Entrée triomphale de leurs majestés Louis XIV, Roy de France et de Navarre et de Marie-Thérèse d'Autriche, son Épouse, dans le Ville de Paris PDF Download
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Category : Architecture
Languages : fr
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Author:
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Category : Architecture
Languages : fr
Pages :
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![L'entrée triomphante de leurs majestez Louis XIV. roy de France et de Navarre, et Marie Thérèse d'Austriche son espouse dans la ville de Paris capitale de leurs royaumes, au retour de la signature de la paix généralle et de leur heureux mariage. Enrichie de plusieurs figures, des harangues & de diverses pièces considérables pour l'histoire. Le tout exactement recueilly par l'ordre de me[ss]ieurs de ville. Et imprimée l'an M. DC. LXII.. PDF](https://books.google.com/books/content/images/frontcover/CDUDzgEACAAJ?fife=w80-h100)
Author: Jean Tronçon (juriste).)
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Category :
Languages : fr
Pages : 2
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Category :
Languages : fr
Pages : 86
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Author: Jacques Maboul
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Category :
Languages : fr
Pages : 40
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Author: Joëlle Chevé
Publisher: Pygmalion Editions
ISBN:
Category : France
Languages : fr
Pages : 582
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Biographie de l'Infante d'Espagne qui devint reine de France en 1660 et dont les qualités et la force de caractère ont été souvent éclipsés dans l'historiographie au profit de ses rivales, les maîtresses royales de Louis XIV.
Author: I. Rossignol
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Languages : fr
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Languages : fr
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![Ordre observé en la cérémonie de l'entrée de ... Louis XIIII, roy de France et de Navarre, et de ... Marie-Thérèse d'Austriche, infante d'Espagne, après leur heureux mariage, le ... 26e aoust 1660 [par Bousselin]. PDF](https://books.google.com/books/content/images/frontcover/SEYXzQEACAAJ?fife=w80-h100)
Author: Bousselin
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Languages : fr
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Author: Agostino Paravicini-Bagliani
Publisher: University of Chicago Press
ISBN: 9780226034379
Category : History
Languages : en
Pages : 448
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Book Description
In contrast to the role traditionally fulfilled by secular rulers, the pope has been perceived as an individual person existing in a body subject to decay and death, yet at the same time a corporeal representation of Christ and the Church, eternity and salvation. Using an array of evidence from the eleventh through the fifteenth centuries, Agostino Paravicini- Bagliani addresses this paradox. He studies the rituals, metaphors, and images of the pope's body as they developed over time and shows how they resulted in the expectation that the pope's body be simultaneously physical and metaphorical. Also included is a particular emphasis on the thirteenth century when, during the pontificate of Boniface VIII (1294-1303), the papal court became the focus of medicine and the natural sciences as physicians devised ways to protect the pope's health and prolong his life. Masterfully translated from the Italian, this engaging history of the pope's body provides a new perspective for readers to understand the papacy, both historically and in our own time.
Author: Andrea Alciati
Publisher: McFarland
ISBN: 0786418079
Category : Art
Languages : en
Pages : 269
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Andrea Alciati's Emblematum Liber was an essential work for every writer, artist and scholar in post-medieval Europe. First published in 1531, this illustrated book was a collection of emblems, each consisting of a motto or proverb, a typically enigmatic illustration, and a short explanation. Most of the emblems had symbolic and moral applications. Scholars depended on Alciati's book to interpret contemporary art and literature, while writers and artists turned to it to invest their work with an understood didactic sense. This new edition of the Emblematum Liber includes the original Latin texts, highly readable English translations, and the illustrations belonging to each of the 212 emblems. The editor's introduction explains both the importance and the cultural contexts of Alciati's book, as well as its innumerable artistic applications. For instance, close study of the emblems reveals--to cite only two examples--why statues of lions are traditionally placed before government buildings, and what underlying political message was conveyed by innumerable equestrian portraits during the Baroque era. The collection includes as an appendix the formerly suppressed emblem, "Adversus Naturam Peccantes," accompanied by a translation of the learned commentary applied to it by Johann Thuilius in 1612. An extensive bibliography points the student to scholarly research specifically dealing with artistic applications of Alciati's emblems. Altogether, this new edition of Alciati's seminal work is an essential tool for modern students of the liberal arts.
