Author: Sneharika Roy
Publisher: Taylor & Francis
ISBN: 1351201573
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
This book demonstrates the epic genre’s enduring relevance to the Global South. It identifies a contemporary avatar of classical epic, the ‘postcolonial epic’, ushered in by Herman Melville’s Moby Dick, a foundational text of North America, and exemplified by Derek Walcott’s Caribbean masterpiece Omeros and Amitav Ghosh’s South Asian saga, the Ibis trilogy. The work focuses on the epic genre’s rich potential to articulate postimperial concerns with nation and migration across the Global North/South divide. It foregrounds postcolonial developments in the genre including a shift from politics to political economy, subaltern reconfigurations of capitalist and imperial temporalities, and the poststructuralist preoccupation with language and representation. In addition to bringing to light hitherto unexamined North/South affiliations between Melville, Walcott and Ghosh, the book proposes a fresh approach to epic through the comparative concept of ‘political epic’, where an avowed national politics promoting a culture’s ‘pure’ origins coexists uneasily with a disavowed poetics of intertextual borrowing from ‘other’ cultures. An important intervention in literary studies, this volume will interest scholars and researchers of postcolonial studies, especially South Asian and Caribbean literature, Global South studies, transnational studies and cultural studies.
Epic of the Dispossessed
Author: Robert D. Hamner
Publisher: University of Missouri Press
ISBN: 9780826211521
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
Hamner describes Omeros as an epic of the dispossessed because each of its protagonists is a castaway in one sense or another. Regardless of whether their ancestry is traced to the classical Mediterranean, Europe, Africa, or confined to the Americas, they are transplanted individuals whose separate quests all center on the fundamental human need to strike roots in a place where one belongs.
Publisher: University of Missouri Press
ISBN: 9780826211521
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
Hamner describes Omeros as an epic of the dispossessed because each of its protagonists is a castaway in one sense or another. Regardless of whether their ancestry is traced to the classical Mediterranean, Europe, Africa, or confined to the Americas, they are transplanted individuals whose separate quests all center on the fundamental human need to strike roots in a place where one belongs.
The Dispossessed
Author: Ursula K. Le Guin
Publisher: Turtleback Books
ISBN: 9780785764038
Category : Anarchism
Languages : en
Pages : 0
Book Description
A brilliant physicist attempts to salvage his planet of anarchy.
Publisher: Turtleback Books
ISBN: 9780785764038
Category : Anarchism
Languages : en
Pages : 0
Book Description
A brilliant physicist attempts to salvage his planet of anarchy.
The New Utopian Politics of Ursula K. Le Guin's The Dispossessed
Author: Laurence Davis
Publisher: Lexington Books
ISBN: 0739158201
Category : Literary Criticism
Languages : en
Pages : 353
Book Description
The Dispossessed has been described by political thinker Andre Gorz as 'The most striking description I know of the seductions—and snares—of self-managed communist or, in other words, anarchist society.' To date, however, the radical social, cultural, and political ramifications of Le Guin's multiple award-winning novel remain woefully under explored. Editors Laurence Davis and Peter Stillman right this state of affairs in the first ever collection of original essays devoted to Le Guin's novel. Among the topics covered in this wide-ranging, international and interdisciplinary collection are the anarchist, ecological, post-consumerist, temporal, revolutionary, and open-ended utopian politics of The Dispossessed. The book concludes with an essay by Le Guin written specially for this volume, in which she reassesses the novel in light of the development of her own thinking over the past 30 years.
Publisher: Lexington Books
ISBN: 0739158201
Category : Literary Criticism
Languages : en
Pages : 353
Book Description
The Dispossessed has been described by political thinker Andre Gorz as 'The most striking description I know of the seductions—and snares—of self-managed communist or, in other words, anarchist society.' To date, however, the radical social, cultural, and political ramifications of Le Guin's multiple award-winning novel remain woefully under explored. Editors Laurence Davis and Peter Stillman right this state of affairs in the first ever collection of original essays devoted to Le Guin's novel. Among the topics covered in this wide-ranging, international and interdisciplinary collection are the anarchist, ecological, post-consumerist, temporal, revolutionary, and open-ended utopian politics of The Dispossessed. The book concludes with an essay by Le Guin written specially for this volume, in which she reassesses the novel in light of the development of her own thinking over the past 30 years.
