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Author: Gene Phillips
Publisher: University Press of Kentucky
ISBN: 0813171555
Category : Biography & Autobiography
Languages : en
Pages : 590
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Book Description
Two-time Academy Award winner Sir David Lean (1908–1991) was one of the most prominent directors of the twentieth century, responsible for the classics The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), and Doctor Zhivago (1965). British-born Lean asserted himself in Hollywood as a major filmmaker with his epic storytelling and panoramic visions of history, but he started out as a talented film editor and director in Great Britain. As a result, he brought an art-house mentality to blockbuster films. Combining elements of biography and film criticism, Beyond the Epic: The Life and Films of David Lean uses screenplays and production histories to assess Lean’s body of work. Author Gene D. Phillips interviews actors who worked with Lean and directors who knew him, and their comments reveal new details about the director’s life and career. Phillips also explores Lean’s lesser-studied films, such as The Passionate Friends (1949), Hobson’s Choice (1954), and Summertime (1955). The result is an in-depth examination of the director in cultural, historical, and cinematic contexts. Lean’s approach to filmmaking was far different than that of many of his contemporaries. He chose his films carefully and, as a result, directed only sixteen films in a period of more than forty years. Those films, however, have become some of the landmarks of motion-picture history. Lean is best known for his epics, but Phillips also focuses on Lean’s successful adaptations of famous works of literature, including retellings of plays such as Brief Encounter (1945) and novels such as Great Expectations (1946), Oliver Twist (1948), and A Passage to India (1984). From expansive studies of war and strife to some of literature’s greatest high comedies and domestic dramas, Lean imbued all of his films with his unique creative vision. Few directors can match Lean’s ability to combine narrative sweep and psychological detail, and Phillips goes beyond Lean’s epics to reveal this unifying characteristic in the director’s body of work. Beyond the Epic is a vital assessment of a great director’s artistic process and his place in the film industry.
Author: Gene Phillips
Publisher: University Press of Kentucky
ISBN: 0813171555
Category : Biography & Autobiography
Languages : en
Pages : 590
Get Book Here
Book Description
Two-time Academy Award winner Sir David Lean (1908–1991) was one of the most prominent directors of the twentieth century, responsible for the classics The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), and Doctor Zhivago (1965). British-born Lean asserted himself in Hollywood as a major filmmaker with his epic storytelling and panoramic visions of history, but he started out as a talented film editor and director in Great Britain. As a result, he brought an art-house mentality to blockbuster films. Combining elements of biography and film criticism, Beyond the Epic: The Life and Films of David Lean uses screenplays and production histories to assess Lean’s body of work. Author Gene D. Phillips interviews actors who worked with Lean and directors who knew him, and their comments reveal new details about the director’s life and career. Phillips also explores Lean’s lesser-studied films, such as The Passionate Friends (1949), Hobson’s Choice (1954), and Summertime (1955). The result is an in-depth examination of the director in cultural, historical, and cinematic contexts. Lean’s approach to filmmaking was far different than that of many of his contemporaries. He chose his films carefully and, as a result, directed only sixteen films in a period of more than forty years. Those films, however, have become some of the landmarks of motion-picture history. Lean is best known for his epics, but Phillips also focuses on Lean’s successful adaptations of famous works of literature, including retellings of plays such as Brief Encounter (1945) and novels such as Great Expectations (1946), Oliver Twist (1948), and A Passage to India (1984). From expansive studies of war and strife to some of literature’s greatest high comedies and domestic dramas, Lean imbued all of his films with his unique creative vision. Few directors can match Lean’s ability to combine narrative sweep and psychological detail, and Phillips goes beyond Lean’s epics to reveal this unifying characteristic in the director’s body of work. Beyond the Epic is a vital assessment of a great director’s artistic process and his place in the film industry.
Author: Stan Lee
Publisher: Marvel Entertainment
ISBN: 1302489216
Category : Comics & Graphic Novels
Languages : en
Pages : 472
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Book Description
Born to a past-his-prime prizefighter, Matt Murdock's luck always ran a step behind his good intentions. When a daring act to save a man's life blinds young Murdock, he finds that the same accident has enhanced his remaining senses to superhuman levels! He becomes Daredevil, a gritty hero born from murder but tempered with the desire to protect the downtrodden. COLLECTING: DAREDEVIL (1964) #1-21.
