Author: Heinrich von Stietencron
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447030281
Category : Religion
Languages : en
Pages : 1116
Book Description
An Epic and Puranic Bibliography (up to 1985) Annotated and with Indexes
Author: Heinrich von Stietencron
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447030281
Category : Religion
Languages : en
Pages : 1116
Book Description
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447030281
Category : Religion
Languages : en
Pages : 1116
Book Description
The Country Music Who's who
Author: Thurston Moore
Publisher:
ISBN:
Category : Country music
Languages : en
Pages : 372
Book Description
Publisher:
ISBN:
Category : Country music
Languages : en
Pages : 372
Book Description
Untitled Epic Poem on the History of Industrialization
Author: R. Buckminster Fuller
Publisher: Estate of R. Buckminster Fuller
ISBN: 0671204785
Category : Architecture
Languages : en
Pages : 244
Book Description
Jonathan Williams and Fuller became friends at Black Mountain College in North Carolina in the 1930s. Williams was delighted when in 1962 Fuller offered him a grant to help bring out this long poem in the Jargon Press series. Williams knew nothing about the concurrent Simon and Schuster edition until some years later when he came across a copy in a bookstore. Given Fuller’s casual approach to the publishing process this kind of funny coincidence was not unusual. Russell Davenport was an editor at Fortune magazine during the period from 1938 to 1940 when Fuller was a consultant. (Davenport was later national campaign manager for Wendell Willkie in the Republican campaign of 1940.) Almost buried on the back of the folded inside flap copy of the Jargon edition is Fuller’s statement that he and Davenport closely collaborated on the Industrialization piece: “About 10 percent of the wording was Davenport’s” and “... neither of us ever hoped it would find a publisher.” In the introduction Davenport describes Fuller as “not a poet in words” but “a poet in science,” and he had once described Fuller in Fortune as “the first poet of industrialization.” Hugh Kenner has characterized this anthem to American industry as “our only readable didactic poem.” Description by Ed Applewhite, courtesy of The Estate of Buckminster Fuller
Publisher: Estate of R. Buckminster Fuller
ISBN: 0671204785
Category : Architecture
Languages : en
Pages : 244
Book Description
Jonathan Williams and Fuller became friends at Black Mountain College in North Carolina in the 1930s. Williams was delighted when in 1962 Fuller offered him a grant to help bring out this long poem in the Jargon Press series. Williams knew nothing about the concurrent Simon and Schuster edition until some years later when he came across a copy in a bookstore. Given Fuller’s casual approach to the publishing process this kind of funny coincidence was not unusual. Russell Davenport was an editor at Fortune magazine during the period from 1938 to 1940 when Fuller was a consultant. (Davenport was later national campaign manager for Wendell Willkie in the Republican campaign of 1940.) Almost buried on the back of the folded inside flap copy of the Jargon edition is Fuller’s statement that he and Davenport closely collaborated on the Industrialization piece: “About 10 percent of the wording was Davenport’s” and “... neither of us ever hoped it would find a publisher.” In the introduction Davenport describes Fuller as “not a poet in words” but “a poet in science,” and he had once described Fuller in Fortune as “the first poet of industrialization.” Hugh Kenner has characterized this anthem to American industry as “our only readable didactic poem.” Description by Ed Applewhite, courtesy of The Estate of Buckminster Fuller
Nuclear Science Abstracts
Author:
Publisher:
ISBN:
Category : Nuclear energy
Languages : en
Pages : 1166
Book Description
Publisher:
ISBN:
Category : Nuclear energy
Languages : en
Pages : 1166
Book Description
David Lean
Author: Melanie Williams
Publisher: Manchester University Press
ISBN: 1526110849
Category : Performing Arts
Languages : en
Pages : 384
Book Description
‘A rule of mine is this’, said William Goldman in 1983, ‘there are always three hot directors and one of them is always David Lean.’ One of the best known and most admired of British film makers, David Lean had a directorial career that spanned five decades and encompassed everything from the intimate black-and-white romance of Brief Encounter (1945) to the spectacular Technicolor epic of Lawrence of Arabia (1962). This book offers comprehensive coverage of every feature film directed by Lean, yielding new insights on the established classics of his career as well as its lesser-known treasures. Its analysis prioritises questions of gender and emphasises the often-overlooked but highly significant recurrence of female-centred narratives throughout Lean’s career. Drawing extensively on archival historical materials while also presenting nuanced close readings of individual films, David Lean offers a fascinating and original account of the work of a remarkable British film maker.
