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Author:
Publisher:
ISBN:
Category : Government libraries
Languages : en
Pages : 988
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Book Description
Author:
Publisher:
ISBN:
Category : Government libraries
Languages : en
Pages : 988
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Book Description
Author: Celia Hawkesworth
Publisher: Central European University Press
ISBN: 9789639116627
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
"Women are conspicuously absent from traditional cultural histories of South-East Europe. This book addresses that imbalance by describing the contribution of women to literary culture in the Orthodox/Ottoman areas of Serbia and Bosnia."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Andrew Mall
Publisher: University of California Press
ISBN: 0520343425
Category : Music
Languages : en
Pages : 322
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Book Description
Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets’ boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream.
Author: Various
Publisher: Marvel Entertainment
ISBN: 1302485652
Category : Comics & Graphic Novels
Languages : en
Pages : 483
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Book Description
Marvel's journey into history reaches comics' most debated decade: the 1990s! Ghost Rider, Deathlok and Foolkiller are reinvented for a grim and gritty era! Mutants go extreme with X-Force and an all-new X-Factor! The New Warriors on the block arrive! Nomad goes solo, Silver Sable shuffles her Wild Pack, Adam Warlock assembles an Infi nity Watch, Darkhold Redeemers rise, and new icons are born. COLLECTING: GHOST RIDER (1990) #1, DEATHLOK (1990) #1, NEW WARRIORS (1990) #1, FOOLKILLER (1990) #1, DARKHAWK #1, SLEEPWALKER #1, X-FORCE (1991) #1, X-FACTOR (1986) #71, WARLOCK AND THE INFINITY WATCH #2, DEATH'S HEAD II (1992A) #1, SILVER SABLE AND THE WILD PACK #1, TERROR INC. (1992) #1, NIGHT THRASHER: FOUR CONTROL #1, DARKHOLD: PAGES FROM THE BOOK OF SINS #1; MATERIAL FROM CAPTAIN AMERICA ANNUAL #9.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 100
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Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author: Virginia Danielson
Publisher: Routledge
ISBN: 1351544179
Category : Music
Languages : en
Pages : 1212
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Book Description
Expert writers present the major traditions of North Africa, the Middle East, and Central Asia, together with personal accounts of performers, composers, teachers, and ceremonies. A special feature of this volume is the inclusion of dozens of brief snap-shot essays that offer "lifestories" of typical musicmakers and their art, as well as first-person descriptions of specific music performances and events. Also includes maps and music examples.
Author: Albert Bates Lord
Publisher: Cornell University Press
ISBN: 1501731920
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Albert Bates Lord here offers an unparalleled overview of the nature of oral-traditional epic songs and the practices of the singers who composed them. Shaped by the conviction that theory should be based on what singers actually do, and have done in times past, the essays collected here span half a century of Lord's research on the oral tradition from Homer to the twentieth century. Drawing on his extensive fieldwork in living oral traditions and on the theoretical writings of Milman Parry, Lord concentrates on the singers and their art as manifested in texts of performance. In thirteen essays, some previously unpublished and all of them revised for book publication, he explores questions of composition, transmittal, and interpretation and raises important comparative issues. Individual chapters discuss aspects of the Homeric poems, South Slavic oral-traditional epics, the songs of Avdo Metedovic, Beowulf and Anglo-Saxon poetry, the medieval Greek Digenis Akritas and other medieval epics, central Asiatic and Balkan epics, the Finnish Kalevala, and the Bulgarian oral epic. The work of one of the most respected scholars of his generation, Epic Singers and Oral Tradition will be an invaluable resource for scholars and students of myth and folklore, classicists, medievalists, Slavists, comparatists, literary theorists, and anthropologists.
Author: James Chapman
Publisher: Reaktion Books
ISBN: 1861899629
Category : Comics & Graphic Novels
Languages : en
Pages : 451
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Book Description
Arguing that British comics are distinct from their international counterparts, a unique showcase of the major role they have played in the imaginative lives of British youth—and some adults. In this entertaining cultural history of British comic papers and magazines, James Chapman shows how comics were transformed in the early twentieth century from adult amusement to imaginative reading matter for children. Beginning with the first British comic, Ally Sloper—known as “A Selection, Side-splitting, Sentimental, and Serious, for the Benefit of Old Boys, Young Boys, Odd Boys generally, and even Girls”—British Comics goes on to describe the heyday of comics in the 1950s and ’60s, when titles such as School Friend and Eagle sold a million copies a week. Chapman also analyzes the major genres, including schoolgirl fantasies and sports and war stories for boys; the development of a new breed of violent comics in the 1970s, including the controversial Action and 2000AD; and the attempt by American publisher, Marvel, to launch a new hero for the British market in the form of Captain Britain. Considering the work of important contemporary comic writers such as Alan Moore, Grant Morrison, Ian Edginton, Warren Ellis, and Garth Ennis, Chapman’s history comes right up to the present and takes in adult-oriented comics such as Warrior, Crisis, Deadline,and Revolver, and alternative comics such as Viz. Through a look at the changing structure of the comic publishing industry and how comic publishers, writers, and artists have responded to the tastes of their consumers, Chapman ultimately argues that British comics are distinctive and different from American, French, and Japanese comics. An invaluable reference for all comic collectors and fans in Britain and beyond, British Comics showcases the major role comics have played in the imaginative lives of readers young and old.
Author: Eithne Quinn
Publisher: Columbia University Press
ISBN: 0231518102
Category : Music
Languages : en
Pages : 269
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Book Description
In the late 1980s, gangsta rap music emerged in urban America, giving voice to—and making money for—a social group widely considered to be in crisis: young, poor, black men. From its local origins, gangsta rap went on to flood the mainstream, generating enormous popularity and profits. Yet the highly charged lyrics, public battles, and hard, fast lifestyles that characterize the genre have incited the anger of many public figures and proponents of "family values." Constantly engaging questions of black identity and race relations, poverty and wealth, gangsta rap represents one of the most profound influences on pop culture in the last thirty years. Focusing on the artists Ice Cube, Dr. Dre, the Geto Boys, Snoop Dogg, and Tupac Shakur, Quinn explores the origins, development, and immense appeal of gangsta rap. Including detailed readings in urban geography, neoconservative politics, subcultural formations, black cultural debates, and music industry conditions, this book explains how and why this music genre emerged. In Nuthin'but a "G" Thang, Quinn argues that gangsta rap both reflected and reinforced the decline in black protest culture and the great rise in individualist and entrepreneurial thinking that took place in the U.S. after the 1970s. Uncovering gangsta rap's deep roots in black working-class expressive culture, she stresses the music's aesthetic pleasures and complexities that have often been ignored in critical accounts.
Author: Deepika Bahri
Publisher: Temple University Press
ISBN: 9781439901083
Category : History
Languages : en
Pages : 392
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Book Description
Intense and sometimes contentious debates about South Asian identity.
