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Category :
Languages : es
Pages :
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Author:
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Category :
Languages : es
Pages :
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Author: Hannah Estermann
Publisher:
ISBN:
Category : Entremés
Languages : en
Pages : 1200
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Book Description
Author: Graham Bradshaw
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754655893
Category : Literary Criticism
Languages : en
Pages : 980
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Book Description
This year including a special section on "Shakespeare and Montaigne Revisited," The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Canada, Sweden, Japan and Australia. This issue includes an interview with veteran American actor Alvin Epstein during his recent acclaimed performance of King Lear for the Actors' Shakespeare project in Boston.
Author: Gustav Grhober
Publisher:
ISBN:
Category : Philology, Modern
Languages : de
Pages : 800
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Book Description
"Verzeichnis der Mitarbeiter an Band i-x" : v. 10, p. [622]-625.
Author: Thomas A. Lathrop
Publisher: Juan de la Cuesta-Hispanic Monographs
ISBN:
Category : Literary Criticism
Languages : en
Pages : 418
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Book Description
Author: Bárbara Mujica
Publisher: John Wiley & Sons
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 448
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Publisher Description (unedited publisher data) Counter This one-volume anthology surveys the major works of Spanish literature of the millennium! An introduction with historical and literary data as well as information on critical trends puts each section into its historical context. A brief introduction to the author's work precedes each selection.
Author: Anthony Close
Publisher: Cambridge University Press
ISBN: 9780521142588
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Don Quixote has been widely read and discussed outside Spain. Interpreted before 1800 as a burlesque of chivalric romances, and implicitly described as such by Cervantes himself, it was given a sentimentalised and seriously philosophical interpretation by the German Romantics. Dr Close is essentially concerned with the question why this unhistorical and subjective reading of the novel prevailed, first in Europe, then in Spain. He examines the stages by which, from 1860, it progressively supplanted in Spain the hitherto dominant neo-classical interpretation, and shows how this process kept pace with increasing identification with movements of intellectual history, aesthetics, literary criticism and scholarship in Europe. He clarifies the complex reasons which have led Spaniards to see Don Quixote as a symbol of their cultural history and identity, and reveals how preoccupation with Spain's decadence has coloured the interpretation of the national classic by leading Spanish critics, scholars and philosophers.
Author:
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Category : Languages
Languages : fr
Pages : 710
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Book Description
Author: Melveena McKendrick
Publisher: Boydell & Brewer Ltd
ISBN: 1855660695
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
A reappraisal of Lope's literary career, bringing out the complexities of his dramatic texts. This book offers a radical re-evaluation of Lope's theatre, which will affect the way in which the comedia in general is read. It spans Lope's literary career, discussing (pseudo-)historical, tragic and peasant plays in order to show Lope's texts as complex negotiations between author and public, between conservatism and subversion, between representations of the ideal of kingship and its political reality, in a period of social and political change. Drawing on contemporary Spanish political philosophy, McKendrick shows that far from glorifying monarchy and advocating absolutism (the orthodox view in the Hispanic world), Lope's political plays constitute an informed critiqueof kingship; she also challenges the received wisdom that the comedia was an instrument of stage and that its playwrights were the conscious propagandists of an aristocratic elite. With the help of insights and models provided by the speech act theory, the stratagems and techniques utilised by Lope to follow the path of prudence between the acceptable and the unacceptable in political commentary in the commercial theatre are scrutinised, illustrating how richly nuanced texts produce not an ideologically monolithic and complacent drama but one which is at once politically anxious and probing. MELVEENA MCKENDRICK is Professor of Spanish Literature, Culture and Societyat the University of Cambridge.
Author: Lois Parkinson Zamora
Publisher: Duke University Press
ISBN: 0822392526
Category : Literary Criticism
Languages : en
Pages : 690
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Book Description
Baroque New Worlds traces the changing nature of Baroque representation in Europe and the Americas across four centuries, from its seventeenth-century origins as a Catholic and monarchical aesthetic and ideology to its contemporary function as a postcolonial ideology aimed at disrupting entrenched power structures and perceptual categories. Baroque forms are exuberant, ample, dynamic, and porous, and in the regions colonized by Catholic Europe, the Baroque was itself eventually colonized. In the New World, its transplants immediately began to reflect the cultural perspectives and iconographies of the indigenous and African artisans who built and decorated Catholic structures, and Europe’s own cultural products were radically altered in turn. Today, under the rubric of the Neobaroque, this transculturated Baroque continues to impel artistic expression in literature, the visual arts, architecture, and popular entertainment worldwide. Since Neobaroque reconstitutions necessarily reference the European Baroque, this volume begins with the reevaluation of the Baroque that evolved in Europe during the late nineteenth century and the early twentieth. Foundational essays by Friedrich Nietzsche, Heinrich Wölfflin, Walter Benjamin, Eugenio d’Ors, René Wellek, and Mario Praz recuperate and redefine the historical Baroque. Their essays lay the groundwork for the revisionist Latin American essays, many of which have not been translated into English until now. Authors including Alejo Carpentier, José Lezama Lima, Severo Sarduy, Édouard Glissant, Haroldo de Campos, and Carlos Fuentes understand the New World Baroque and Neobaroque as decolonizing strategies in Latin America and other postcolonial contexts. This collection moves between art history and literary criticism to provide a rich interdisciplinary discussion of the transcultural forms and functions of the Baroque. Contributors. Dorothy Z. Baker, Walter Benjamin, Christine Buci-Glucksmann, José Pascual Buxó, Leo Cabranes-Grant, Haroldo de Campos, Alejo Carpentier, Irlemar Chiampi, William Childers, Gonzalo Celorio, Eugenio d’Ors, Jorge Ruedas de la Serna, Carlos Fuentes, Édouard Glissant, Roberto González Echevarría, Ángel Guido, Monika Kaup, José Lezama Lima, Friedrich Nietzsche, Mario Praz, Timothy J. Reiss, Alfonso Reyes, Severo Sarduy, Pedro Henríquez Ureña, Maarten van Delden, René Wellek, Christopher Winks, Heinrich Wölfflin, Lois Parkinson Zamora