Publisher: Manchester University Press
ISBN: 1526110849
Category : Performing Arts
Languages : en
Pages : 384
Book Description
‘A rule of mine is this’, said William Goldman in 1983, ‘there are always three hot directors and one of them is always David Lean.’ One of the best known and most admired of British film makers, David Lean had a directorial career that spanned five decades and encompassed everything from the intimate black-and-white romance of Brief Encounter (1945) to the spectacular Technicolor epic of Lawrence of Arabia (1962). This book offers comprehensive coverage of every feature film directed by Lean, yielding new insights on the established classics of his career as well as its lesser-known treasures. Its analysis prioritises questions of gender and emphasises the often-overlooked but highly significant recurrence of female-centred narratives throughout Lean’s career. Drawing extensively on archival historical materials while also presenting nuanced close readings of individual films, David Lean offers a fascinating and original account of the work of a remarkable British film maker.
Picturescope
Author:
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 402
Book Description
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 402
Book Description
Great Indian Epics
Author: Udayanath Sahoo
Publisher: Routledge
ISBN: 1000506819
Category : Literary Criticism
Languages : en
Pages : 109
Book Description
This volume brings together a number of seminal studies presented at the International Conference on Great Indian Epics held in February 2019 at the Jawaharlal Nehru University, New Delhi by scholars from various parts of the world. Each article adds a new dimension to the subject with historical scholarship and critical interpretation, reflecting comprehensiveness, unity, clarity and rightness of perception. This definitive work adds to our knowledge of the epics and their infinite influence. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
Publisher: Routledge
ISBN: 1000506819
Category : Literary Criticism
Languages : en
Pages : 109
Book Description
This volume brings together a number of seminal studies presented at the International Conference on Great Indian Epics held in February 2019 at the Jawaharlal Nehru University, New Delhi by scholars from various parts of the world. Each article adds a new dimension to the subject with historical scholarship and critical interpretation, reflecting comprehensiveness, unity, clarity and rightness of perception. This definitive work adds to our knowledge of the epics and their infinite influence. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
Provence, 1970
Author: Luke Barr
Publisher: Clarkson Potter
ISBN: 0770433316
Category : Biography & Autobiography
Languages : en
Pages : 272
Book Description
Provence, 1970 is about a singular historic moment. In the winter of that year, more or less coincidentally, the iconic culinary figures James Beard, M.F.K. Fisher, Julia Child, Richard Olney, Simone Beck, and Judith Jones found themselves together in the South of France. They cooked and ate, talked and argued, about the future of food in America, the meaning of taste, and the limits of snobbery. Without quite realizing it, they were shaping today’s tastes and culture, the way we eat now. The conversations among this group were chronicled by M.F.K. Fisher in journals and letters—some of which were later discovered by Luke Barr, her great-nephew. In Provence, 1970, he captures this seminal season, set against a stunning backdrop in cinematic scope—complete with gossip, drama, and contemporary relevance.
Publisher: Clarkson Potter
ISBN: 0770433316
Category : Biography & Autobiography
Languages : en
Pages : 272
Book Description
Provence, 1970 is about a singular historic moment. In the winter of that year, more or less coincidentally, the iconic culinary figures James Beard, M.F.K. Fisher, Julia Child, Richard Olney, Simone Beck, and Judith Jones found themselves together in the South of France. They cooked and ate, talked and argued, about the future of food in America, the meaning of taste, and the limits of snobbery. Without quite realizing it, they were shaping today’s tastes and culture, the way we eat now. The conversations among this group were chronicled by M.F.K. Fisher in journals and letters—some of which were later discovered by Luke Barr, her great-nephew. In Provence, 1970, he captures this seminal season, set against a stunning backdrop in cinematic scope—complete with gossip, drama, and contemporary relevance.
