Epigram, Art, and Devotion in Later Byzantium PDF Download
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Author: Ivan Drpić
Publisher: Cambridge University Press
ISBN: 1107151511
Category : Art
Languages : en
Pages : 515
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Book Description
Using epigrammatic poetry as a framework, investigates the interplay between art and religious devotion in the later Byzantine period.
Author: Ivan Drpić
Publisher: Cambridge University Press
ISBN: 1107151511
Category : Art
Languages : en
Pages : 515
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Book Description
Using epigrammatic poetry as a framework, investigates the interplay between art and religious devotion in the later Byzantine period.
Author: Foteini Spingou
Publisher: Cambridge University Press
ISBN: 1108643906
Category : History
Languages : en
Pages : 1683
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Book Description
In this book the beauty and meaning of Byzantine art and its aesthetics are for the first time made accessible through the original sources. More than 150 medieval texts are translated from nine medieval languages into English, with commentaries from over seventy leading scholars. These include theories of art, discussions of patronage and understandings of iconography, practical recipes for artistic supplies, expressions of devotion, and descriptions of cities. The volume reveals the cultural plurality and the interconnectivity of medieval Europe and the Mediterranean from the late eleventh to the early fourteenth centuries. The first part uncovers salient aspects of Byzantine artistic production and its aesthetic reception, while the second puts a spotlight on particular ways of expressing admiration and of interpreting of the visual.
Author: Ellen C. Schwartz
Publisher: Oxford University Press
ISBN: 0190277351
Category : Architecture
Languages : en
Pages : 665
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Book Description
"This handbook offers a wide-ranging introduction to the richness and diversity of the arts in the Byzantine world. It includes thirty-eight essays by international authors, from prominent researchers to emerging scholars, on various issues and media. Discussions consider art created for religious purposes, to enhance and beautify the Orthodox liturgy and worship space, as well as art made to serve in royal and domestic contexts. While Byzantium is defined as the years 330-1453 CE, some chapters treat the aftermath and influence of Byzantine art on later periods. Arts covered include buildings and objects from the Eastern Mediterranean region, including the Balkans, Russia, North Africa, and the Near East. The volume brings together object-based considerations of themes and monuments which form the backbone of art history, with considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, among others-all in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a rich field of study, offering a window into the world of this distinct and fascinating period of art"--
Author: Paroma Chatterjee
Publisher: Cambridge University Press
ISBN: 1108988334
Category : Art
Languages : en
Pages : 600
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Book Description
Up to its pillage by the Crusaders in 1204, Constantinople teemed with magnificent statues of emperors, pagan gods, and mythical beasts. Yet the significance of this wealth of public sculpture has hardly been acknowledged beyond late antiquity. In this book, Paroma Chatterjee offers a new perspective on the topic, arguing that pagan statues were an integral part of Byzantine visual culture. Examining the evidence in patriographies, chronicles, novels, and epigrams, she demonstrates that the statues were admired for three specific qualities - longevity, mimesis, and prophecy; attributes that rendered them outside of imperial control and endowed them with an enduring charisma sometimes rivaling that of holy icons. Chatterjee's interpretations refine our conceptions of imperial imagery, the Hippodrome, the Macedonian Renaissance, a corpus of secular objects, and Orthodox icons. Her book offers novel insights into Iconoclasm and proposes a more truncated trajectory of the holy icon in medieval Orthodoxy than has been previously acknowledged.
Author: Donal Cooper
Publisher: Boydell & Brewer
ISBN: 178327090X
Category :
Languages : en
Pages : 413
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Book Description
Joanna Cannon's scholarship and teaching have helped shape the historical study of thirteenth- and fourteenth-century Italian art; this essay collection by her former students is a tribute to her work.
Author: Glaire Anderson
Publisher: Oxford University Press
ISBN: 019091324X
Category : Art
Languages : en
Pages : 249
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Book Description
A Bridge to the Sky explores the close connections between science, arts, and visual culture as they developed in the medieval Islamic lands. It presents a significant study of the career of 'Abbas Ibn Firnas, (d. 887), the most celebrated 'scientist' and polymath of early Islamic Spain, best known for conducting an experiment that has been celebrated as a milestone in the history of human flight.
