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Author: Carolyn Muessig
Publisher: Routledge
ISBN: 1134175736
Category : Literary Collections
Languages : en
Pages : 524
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Book Description
Envisaging Heaven in the Middle Ages deals with medieval notions of heaven in theological and mystical writings, in visions of the Otherworld, and in medieval art, poetry and music. It considers the influence of such notions in the secular literature of some of the greatest writers of the period including Chrétien de Troyes and Chaucer. The coherence and beauty of these notions make heaven one of the most impressive medieval ‘cathedrals of the mind’. With contributions from experts such as A.C. Spearing, Peter Meredith, Peter Dronke and Robin Kirkpatrick, this collection is essential reading for all those interested in medieval religion and culture.
Author: Carolyn Muessig
Publisher: Routledge
ISBN: 1134175736
Category : Literary Collections
Languages : en
Pages : 524
Get Book Here
Book Description
Envisaging Heaven in the Middle Ages deals with medieval notions of heaven in theological and mystical writings, in visions of the Otherworld, and in medieval art, poetry and music. It considers the influence of such notions in the secular literature of some of the greatest writers of the period including Chrétien de Troyes and Chaucer. The coherence and beauty of these notions make heaven one of the most impressive medieval ‘cathedrals of the mind’. With contributions from experts such as A.C. Spearing, Peter Meredith, Peter Dronke and Robin Kirkpatrick, this collection is essential reading for all those interested in medieval religion and culture.
Author: Jan S. Emerson
Publisher: Routledge
ISBN: 1135670250
Category : Literary Criticism
Languages : en
Pages : 390
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Book Description
Medieval attempts to capture a glimpse of heaven range from the ethereal to the mundane, utilizing media as diverse as maps, cathedrals, songs, treatises, poems, visions and sewer systems. Heaven was at once the goal of the individual Christian life and the end of the cosmic plan. It was, simply stated, perfection. But interpretations varied from the traditional to the dangerously unique as artists and authors, theologians and visionaries struggled to define that perfection. Depending on the source, heaven's attributes vary from height to depth, darkness to light, silence to symphony; the souls within it from activity to passivity, experience to essence, participation to distant admiration. Questions addressed in this anthology include: Are erotic and spiritual love mutually exclusive? Does the soul's happiness depend on the resurrection of the body? What will be the nature of the transfigured body? Will it retain its gender? Will it have senses? Will it know desire? How can desire and fulfillment exist together? Can the human soul ever know God? Contributors to this volume examine well-known and previously unexplored texts and artefacts from historical and art historical, theological, philosophical, and literary perspectives, to complement and challenge more general surveys of the history of heaven, and above all to illuminate the richness and variety of medieval Christian ideas on heaven.
Author: Eileen Gardiner
Publisher: Routledge
ISBN: 1135754535
Category : Literary Collections
Languages : en
Pages : 298
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Book Description
First Published in 1993. The present volume covers the currently identified Christian visions of heaven and hell (excluding D ante’s Divine Comedy) from western Europe during the Middle Ages from the late sixth through the fourteenth century.
Author: Carolyn Muessig
Publisher: Oxford University Press
ISBN: 0192515136
Category : Religion
Languages : en
Pages : 264
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Book Description
Francis of Assisi's reported reception of the stigmata on Mount La Verna in 1224 is almost universally considered to be the first documented account of an individual miraculously and physically receiving the five wounds of Christ. The early thirteenth-century appearance of this miracle, however, is not as unexpected as it first seems. Interpretations of Galatians 6:17—I bear the marks of the Lord Jesus Christ in my body—had been circulating since the early Middle Ages in biblical commentaries. These works perceived those with the stigmata as metaphorical representations of martyrs bearing the marks of persecution in order to spread the teaching of Christ in the face of resistance. By the seventh century, the meaning of Galatians 6:17 had been appropriated by bishops and priests as a sign or mark of Christ that they received invisibly at their ordination. Priests and bishops came to be compared to soldiers of Christ, who bore the brand (stigmata) of God on their bodies, just like Roman soldiers who were branded with the name of their emperor. By the early twelfth century, crusaders were said to bear the actual marks of the passion in death and even sometimes as they entered into battle. The Stigmata in Late Medieval and Early Modern Europe traces the birth and evolution of religious stigmata and particularly of stigmatic theology, as understood through the ensemble of theological discussions and devotional practices. Carolyn Muessig assesses the role stigmatics played in medieval and early modern religious culture, and the way their contemporaries reacted to them. The period studied covers the dominant discourse of stigmatic theology: that is, from Peter Damian's eleventh-century theological writings to 1630 when the papacy officially recognised the authenticity of Catherine of Siena's stigmata.
