students of philosophy and religious studies, particularly those with an interest in Indian and Western conceptions of the self, will find this book fascinating reading.

Art, Self and Knowledge

Art, Self and Knowledge PDF Author: Keith Lehrer
Publisher: OUP USA
ISBN: 0195304985
Category : Art
Languages : en
Pages : 225

Get Book Here

Book Description
This book argues that a special value of art is the way in which it uses conscious experience -- the exemplars of aesthetic experience -- to autonomously reconfigure how we conceive of our world and ourselves, ourselves in our world and our world in ourselves. Exemplar representation ties art and science, mind and body, self and world together in a dynamic loop reconfiguring them all as it reconfigures itself.

Surrealism, Art, and Modern Science

Surrealism, Art, and Modern Science PDF Author: Gavin Parkinson
Publisher:
ISBN: 9780300098877
Category : Art
Languages : en
Pages : 294

Get Book Here

Book Description
During the same period that Surrealism originated and flourished between the wars, great advances were being made in the field of physics. This book offers the first full history, analysis and interpretation of Surrealism's engagement with the theory of relativity and quantum mechanics, and its reception of the philosophical consequences of those two major turning points in our understanding of the physical world. After surveying the revolution in physics in the early twentieth century and the discoveries of Planck, Bohr, Einstein, Schrodinger, and others, Gavin Parkinson explores the diverse uses of physics by individuals in and around the Surrealist group in Paris. In so doing, he offers exciting new readings of the art and writings of such key figures of the Surrealist milieu as André Breton, Georges Bataille, Salvador Dalí, Roger Caillois, Max Ernst, and Tristan Tzara.

Aesthetics and the Philosophy of Art

Aesthetics and the Philosophy of Art PDF Author: Robert Stecker
Publisher: Rowman & Littlefield Publishers
ISBN: 1442201282
Category : Philosophy
Languages : en
Pages : 330

Get Book Here

Book Description
Praised in its original edition for its up-to-date, rigorous presentation of current debates and for the clarity of its presentation, Robert Stecker's new edition of Aesthetics and the Philosophy of Art preserves the major themes and conclusions of the original, while expanding its content, providing new features, and enhancing accessibility. Stecker introduces students to the history and evolution of aesthetics, and also makes an important distinction between aesthetics and philosophy of art. While aesthetics is the study of value, philosophy of art deals with a much wider array of questions including issues in metaphysics, epistemology, the philosophy of mind, as well value theory. Described as a 'remarkably unified introduction to many contemporary debates in aesthetics and the philosophy of art,' Stecker specializes in sympathetically laying bear the play of argument that emerges as competing views on a topic engage each other. This book does not simply present a controversy in its current state of play, but instead demonstrates a philosophical mind at work helping to advance the issue toward a solution.

Philosophy of Art

Philosophy of Art PDF Author: David Boersema
Publisher: Routledge
ISBN: 0429966873
Category : Philosophy
Languages : en
Pages : 373

Get Book Here

Book Description
This book addresses issues in the philosophy of art through the lenses of the three broad areas of philosophy: metaphysics, epistemology, and axiology. It surveys many important and pervasive topics connected to a philosophical understanding of art.