Author: Irene Berti
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110533367
Category : Literary Collections
Languages : en
Pages : 454
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Book Description
This edited volume includes a compilation of new approaches to the investigation of inscriptions from different cultural contexts. Innovative research questions about "material text cultures" are examined with reference to Classical Athens, late ancient and Byzantine churches and urban spaces, Hellenistic and Roman cities, and medieval buildings.
Author: Archibald Dunn
Publisher: Taylor & Francis
ISBN: 1000929477
Category : History
Languages : en
Pages : 349
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Book Description
This volume offers a structured presentation of the progress of research into the internal history of a part of the Byzantine world – Greece – in the centuries before the multiple changes induced or accelerated by the Fourth Crusade. Greece is a large area (several Early andMiddle Byzantine provinces), with records, archival, literary, archaeological, architectural, and art-historical, most of which are unequalled in terms of their density and range. This creates opportunities for useful synthesis, and for dialogue with those now engaged in the rewriting, or writing, of the inner history of Byzantium, from Italy to the Caucasus, who have been stimulated by, or involved in, the editing of archives and inscriptions (including sigillographic), and in the publication of monuments, excavations, and surveys (for all of which the ‘Greek space’, the elladikê khôra, is a particular, and fertile, focus of activity, as the conference showed). Much of the material presented here can usually only be found in specialised publication, and indeed much in Greek alone. But, properly contextualised, this material about the ‘Greek space’ deserves to be brought into the dialogues or debates at the heart of Byzantine Studies, for instance about the Late Antique ‘boom’, urban life, the ‘Dark Age’, economic change, the nature of the ‘Byzantine revival’, and of social, socio-economic, and ethnic groups. The studies here synthesise such research, enabling the ‘Greek space’ as a case study in the evolution of a significant region to the west of Constantinople, to take its place more fully as a point of reference in such dialogues or debates. Equally, it provides frameworks for archaeologists dealing with Greece from Late Antiquity onwards – and there are now many – with which to engage, and it makes available a rich source of comparative material for those studying the other regions of the Byzantine world, whether historically or archaeologically, in Southeastern Europe, Italy, or Turkey.
Author: Stephanie Rumpza
Publisher: Cambridge University Press
ISBN: 100931789X
Category : Religion
Languages : en
Pages : 313
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Book Description
How can something finite mediate an infinite God? Weaving patristics, theology, art history, aesthetics, and religious practice with the hermeneutic phenomenology of Hans-George Gadamer and Jean-Luc Marion, Stephanie Rumpza proposes a new answer to this paradox by offering a fresh and original approach to the Byzantine icon. She demonstrates the power and relevance of the phenomenological method to integrate hermeneutic aesthetics and divine transcendence, notably how the material and visual dimensions of the icon are illuminated by traditional practices of prayer. Rumpza's study targets a problem that is a major fault line in the continental philosophy of religion – the integrity of finite beings I relation to a God that transcends them. For philosophers, her book demonstrates the relevance of a cherished religious practice of Eastern Christianity. For art historians, she proposes a novel philosophical paradigm for understanding the icon as it is approached in practice.
Author: Evan Freeman
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110980738
Category : History
Languages : en
Pages : 320
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Book Description
This volume explores the power of matter and materials in the Eastern Roman Empire, also known as Byzantium. Recent attention to matter as dynamic and meaningful constitutes an emerging, interdisciplinary field of inquiry known as materiality, new materialism, or the material turn. Materials can be symbolic, but matter can also act on human subjects. This volume builds on these insights to consider the role of matter, materials, form, and embodied experiences in Byzantium. In many respects, Byzantine materiality represents a continuation of its Greco-Roman inheritance, which was also shared by neighboring peoples such as the Umayyads and Abbasids. But the Byzantines also developed their own, unique perspectives on matter and form, as with their parsing of the sacred materialities of icons, the Eucharist, and relics. Chapters in this volume consider the cultural meanings and functions of materials such as gold and ivory, the materiality of icons and relics, experiences of objects, as well as Byzantine philosophies of matter and form. Materiality takes center stage in Byzantine constructions of power, luxury, belief, and identity, which will be of interest to scholars and students of Byzantium and the wider medieval world.