Author: Richard Matthew Pollard
Publisher: Cambridge University Press
ISBN: 1316832465
Category : Literary Criticism
Languages : en
Pages : 377
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Book Description
Where do we go after we die? This book traces how the European Middle Ages offered distinctive answers to this universal question, evolving from Antiquity through to the sixteenth century, to reflect a variety of problems and developments. Focussing on texts describing visions of the afterlife, alongside art and theology, this volume explores heaven, hell, and purgatory as they were imagined across Europe, as well as by noted authors including Gregory the Great and Dante. A cross-disciplinary team of contributors including historians, literary scholars, classicists, art historians and theologians offer not only a fascinating sketch of both medieval perceptions and the wide scholarship on this question: they also provide a much-needed new perspective. Where the twelfth century was once the 'high point' of the medieval afterlife, the essays here show that the afterlives of the early and later Middle Ages were far more important and imaginative than we once thought.
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Publisher: BRILL
ISBN: 9004438440
Category : History
Languages : en
Pages : 310
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Book Description
Gender and Exemplarity in Medieval and Early Modern Spain gathers a series of studies on the interplay between gender, sanctity and exemplarity in regard to literary production in the Iberian peninsula. The first section examines how women were con¬strued as saintly examples through narratives, mostly composed by male writers; the second focuses on the use made of exemplary life-accounts by women writers in order to fashion their own social identity and their role as authors. The volume includes studies on relevant models (Mary Magdalen, Virgin Mary, living saints), means of transmission, sponsorship and agency (reading circles, print, patronage), and female writers (Leonor López de Córdoba, Isabel de Villena, Teresa of Ávila) involved in creating textual exemplars for women. Contributors are: Pablo Acosta-García, Andrew M. Beresford, Jimena Gamba Corradine, Ryan D. Giles, María Morrás, Lesley K. Twomey, Roa Vidal Doval, and Christopher van Ginhoven Rey.
Author: Daisy Black
Publisher: Manchester University Press
ISBN: 1526172127
Category : Literary Criticism
Languages : en
Pages : 410
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Book Description
A collection of essays which show how early drama traditions were transformed, recycled, re-used and reformed across time to form new relationships with their audiences. Medieval afterlives brings new insight to the ways in which peoples in the sixteenth century understood, manipulated and responded to the history of their performance spaces, stage technologies, characterisation and popular dramatic tropes. In doing so, this volume advocates for a new understanding of sixteenth-seventeenth century theatre makers as highly aware of the medieval traditions that formed their performance practices, and audiences who recognised and appreciated the recycling of these practices between plays.
Author: Elina Gertsman
Publisher: Routledge
ISBN: 1351537369
Category : Performing Arts
Languages : en
Pages : 344
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Book Description
Taking a fresh look at the interconnections between medieval images, texts, theater, and practices of viewing, reading and listening, this explicitly interdisciplinary volume explores various manifestations of performance and meanings of performativity in the Middle Ages. The contributors - from their various perspectives as scholars of art history, religion, history, literary studies, theater studies, music and dance - combine their resources to reassess the complexity of expressions and definitions of medieval performance in a variety of different media. Among the topics considered are interconnections between ritual and theater; dynamics of performative readings of illuminated manuscripts, buildings and sculptures; linguistic performances of identity; performative models of medieval spirituality; social and political spectacles encoded in ceremonies; junctures between spatial configurations of the medieval stage and mnemonic practices used for meditation; performances of late medieval music that raise questions about the issues of historicity, authenticity, and historical correctness in performance; and tensions inherent in the very notion of a medieval dance performance.
Author: Robert Rix
Publisher: Routledge
ISBN: 1317589688
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
This book examines the sustained interest in legends of the pagan and peripheral North, tracing and analyzing the use of an ‘out-of-Scandinavia’ legend (Scandinavia as an ancestral homeland) in a wide range of medieval texts from all over Europe, with a focus on the Anglo-Saxon tradition. The pagan North was an imaginative region, which attracted a number of conflicting interpretations. To Christian Europe, the pagan North was an abject Other, but it also symbolized a place from which ancestral strength and energy derived. Rix maps how these discourses informed ‘national’ legends of ancestral origins, showing how an ‘out-of-Scandinavia’ legend can be found in works by several familiar writers including Jordanes, Bede, ‘Fredegar’, Paul the Deacon, Freculph, and Æthelweard. The book investigates how legends of northern warriors were first created in classical texts and since re-calibrated to fit different medieval understandings of identity and ethnicity. Among other things, the ‘out-of-Scandinavia’ tale was exploited to promote a legacy of ‘barbarian’ vigor that could withstand the negative cultural effects of Roman civilization. This volume employs a variety of perspectives cutting across the disciplines of poetry, history, rhetoric, linguistics, and archaeology. After years of intense critical interest in medieval attitudes towards the classical world, Africa, and the East, this first book-length study of ‘the North’ will inspire new debates and repositionings in medieval studies.
Author: Venetia Bridges
Publisher: Boydell & Brewer
ISBN: 1843846160
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
Essays; medieval romance; Arthurian Iiterature; Elizabeth Archibald.
