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Author: Michel Vovelle
Publisher: University of Chicago Press
ISBN: 9780226865683
Category : Biography & Autobiography
Languages : en
Pages : 466
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Book Description
A subtle and complex study of the Enlightenment, this book allows us to reflect on how nineteenth- and twentieth-century scholars have constructed our views on eighteenth-century people.
Author: Michel Vovelle
Publisher: University of Chicago Press
ISBN: 9780226865683
Category : Biography & Autobiography
Languages : en
Pages : 466
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Book Description
A subtle and complex study of the Enlightenment, this book allows us to reflect on how nineteenth- and twentieth-century scholars have constructed our views on eighteenth-century people.
Author: Jessica L. Fripp
Publisher: University of Virginia Press
ISBN: 1644532026
Category : History
Languages : en
Pages : 358
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Book Description
Portraiture and Friendship in Enlightenment France examines how new and often contradictory ideas about friendship were enacted in the lives of artists in the eighteenth century. It demonstrates that portraits resulted from and generated new ideas about friendship by analyzing the creation, exchange, and display of portraits alongside discussions of friendship in philosophical and academic discourse, exhibition criticism, personal diaries, and correspondence. This study provides a deeper understanding of how artists took advantage of changing conceptions of social relationships and used portraiture to make visible new ideas about friendship that were driven by Enlightenment thought. Studies in Seventeenth- and Eighteenth-Century Art and Culture Distributed for the University of Delaware Press
Author: Mungo Campbell
Publisher: Prestel Publishing
ISBN: 9783791348780
Category : Enlightenment
Languages : en
Pages : 0
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Book Description
This book examines the cultural, intellectual, and social contexts in which Allan Ramsay produced his renowned portraits, along with other key works. Allan Ramsay's accomplished canvases and refined drawings offer us some of the defining portraits of the Enlightenment. He was as well equipped to offer a deep sense of engagement with his Enlightenment sitters through his intellectual and cultural upbringing as he was trained to create elegantly constructed paintings through his extended education as a painter in Italy. Establishing himself in London and Edinburgh, Ramsay was admired for his understanding of contemporary political, cultural, and intellectual issues, as well as for his portraits of key protagonists in these debates. This beautiful volume brings together Ramsay's most celebrated sitters, such as Rousseau, Hume, and William Hunter, along with numerous drawings and prints to consider his critical role in the British Enlightenment. Many of the artist's rarely seen portraits of women are included. Alongside exquisite reproductions, the volume presents fascinating new research exploring the unique sensitivity of Ramsay's painting, the development of his technique, and familial influences on his work.
Author: Anne L. Poulet
Publisher: University of Chicago Press
ISBN: 9780226676470
Category : Art
Languages : en
Pages : 392
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Book Description
Jean-Antoine Houdon (1741-1826) has long been recognized as the greatest European portrait sculptor of the late eighteenth century, flourishing during both the American and French Revolutions as well as during the Directoire and Empire in France. Whether sculpting a head of state, an intellectual, or a young child, Houdon had an uncanny ability to capture the essence of his subject with a characteristic pose or expression. Yet until now, Houdon's exquisite sculptures have never been the subject of a major exhibition. This lavish exhibition catalogue will immediately take its rightful place as the definitive work on Houdon. With more than one hundred color plates and two hundred black and white halftones, Jean-Antoine Houdon: Sculptor of the Enlightenment illustrates every stage of the sculptor's fascinating career, from his early portrayals of Louis XVI and Marie Antoinette to his stunning portraits of American patriots such as George Washington, the Marquis de Lafayette, John Paul Jones, Benjamin Franklin, and Thomas Jefferson. Indeed the images we hold dear of legendary Enlightenment figures like Diderot, Rousseau, d'Alembert, and Voltaire are based on works by Houdon. More than mere representations, these sculptures provide us fascinating, intimate glimpses into the very core of who these figures were. Houdon's genius animated even his less illustrious subjects, like his portraits of his family and friends, and filled his sculptures of children with delicacy and freshness. Accompanying the images of Houdon's masterworks are four insightful essays that discuss Houdon's views on art (based in part on a newly discovered manuscript written by the artist) as well as his prominence in the highly varied cultures of eighteenth-century France, Germany, and Russia. From aristocrats to revolutionaries, actors to philosophers, Houdon's amazingly vivid portraits constitute the visual record of the Enlightenment and capture the true spirit of a remarkable age. Jean-Antoine Houdon finally gives these gorgeous works their due.