Author: Derek Elley
Publisher: Routledge
ISBN: 1317928881
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
As Charlton Heston put it: ‘There’s a temptingly simple definition of the epic film: it’s the easiest kind of picture to make badly.’ This book goes beyond that definition to show how the film epic has taken up one of the most ancient art-forms and propelled it into the modern world, covered in twentieth-century ambitions, anxieties, hopes and fantasies. This survey of historical epic films dealing with periods up to the end of the Dark Ages looks at epic form and discusses the films by historical period, showing how the cinema reworks history for the changing needs of its audience, much as the ancient mythographers did. The form’s main aim has always been to entertain, and Derek Elley reminds us of the glee with which many epic films have worn their label, and of the sheer fun of the genre. He shows the many levels on which these films can work, from the most popular to the specialist, each providing a considerable source of enjoyment. For instance, spectacle, the genre’s most characteristic trademark, is merely the cinema’s own transformation of the literary epic’s taste for the grandiose. Dramatically it can serve many purposes: as a resolution of personal tensions (the chariot race in Ben-Hur), of monotheism vs idolatry (Solomon and Sheba), or of the triumph of a religious code (The Ten Commandments). Although to many people Epic equals Hollywood, throughout the book Elley stresses debt to the Italian epics, which often explored areas of history with which Hollywood could never have found sympathy. Originally published 1984.
Author: Alan Clayson
Publisher: Hal Leonard Corporation
ISBN: 9780879307240
Category : Music
Languages : en
Pages : 226
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Book Description
Lasting just five years, the original Yardbirds had a tremendous impact on 1960s music and culture in America and England. Featuring 100 evocative photos in color and b&w, this biography explores those years and also the post-Yardbirds careers of Eric Clapton, Jeff Beck, and Jimmy Page, plus today's Yardbirds incarnation led by original drummer Jim McCarty.
Author: Charles C. Bolton
Publisher: Univ. Press of Mississippi
ISBN: 1604730609
Category : Education
Languages : en
Pages : 302
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Book Description
Race has shaped public education in the Magnolia State, from Reconstruction through the Carter Administration. For The Hardest Deal of All: The Battle Over School Integration in Mississippi, 1870-1980 Charles C. Bolton mines newspaper accounts, interviews, journals, archival records, legal and financial documents, and other sources to uncover the complex story of one of Mississippi's most significant and vexing issues. This history closely examines specific events--the after-math of the Brown v. Board of Education decision, the 1966 protests and counter-demonstrations in Grenada, and the efforts of particular organizations--and carefully considers the broader picture. Despite a separate but equal doctrine established in the late nineteenth century, the state's racially divided school systems quickly developed vast differences in terms of financing, academic resources, teacher salaries, and quality of education. As one of the nation's poorest states, Mississippi could not afford to finance one school system adequately, much less two. For much of the twentieth century, whites fought hard to preserve the dual school system, in which the maintenance of one-race schools became the most important measure of educational quality. Blacks fought equally hard to end segregated schooling, realizing that their schools would remain underfunded and understaffed as long as they were not integrated. Charles C. Bolton is professor and chair of history and co-director of the Center for Oral History and Cultural Heritage at the University of Southern Mississippi in Hattiesburg. He is the coauthor of Mississippi: An Illustrated History and coeditor of The Confessions of Edward Isham: A Poor White Life of the Old South . Bolton's work has also appeared in the Journal of Southern History, Journal of Mississippi History, and Mississippi Folklife .
Author:
Publisher: Hal Leonard Corporation
ISBN: 9780879308087
Category : Music
Languages : en
Pages : 516
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Book Description
(Book). This entertaining book presents the U.S. and U.K. Top 20 charts side by side, month by month showing how rock and pop developed on each side of the Atlantic. Fully updated, it lists the hits from 1954 through 2003. Alongside every song listing, readers will find important facts such as the artist's name and nationality, current and previous month's chart position, record label, weeks on the chart, and simultaneous position on the other side of the pond. Includes an alphabetical listing of song titles with artists, and an alphabetical listing of artists with song titles and chart-entry dates, enabling easy cross-referencing to help you track down any Top 20 record since 1954.
