E(n)stranged: Rethinking Defamiliarization in Literature and Visual Culture PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download E(n)stranged: Rethinking Defamiliarization in Literature and Visual Culture PDF full book. Access full book title E(n)stranged: Rethinking Defamiliarization in Literature and Visual Culture by Nilgun Bayraktar. Download full books in PDF and EPUB format.
Author: Nilgun Bayraktar
Publisher: Springer Nature
ISBN: 3031608593
Category :
Languages : en
Pages : 305
Get Book Here
Book Description
Author: Nilgun Bayraktar
Publisher: Springer Nature
ISBN: 3031608593
Category :
Languages : en
Pages : 305
Get Book Here
Book Description
Author: Annie van den Oever
Publisher: Amsterdam University Press
ISBN: 9089640797
Category : Performing Arts
Languages : en
Pages : 281
Get Book Here
Book Description
Summary: Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the Soviet literary critic Victor Shklovskii in 1917, ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the French philosopher Derrida's concept of differance, bordering on 'differing' and 'deferring'. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry.
Author: Raman Selden
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 180
Get Book Here
Book Description
Unsurpassed as a text for upper-division and beginning graduate students, Raman Selden's classic text is the liveliest, most readable and most reliable guide to contemporary literary theory. Includes applications of theory, cross-referenced to Selden's companion volume, Practicing Theory and Reading Literature.
Author: Lynn Festa
Publisher: University of Pennsylvania Press
ISBN: 0812251318
Category : Literary Criticism
Languages : en
Pages : 364
Get Book Here
Book Description
Although the Enlightenment is often associated with the emergence of human rights and humanitarian sensibility, "humanity" is an elusive category in the literary, philosophical, scientific, and political writings of the period. Fiction Without Humanity offers a literary history of late seventeenth- and early eighteenth-century efforts to define the human. Focusing on the shifting terms in which human difference from animals, things, and machines was expressed, Lynn Festa argues that writers and artists treated humanity as an indefinite class, which needed to be called into being through literature and the arts. Drawing on an array of literary, scientific, artistic, and philosophical devices— the riddle, the fable, the microscope, the novel, and trompe l'oeil and still-life painting— Fiction Without Humanity focuses on experiments with the perspectives of nonhuman creatures and inanimate things. Rather than deriving species membership from sympathetic identification or likeness to a fixed template, early Enlightenment writers and artists grounded humanity in the enactment of capacities (reason, speech, educability) that distinguish humans from other creatures, generating a performative model of humanity capacious enough to accommodate broader claims to human rights. In addressing genres typically excluded from canonical literary histories, Fiction Without Humanity offers an alternative account of the rise of the novel, showing how these early experiments with nonhuman perspectives helped generate novelistic techniques for the representation of consciousness. By placing the novel in a genealogy that embraces paintings, riddles, scientific plates, and fables, Festa shows realism to issue less from mimetic exactitude than from the tailoring of the represented world to a distinctively human point of view.
Author: Pericles Lewis
Publisher: Cambridge University Press
ISBN: 9780521535274
Category : Literary Criticism
Languages : en
Pages : 310
Get Book Here
Book Description
Publisher description
Author: Jan Alber
Publisher: Aarhus Universitetsforlag
ISBN: 877124249X
Category : Literary Criticism
Languages : en
Pages : 257
Get Book Here
Book Description
This book presents new ways of thinking about the historical, epistemological and institutional role of literature, and aims at providing a theoretically well-founded basis for what might otherwise be considered a relatively unfounded historical fact, i.e. that both literature and the teaching of literature hold a privileged position in many educational institutions. The contributors take their point of departure in the title of the volume and use narratological, historical, cognitive, rhetorical, postcolonial and political frameworks to pursue two separate but not necessarily related questions: Why literature? and, Why study? This collection brings together theoretical studies and critical analyses on literature as a medium among, and compared to, other media and includes essays on the physical and mental geography of literature, focusing on the consequences and values of its reading and studying.
Author: Barrett Watten
Publisher: Wesleyan University Press
ISBN: 081956978X
Category : Social Science
Languages : en
Pages : 464
Get Book Here
Book Description
Winner of the American Comparative Literature Association's Rene Wellek Prize (2004) As one of the founding poets and editors of the Language School of poetry and one of its central theorists, Barrett Watten has consistently challenged the boundaries of literature and art. In The Constructivist Moment, he offers a series of theoretically informed and textually sensitive readings that advance a revisionist account of the avant-garde through the methodologies of cultural studies. His major topics include American modernist and postmodern poetics, Soviet constructivist and post-Soviet literature and art, Fordism and Detroit techno—each proposed as exemplary of the social construction of aesthetic and cultural forms. His book is a full-scale attempt to place the linguistic turn of critical theory and the self-reflexive foregrounding of language by the avant-garde since the Russian Formalists in relation to the cultural politics of postcolonial studies, feminism, and race theory. As such, it will provide a crucial revisionist perspective within modernist and avant-garde studies.
Author: Victor Peppard
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 192
Get Book Here
Book Description
Author: Terry Eagleton
Publisher: John Wiley & Sons
ISBN: 9788126517893
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Stefano Cotrozzi
Publisher: Bloomsbury Publishing USA
ISBN: 0567574814
Category : Religion
Languages : en
Pages : 309
Get Book Here
Book Description
This monograph on biblical linguistics is a highly specialized, pragmatic investigation of the controversial question of "foregrounding"-the deviation from some norm or convention-in Old Testament narratives. The author presents and examines the two main sources of pragmatic foregrounding: events or states deviating from well-established schemata, structures of reader expectation that can be manipulated by the narrator to highlight specific "chunks" of discourse; and evaluative devices, which are used by the narrator to indicate to the reader the point of the story and direct its interpretation. Cotrozzi critiques the particular evaluative device known as the "historic present", a narrative strategy that employs the present tense to describe past event. He tests two main theories that support this device by using a cross-linguistic model of the historical present drawing upon a variety of languages. Cotrozzi ultimately refutes these theories with a thorough examination and detailed refutation. He concludes with a study of a particular Hebraic verb as a particular marker of represented perception, a technique whereby the character's perceptions are expressed directly from its point of view.