Author: Elena Russo
Publisher: JHU Press
ISBN: 080189610X
Category : Literary Criticism
Languages : en
Pages : 361
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Book Description
Styles of Enlightenment argues that alongside its democratic ideals and its efforts to create a unified public sphere, the Enlightenment also displayed a tendency to erect rigid barriers when it came to matters of style and artistic expression. The French philosophes tackled the issue of the hierarchy of genres with surprising inflexibility, and they looked down on those forms of art that they saw as commercial, popular, and merely entertaining. They were convinced that the standard of taste was too important a matter to be left to the whims of the public and the vagaries of the marketplace: aesthetic judgment ought to belong to a few, enlightened minds who would then pass it on to the masses. Through readings of fictions, essays, memoirs, eulogies, and theatrical works by Fénelon, Bouhours, Marivaux, Montesquieu, Voltaire, Diderot, Rousseau, Mercier, Thomas, and others, Styles of Enlightenment traces the stages of a confrontation between the virile philosophe and the effeminate worldly writer, "good" and "bad" taste, high art and frivolous entertainment, state patronage and the privately sponsored marketplace, the academic eulogy and worldly conversation. It teases out the finer points of division on the public battlefields of literature and politics and the new world of contesting sexual economies.
Author: Christopher M. S. Johns
Publisher: Penn State University Press
ISBN: 9780271062082
Category : Christianity
Languages : en
Pages : 0
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Book Description
Investigates the response of the Roman Catholic Church to European Enlightenment critiques of revealed religion and clerical governance through the lens of its art, architecture, urbanism, and material culture.
Author: Hugh Trevor-Roper
Publisher: Yale University Press
ISBN: 0300139349
Category : Political Science
Languages : en
Pages : 341
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Book Description
The historical philosophy of the Enlightenment -- The Scottish Enlightenment -- Pietro Giannone and Great Britain -- Dimitrie Cantemir's Ottoman history and its reception in England -- From deism to history: Conyers Middleton -- David Hume, historian -- The idea of the decline and fall of the Roman Empire -- Gibbon and the publication of the Decline and fall of the Roman Empire 1776-1976 -- Gibbon's last project -- The romantic movement and the study of history -- Lord Macaulay: the history of England -- Thomas Carlyle's historical philosophy -- Jacob Burckhardt.
Author: Victoria Charles
Publisher: Parkstone International
ISBN: 1783104015
Category : Art
Languages : en
Pages : 544
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Book Description
According to the defined canons of art technique, a portrait should be, above all, a faithful representation of its model. However, this gallery of 1000 portraits illustrates how the genre has been transformed throughout history, and has proven itself to be much more complex than a simple imitation of reality. Beyond exhibiting the skill of the artist, the portrait must surpass the task of imitation, as just and precise as it may be, to translate both the intention of the artist as well as that of its patron, without betraying eitherÊs wishes. Therefore, these silent witnesses, carefully selected in these pages, reveal more than faces of historic figures or anonymous subjects: they reveal a psychology more than an identity, illustrate an allegory, serve as political and religious propaganda, and embody the customs of their epochs. With its impressive number of masterpieces, biographies, and commentaries on works, this book presents and analyses different portraits, consequently exposing to the reader, and to any art lover, a reflection of the evolution of society, and above all the upheavals of a genre that, over 300 centuries of painting, has shaped the history of art.
Author: Celina Fox
Publisher: Paul Mellon Centre for Studies
ISBN: 9780300160420
Category : Art
Languages : en
Pages : 0
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Book Description
During the 18th century, the arts of industry encompassed both liberal and mechanical realms--not simply the representation of work in the fine art of painting, but the skills involved in the processes of industry itself. Drawing on a wealth of primary sources, Celina Fox argues that mechanics and artisans used four principal means to describe and rationalize their work: drawing, model-making, societies, and publications. These four channels, which form the four central themes of this engrossing book, provided the basis for experimentation and invention, for explanation and classification, for validation and authorization, and for promotion and celebration, thus bringing them into the public domain and achieving progress as a true part of the Enlightenment.
Author: Sarah Cohen
Publisher: Bloomsbury Publishing
ISBN: 1350203602
Category : Art
Languages : en
Pages : 273
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Book Description
How do our senses help us to understand the world? This question, which preoccupied Enlightenment thinkers, also emerged as a key theme in depictions of animals in eighteenth-century art. This book examines the ways in which painters such as Chardin, as well as sculptors, porcelain modelers, and other decorative designers portrayed animals as sensing subjects who physically confirmed the value of material experience. The sensual style known today as the Rococo encouraged the proliferation of animals as exemplars of empirical inquiry, ranging from the popular subject of the monkey artist to the alchemical wonders of the life-sized porcelain animals created for the Saxon court. Examining writings on sensory knowledge by La Mettrie, Condillac, Diderot and other philosophers side by side with depictions of the animal in art, Cohen argues that artists promoted the animal as a sensory subject while also validating the material basis of their own professional practice.