The Lovely and the Lost
Author: Page Morgan
Publisher: Delacorte Press
ISBN: 0307980820
Category : Young Adult Fiction
Languages : en
Pages : 359
Book Description
For readers of Lauren Kate's Fallen series comes the sequel to The Beautiful and the Cursed,The Lovely and the Lost finds the Waverly sisters in mortal danger and able to trust no one. Ingrid and Gabby Waverly moved to France expecting a quiet reprieve from London gossip, but the truth they face in their new home has a sharper--and deadlier--sting. Paris is plagued by an underworld of demons and gargoyles who all seem to want something from the Waverly girls. Saving Ingrid's twin, Grayson, from the fallen angel Axia nearly killed them. And they're still being hunted--only this time, demons aren't their only predators. Ingrid's blood is special: it bestows the power to command gargoyles. It's an ability no other human has, and in the wrong hands, it could be used to send her cursed guardian, Luc, and his fellow Dispossessed to extinction. There are those who will do anything to get Ingrid's blood--and they see no value in human life. The Alliance has vowed to protect the Waverlys, and a new gargoyle has been assigned to guard their abbey home alongside Luc. But no one can watch over Ingrid, Gabby, and Grayson all the time--which means the three must learn to fight for themselves. Because darkness follows the Waverlys. And sometimes darkness comes in the form you trust the most. Praise for the Dispossessed Trilogy: “A deliciously satisfying mix of historical fiction, mystery, and supernatural romance.”—The Bulletin “Morgan combines fantasy with gothic romance in this well-crafted standout.”—Booklist “Forbidden romance and hot kissing abound.”—Kirkus Reviews “Morgan keeps the plot moving with constant action…dark adventure and romance.”—School Library Journal “Morgan's fluid descriptions, inventive otherworldly elements, and characters with convincing motivations result in an immersive first installment.”—Publishers Weekly
Publisher: Delacorte Press
ISBN: 0307980820
Category : Young Adult Fiction
Languages : en
Pages : 359
Book Description
For readers of Lauren Kate's Fallen series comes the sequel to The Beautiful and the Cursed,The Lovely and the Lost finds the Waverly sisters in mortal danger and able to trust no one. Ingrid and Gabby Waverly moved to France expecting a quiet reprieve from London gossip, but the truth they face in their new home has a sharper--and deadlier--sting. Paris is plagued by an underworld of demons and gargoyles who all seem to want something from the Waverly girls. Saving Ingrid's twin, Grayson, from the fallen angel Axia nearly killed them. And they're still being hunted--only this time, demons aren't their only predators. Ingrid's blood is special: it bestows the power to command gargoyles. It's an ability no other human has, and in the wrong hands, it could be used to send her cursed guardian, Luc, and his fellow Dispossessed to extinction. There are those who will do anything to get Ingrid's blood--and they see no value in human life. The Alliance has vowed to protect the Waverlys, and a new gargoyle has been assigned to guard their abbey home alongside Luc. But no one can watch over Ingrid, Gabby, and Grayson all the time--which means the three must learn to fight for themselves. Because darkness follows the Waverlys. And sometimes darkness comes in the form you trust the most. Praise for the Dispossessed Trilogy: “A deliciously satisfying mix of historical fiction, mystery, and supernatural romance.”—The Bulletin “Morgan combines fantasy with gothic romance in this well-crafted standout.”—Booklist “Forbidden romance and hot kissing abound.”—Kirkus Reviews “Morgan keeps the plot moving with constant action…dark adventure and romance.”—School Library Journal “Morgan's fluid descriptions, inventive otherworldly elements, and characters with convincing motivations result in an immersive first installment.”—Publishers Weekly
Great Ideas Some Thoughts On the Common Toad
Author: George Orwell
Publisher: National Geographic Books
ISBN: 0141191279
Category : Literary Collections
Languages : en
Pages : 0
Book Description
In this collection of eight witty and sharply written essays, Orwell looks at, among others, the joys of spring (even in London), the picture of humanity painted by Gulliver and his travels, and the strange benefit of the doubt that the public permit Salvador Dali. Also included here are a mouth-watering essay on the delights of English Cooking and a shocking account of killing an elephant in Burma.
Publisher: National Geographic Books
ISBN: 0141191279
Category : Literary Collections
Languages : en
Pages : 0
Book Description
In this collection of eight witty and sharply written essays, Orwell looks at, among others, the joys of spring (even in London), the picture of humanity painted by Gulliver and his travels, and the strange benefit of the doubt that the public permit Salvador Dali. Also included here are a mouth-watering essay on the delights of English Cooking and a shocking account of killing an elephant in Burma.
The Postcolonial Epic
Author: Sneharika Roy
Publisher: Taylor & Francis
ISBN: 1351201573
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
This book demonstrates the epic genre’s enduring relevance to the Global South. It identifies a contemporary avatar of classical epic, the ‘postcolonial epic’, ushered in by Herman Melville’s Moby Dick, a foundational text of North America, and exemplified by Derek Walcott’s Caribbean masterpiece Omeros and Amitav Ghosh’s South Asian saga, the Ibis trilogy. The work focuses on the epic genre’s rich potential to articulate postimperial concerns with nation and migration across the Global North/South divide. It foregrounds postcolonial developments in the genre including a shift from politics to political economy, subaltern reconfigurations of capitalist and imperial temporalities, and the poststructuralist preoccupation with language and representation. In addition to bringing to light hitherto unexamined North/South affiliations between Melville, Walcott and Ghosh, the book proposes a fresh approach to epic through the comparative concept of ‘political epic’, where an avowed national politics promoting a culture’s ‘pure’ origins coexists uneasily with a disavowed poetics of intertextual borrowing from ‘other’ cultures. An important intervention in literary studies, this volume will interest scholars and researchers of postcolonial studies, especially South Asian and Caribbean literature, Global South studies, transnational studies and cultural studies.