Marvel Comics in the 1970s
Author: Eliot Borenstein
Publisher: Cornell University Press
ISBN: 1501767836
Category : Comics & Graphic Novels
Languages : en
Pages : 376
Book Description
Marvel Comics in the 1970s explores a forgotten chapter in the story of the rise of comics as an art form. Bridging Marvel's dizzying innovations and the birth of the underground comics scene in the 1960s and the rise of the prestige graphic novel and postmodern superheroics in the 1980s, Eliot Borenstein reveals a generation of comic book writers whose work at Marvel in the 1970s established their own authorial voice within the strictures of corporate comics. Through a diverse cast of heroes (and the occasional antihero)—Black Panther, Shang-Chi, Deathlok, Dracula, Killraven, Man-Thing, and Howard the Duck—writers such as Steve Gerber, Doug Moench, and Don McGregor made unprecedented strides in exploring their characters' inner lives. Visually, dynamic action was still essential, but the real excitement was taking place inside their heroes' heads. Marvel Comics in the 1970s highlights the brilliant and sometimes gloriously imperfect creations that laid the groundwork for the medium's later artistic achievements and the broader acceptance of comic books in the cultural landscape today.
Publisher: Cornell University Press
ISBN: 1501767836
Category : Comics & Graphic Novels
Languages : en
Pages : 376
Book Description
Marvel Comics in the 1970s explores a forgotten chapter in the story of the rise of comics as an art form. Bridging Marvel's dizzying innovations and the birth of the underground comics scene in the 1960s and the rise of the prestige graphic novel and postmodern superheroics in the 1980s, Eliot Borenstein reveals a generation of comic book writers whose work at Marvel in the 1970s established their own authorial voice within the strictures of corporate comics. Through a diverse cast of heroes (and the occasional antihero)—Black Panther, Shang-Chi, Deathlok, Dracula, Killraven, Man-Thing, and Howard the Duck—writers such as Steve Gerber, Doug Moench, and Don McGregor made unprecedented strides in exploring their characters' inner lives. Visually, dynamic action was still essential, but the real excitement was taking place inside their heroes' heads. Marvel Comics in the 1970s highlights the brilliant and sometimes gloriously imperfect creations that laid the groundwork for the medium's later artistic achievements and the broader acceptance of comic books in the cultural landscape today.
How Secular Is Art?
Author: Tapati Guha-Thakurta
Publisher: Cambridge University Press
ISBN: 1009276751
Category : History
Languages : en
Pages : 446
Book Description
As an invitation to interrogate the secular modality of art, the book unsettles both the categories of 'art' and 'secular' in their theoretical and historical implications. It questions the temporal, spatial and cultural binaries between the 'sacred' and the 'secular' that have shaped art historical scholarship as well as artistic practice. All the essays here are anchored in a conception of a region, whether we call it South Asia or the Indian subcontinent – one, fissured by histories of partition, state formations and religious nationalisms, but still offering a collective site from which to speak to the disciplines of art and the knowledge worlds in which they are embedded. The book asks: How do we complicate the religious designations of pre-modern art and architecture and the new forms of their resurgence in contemporary iconographies and monuments? How do we re-conceptualize the public and the political, as fiery contestations and new curatorial practices reconfigure the meaning of art in the proliferating spaces of museums, galleries, biennales and festivals? How do we understand South Asian art's deep entanglements with the politics of the present?
Publisher: Cambridge University Press
ISBN: 1009276751
Category : History
Languages : en
Pages : 446
Book Description
As an invitation to interrogate the secular modality of art, the book unsettles both the categories of 'art' and 'secular' in their theoretical and historical implications. It questions the temporal, spatial and cultural binaries between the 'sacred' and the 'secular' that have shaped art historical scholarship as well as artistic practice. All the essays here are anchored in a conception of a region, whether we call it South Asia or the Indian subcontinent – one, fissured by histories of partition, state formations and religious nationalisms, but still offering a collective site from which to speak to the disciplines of art and the knowledge worlds in which they are embedded. The book asks: How do we complicate the religious designations of pre-modern art and architecture and the new forms of their resurgence in contemporary iconographies and monuments? How do we re-conceptualize the public and the political, as fiery contestations and new curatorial practices reconfigure the meaning of art in the proliferating spaces of museums, galleries, biennales and festivals? How do we understand South Asian art's deep entanglements with the politics of the present?