Author: Kevin Kruse
Publisher:
ISBN: 0465049494
Category : History
Languages : en
Pages : 386
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Book Description
We’re often told that the United States is, was, and always has been a Christian nation. But in One Nation Under God, historian Kevin M. Kruse reveals that the idea of “Christian America” is an invention—and a relatively recent one at that. As Kruse argues, the belief that America is fundamentally and formally a Christian nation originated in the 1930s when businessmen enlisted religious activists in their fight against FDR’s New Deal. Corporations from General Motors to Hilton Hotels bankrolled conservative clergymen, encouraging them to attack the New Deal as a program of “pagan statism” that perverted the central principle of Christianity: the sanctity and salvation of the individual. Their campaign for “freedom under God” culminated in the election of their close ally Dwight Eisenhower in 1952. But this apparent triumph had an ironic twist. In Eisenhower’s hands, a religious movement born in opposition to the government was transformed into one that fused faith and the federal government as never before. During the 1950s, Eisenhower revolutionized the role of religion in American political culture, inventing new traditions from inaugural prayers to the National Prayer Breakfast. Meanwhile, Congress added the phrase “under God” to the Pledge of Allegiance and made “In God We Trust” the country’s first official motto. With private groups joining in, church membership soared to an all-time high of 69%. For the first time, Americans began to think of their country as an officially Christian nation. During this moment, virtually all Americans—across the religious and political spectrum—believed that their country was “one nation under God.” But as Americans moved from broad generalities to the details of issues such as school prayer, cracks began to appear. Religious leaders rejected this “lowest common denomination” public religion, leaving conservative political activists to champion it alone. In Richard Nixon’s hands, a politics that conflated piety and patriotism became sole property of the right. Provocative and authoritative, One Nation Under God reveals how the unholy alliance of money, religion, and politics created a false origin story that continues to define and divide American politics to this day.
Author: Filippo Ulivieri
Publisher: Filippo Ulivieri
ISBN:
Category : Art
Languages : en
Pages : 94
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Book Description
The story of how “2001: A Space Odyssey” came to be made is in many ways as epic as the events portrayed in the film itself—and until now, just as mysterious. In 1964, with “Dr. Strangelove” ready for release, Stanley Kubrick was uncertain about what his next project would be, and considered making a film dealing with several contemporary themes. It was only when he encountered Arthur C. Clarke that he decided to make a science fiction film. Yet it took more than four years for “2001: A Space Odyssey” to reach the screen—a productive and creative odyssey that involved experimentation, last-minute rethinks, strokes of genius, quarrels, ultimatums, feats of will, and mental breakdowns. Drawing extensively from never before seen material, including production documents and private correspondences, “2001 between Kubrick and Clarke” gives for the first time a complete account of the two authors’ creative collaboration; one which casts lights on their on-again, off-again relationship, as well as revealing new information about the genesis, production, and reception of the first and most important film about space, the origin of humankind and its destiny among the stars.
Author: Birgit Beumers
Publisher: Psychology Press
ISBN: 9783718658756
Category : Art
Languages : en
Pages : 384
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Book Description
In this fascinating study of Yury Lyubimov’s tempestuous career and his liberating style of theatre, Birgit Beumers thoroughly explores the making of a major figure in twentieth-century theatre. She traces the development of Lyubimov’s ideas, from his arrival at the Taganka theatre in 1964, through his expulsion in 1984 and his period of exile in the West, until his return in 1989 to a much changed Russia -- Back cover.
Author: Ashby Bland Crowder
Publisher: LSU Press
ISBN: 0807132721
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
Often compared to William Faulkner, renowned American writer William Humphrey (1924–1997) sought to shatter myths about the South in such acclaimed novels as Home from the Hill, The Ordways, and Proud Flesh, and in his voluminous short stories, critical essays, and memoirs. This collection of Humphrey’s best letters deserves space on the bookshelf alongside these earlier works. Beginning in the 1940s when, as a true starving artist, he wore borrowed clothes and could afford only one meal a day, the letters move to his time as a goatherd, his stint as a teacher at Bard College, and his middle years in Europe. They continue as he returns to America and teaches at Washington and Lee, MIT, Princeton, and Smith, and decrease in number as his health declines in the late 1980s and early 1990s. Humphrey corresponded with some of the central figures in the literary and intellectual life of the twentieth century, including writers such as Katherine Anne Porter and Leonard Woolf, and the publishers Alfred and Blanche Knopf. These letters present a vivid picture of Humphrey as he provides commentary on his contemporaries through personal observations combined with sharp critical judgments. Humphrey amuses readers with witty anecdotes and charming tales, including a hilarious account of Christmas dinner with Robert Lowell, a story about British intellectual Cyril Connolly’s near arrest in New York City, and a series of enchanting misunderstandings between Humphrey and his French publisher. The letters also provide remarkable insights into Humphrey’s own works, showing him to be a man happiest when he forgot about himself also prone to plunging into despondency. The correspondence unforgettably reveals his troubled soul and his life as a quintessential artist: a man with the unswerving drive to make a lasting contribution to American literature.