Publisher: Taylor & Francis
ISBN: 1351201573
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
This book demonstrates the epic genre’s enduring relevance to the Global South. It identifies a contemporary avatar of classical epic, the ‘postcolonial epic’, ushered in by Herman Melville’s Moby Dick, a foundational text of North America, and exemplified by Derek Walcott’s Caribbean masterpiece Omeros and Amitav Ghosh’s South Asian saga, the Ibis trilogy. The work focuses on the epic genre’s rich potential to articulate postimperial concerns with nation and migration across the Global North/South divide. It foregrounds postcolonial developments in the genre including a shift from politics to political economy, subaltern reconfigurations of capitalist and imperial temporalities, and the poststructuralist preoccupation with language and representation. In addition to bringing to light hitherto unexamined North/South affiliations between Melville, Walcott and Ghosh, the book proposes a fresh approach to epic through the comparative concept of ‘political epic’, where an avowed national politics promoting a culture’s ‘pure’ origins coexists uneasily with a disavowed poetics of intertextual borrowing from ‘other’ cultures. An important intervention in literary studies, this volume will interest scholars and researchers of postcolonial studies, especially South Asian and Caribbean literature, Global South studies, transnational studies and cultural studies.
The History of the Epic
Author: A. Johns-Putra
Publisher: Springer
ISBN: 0230595723
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
This book presents a history of the epic from the classical age to the present day. It deals not just with the well-know epics of antiquity and the Renaissance, but also pursues developments in more recent literature and film. It offers an exploration of the changes that have taken place in the genre from Homer to Hollywood.
Publisher: Springer
ISBN: 0230595723
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
This book presents a history of the epic from the classical age to the present day. It deals not just with the well-know epics of antiquity and the Renaissance, but also pursues developments in more recent literature and film. It offers an exploration of the changes that have taken place in the genre from Homer to Hollywood.
The Cambridge Companion to the Epic
Author: Catherine Bates
Publisher: Cambridge University Press
ISBN: 1139828274
Category : Literary Criticism
Languages : en
Pages :
Book Description
Every great civilisation from the Bronze Age to the present day has produced epic poems. Epic poetry has always had a profound influence on other literary genres, including its own parody in the form of mock-epic. This Companion surveys over four thousand years of epic poetry from the Babylonian Epic of Gilgamesh to Derek Walcott's postcolonial Omeros. The list of epic poets analysed here includes some of the greatest writers in literary history in Europe and beyond: Homer, Virgil, Dante, Camões, Spenser, Milton, Wordsworth, Keats and Pound, among others. Each essay, by an expert in the field, pays close attention to the way these writers have intimately influenced one another to form a distinctive and cross-cultural literary tradition. Unique in its coverage of the vast scope of that tradition, this book is an essential companion for students of literature of all kinds and in all ages.
Publisher: Cambridge University Press
ISBN: 1139828274
Category : Literary Criticism
Languages : en
Pages :
Book Description
Every great civilisation from the Bronze Age to the present day has produced epic poems. Epic poetry has always had a profound influence on other literary genres, including its own parody in the form of mock-epic. This Companion surveys over four thousand years of epic poetry from the Babylonian Epic of Gilgamesh to Derek Walcott's postcolonial Omeros. The list of epic poets analysed here includes some of the greatest writers in literary history in Europe and beyond: Homer, Virgil, Dante, Camões, Spenser, Milton, Wordsworth, Keats and Pound, among others. Each essay, by an expert in the field, pays close attention to the way these writers have intimately influenced one another to form a distinctive and cross-cultural literary tradition. Unique in its coverage of the vast scope of that tradition, this book is an essential companion for students of literature of all kinds and in all ages.
The Crowning of a Poet’s Quest
Author: Paola Loreto
Publisher: Rodopi
ISBN: 9042026391
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
This first extended study of Derek Walcott’s Tiepolo’s Hound (2000) defines the book as the culmination of the poetry and poetic of the Caribbean writer and Nobel Prize winner. In this long poem, Walcott achieves three goals pursued throughout his career: to develop an original Caribbean aesthetic; to meld the modes of poetry and prose; and to formulate the Bildung of the island-artist in terms of an ‘autobiographical’ narrative. The analysis provides an aesthetic and cultural evaluation of the poem, in terms both of the Western poetic tradition to which it refers through its rich intertextuality and of its significance as a postcolonial milestone. The commentary locates Walcott in an aesthetic tradition running from Emerson through the American Pragmatists to modernist poets; describes his experimental use of certain central narrative strategies in his semi-autobiographical long poems, which is compared to those of another, openly admired, bilingual writer, Vladimir Nabokov; explores Walcott’s revision of the epic mode and of the genre of autobiography; delineates his unfolding of a post-Romantic internalization of the poet’s Arthurian quest; and discusses his complex treatment of the multi-layered metaphor of light as major evidence of the maturity of his style and poetic, with their conscious cross-fertilization between the literary cultures of Europe and the Caribbean. An appendix to this study contains the transcriptions of various ‘Walcott events’ that took place in Italy in the summers of 2000 and 2001, including a creative writing seminar, a press conference, and readings. This extensive material opens a window onto Walcott’s gifts as a teacher, to his stringent yet passionate commitment to the art of poetry, and to the ways in which he and his students grapple with the challenges of literary translation.
Publisher: Rodopi
ISBN: 9042026391
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
This first extended study of Derek Walcott’s Tiepolo’s Hound (2000) defines the book as the culmination of the poetry and poetic of the Caribbean writer and Nobel Prize winner. In this long poem, Walcott achieves three goals pursued throughout his career: to develop an original Caribbean aesthetic; to meld the modes of poetry and prose; and to formulate the Bildung of the island-artist in terms of an ‘autobiographical’ narrative. The analysis provides an aesthetic and cultural evaluation of the poem, in terms both of the Western poetic tradition to which it refers through its rich intertextuality and of its significance as a postcolonial milestone. The commentary locates Walcott in an aesthetic tradition running from Emerson through the American Pragmatists to modernist poets; describes his experimental use of certain central narrative strategies in his semi-autobiographical long poems, which is compared to those of another, openly admired, bilingual writer, Vladimir Nabokov; explores Walcott’s revision of the epic mode and of the genre of autobiography; delineates his unfolding of a post-Romantic internalization of the poet’s Arthurian quest; and discusses his complex treatment of the multi-layered metaphor of light as major evidence of the maturity of his style and poetic, with their conscious cross-fertilization between the literary cultures of Europe and the Caribbean. An appendix to this study contains the transcriptions of various ‘Walcott events’ that took place in Italy in the summers of 2000 and 2001, including a creative writing seminar, a press conference, and readings. This extensive material opens a window onto Walcott’s gifts as a teacher, to his stringent yet passionate commitment to the art of poetry, and to the ways in which he and his students grapple with the challenges of literary translation.
All the Difference in the World
Author: Natalie Melas
Publisher: Stanford University Press
ISBN: 9780804731980
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
This book is about culture and comparison. Starting with the history of the discipline of comparative literature and its forgotten relation to the positivist comparative method, it inquires into the idea of comparison in a postcolonial world. Comparison was Eurocentric by exclusion when it applied only to European literature, and Eurocentric by discrimination when it adapted evolutionary models to place European literature at the forefront of human development. This book argues that inclusiveness is not a sufficient response to postcolonial and multiculturalist challenges because it leaves the basis of equivalence unquestioned. The point is not simply to bring more objects under comparison, but rather to examine the process of comparison. The book offers a new approach to the either/or of relativism and universalism, in which comparison is either impossible or assimilatory, by focusing instead on various forms of “incommensurability”—comparisons in which there is a ground for comparison but no basis for equivalence. Each chapter develops a particular form of such cultural comparison from readings of important novelists (Joseph Conrad, Simone Schwartz-Bart), poets (Aimé Césaire, Derek Walcott), and theorists (Edouard Glissant, Jean-Luc Nancy).
Publisher: Stanford University Press
ISBN: 9780804731980
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
This book is about culture and comparison. Starting with the history of the discipline of comparative literature and its forgotten relation to the positivist comparative method, it inquires into the idea of comparison in a postcolonial world. Comparison was Eurocentric by exclusion when it applied only to European literature, and Eurocentric by discrimination when it adapted evolutionary models to place European literature at the forefront of human development. This book argues that inclusiveness is not a sufficient response to postcolonial and multiculturalist challenges because it leaves the basis of equivalence unquestioned. The point is not simply to bring more objects under comparison, but rather to examine the process of comparison. The book offers a new approach to the either/or of relativism and universalism, in which comparison is either impossible or assimilatory, by focusing instead on various forms of “incommensurability”—comparisons in which there is a ground for comparison but no basis for equivalence. Each chapter develops a particular form of such cultural comparison from readings of important novelists (Joseph Conrad, Simone Schwartz-Bart), poets (Aimé Césaire, Derek Walcott), and theorists (Edouard Glissant, Jean-Luc Nancy).