Author: Arthur Mayger Hind
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 536
Book Description
Engraving in England in the Sixteenth & Seventeenth Centuries: The Tudor period
Author: Arthur Mayger Hind
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 536
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 536
Book Description
Dugdale and Hollar
Author: Marion Roberts
Publisher: University of Delaware Press
ISBN: 087413742X
Category : Architecture
Languages : en
Pages : 152
Book Description
"A study of the visual journey undertaken by Sir William Dugdale as a mid-seventeenth century author and publisher of books with pictures" -- Dust jacket.
Publisher: University of Delaware Press
ISBN: 087413742X
Category : Architecture
Languages : en
Pages : 152
Book Description
"A study of the visual journey undertaken by Sir William Dugdale as a mid-seventeenth century author and publisher of books with pictures" -- Dust jacket.
engraving in england in the sizteenth & seventeenth centuries- a descriptive catalogue with introductions
Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 534
Book Description
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 534
Book Description
Print and Protestantism in Early Modern England
Author: Ian Green
Publisher: OUP Oxford
ISBN: 0191543292
Category : History
Languages : en
Pages : 716
Book Description
In this highly innovative study, Ian Green examines the complete array of Protestant titles published in England from the 1530s to the 1720s. These range from the large specialist volumes at the top to cheap tracts at the bottom, from radical on one wing to conservative on the other, and from instructive and devotional manuals to edifying-cum-entertaining works such as religious verse and cautionary tales. Wherever possible the author adopts a statistical approach to permit a focus on those works which sold most copies over a number of years, and in an annotated Appendix provides a brief description of over seven hundred best selling or steady selling religious titles of the period. A close study of these texts and the forms in which they were offered to the public suggests a rapid diversification of both the types of work published and of the readerships at which they were targeted. It also demonstrates shrewd publishers' frequent attempts to plug gaps in a rapidly expanding market. Where previous studies of print have tended to focus on the polemical and the sensational, this one highlights the didactic, devotional, and consensual elements found in most steady selling works. It is also suggested that in these works there were at least three Protestantisms on offer an orthodox, clerical version, a moralistic, rational version favoured by the educated laity, and a popular version that was barely Protestant at all and that the impact of these probably varied both within and between different readerships. These conclusions shed much light not only on the means by which English Protestantism was disseminated, but also on the doctrinally and culturally diffused nature of English Protestantism by the end of the Stuart period. Both the text and the appendix should prove invaluable to anyone interested in the history of the Reformation or in printing as a medium of education and communication in early modern England.
Publisher: OUP Oxford
ISBN: 0191543292
Category : History
Languages : en
Pages : 716
Book Description
In this highly innovative study, Ian Green examines the complete array of Protestant titles published in England from the 1530s to the 1720s. These range from the large specialist volumes at the top to cheap tracts at the bottom, from radical on one wing to conservative on the other, and from instructive and devotional manuals to edifying-cum-entertaining works such as religious verse and cautionary tales. Wherever possible the author adopts a statistical approach to permit a focus on those works which sold most copies over a number of years, and in an annotated Appendix provides a brief description of over seven hundred best selling or steady selling religious titles of the period. A close study of these texts and the forms in which they were offered to the public suggests a rapid diversification of both the types of work published and of the readerships at which they were targeted. It also demonstrates shrewd publishers' frequent attempts to plug gaps in a rapidly expanding market. Where previous studies of print have tended to focus on the polemical and the sensational, this one highlights the didactic, devotional, and consensual elements found in most steady selling works. It is also suggested that in these works there were at least three Protestantisms on offer an orthodox, clerical version, a moralistic, rational version favoured by the educated laity, and a popular version that was barely Protestant at all and that the impact of these probably varied both within and between different readerships. These conclusions shed much light not only on the means by which English Protestantism was disseminated, but also on the doctrinally and culturally diffused nature of English Protestantism by the end of the Stuart period. Both the text and the appendix should prove invaluable to anyone interested in the history of the Reformation or in printing as a medium of education and communication in early modern England.
Emblemes (1635) and Hieroglyphikes of the Life of Man (1638)
Author: Francis Quarles
Publisher: Georg Olms Verlag
ISBN: 9783487416182
Category : Emblem books, English
Languages : en
Pages : 450
Book Description
Publisher: Georg Olms Verlag
ISBN: 9783487416182
Category : Emblem books, English
Languages : en
Pages : 450
Book Description
Catalogue of the Pepys Library at Magdalene College, Cambridge III
Author: Eric Chamberlain
Publisher: Boydell & Brewer
ISBN: 9780859913324
Category : History
Languages : en
Pages : 296
Book Description
This volume consists primarily of a descriptive catalogue of the threealbums which Pepys entitled My Collection of Heads in Taille-Douce& Drawings...' (2978-2980), put together, according to the title-page, in 1700, three years before he died. To this has been added a catalogue of the much larger number of portraits to be found elsewhere in the Library, principally in the printed books. For convenience of reference this stray material has been conflated with the subject index of the albums. In this way all portraits in the Library are catalogued without obscuring the principles on which the albums were designed.ERIC CHAMBERLAIN was formerly keeper of prints at the Fitzwilliam Museum, Cambridge.
Publisher: Boydell & Brewer
ISBN: 9780859913324
Category : History
Languages : en
Pages : 296
Book Description
This volume consists primarily of a descriptive catalogue of the threealbums which Pepys entitled My Collection of Heads in Taille-Douce& Drawings...' (2978-2980), put together, according to the title-page, in 1700, three years before he died. To this has been added a catalogue of the much larger number of portraits to be found elsewhere in the Library, principally in the printed books. For convenience of reference this stray material has been conflated with the subject index of the albums. In this way all portraits in the Library are catalogued without obscuring the principles on which the albums were designed.ERIC CHAMBERLAIN was formerly keeper of prints at the Fitzwilliam Museum, Cambridge.
The Plays and Poems of Philip Massinger: Volume IV
Author: Philip Massinger
Publisher: Oxford University Press
ISBN: 0199696918
Category : Drama
Languages : en
Pages : 431
Book Description
A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Publisher: Oxford University Press
ISBN: 0199696918
Category : Drama
Languages : en
Pages : 431
Book Description
A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Printed Images in Early Modern Britain
Author: Michael Hunter
Publisher: Routledge
ISBN: 1351908863
Category : History
Languages : en
Pages : 409
Book Description
Printed images were ubiquitous in early modern Britain, and they often convey powerful messages which are all the more important for having circulated widely at the time. Yet, by comparison with printed texts, these images have been neglected, particularly by historians to whom they ought to be of the greatest interest. This volume helps remedy this state of affairs. Complementing the online digital library of British Printed Images to 1700 (www.bpi1700.org.uk), it offers a series of essays which exemplify the many ways in which such visual material can throw light on the history of the period. Ranging from religion to politics, polemic to satire, natural science to consumer culture, the collection explores how printed images need to be read in terms of the visual syntax understood by contemporaries, their full meaning often only becoming clear when they are located in the context in which they were produced and deployed. The result is not only to illustrate the sheer richness of material of this kind, but also to underline the importance of the messages which it conveys, which often come across more strongly in visual form than through textual commentaries. With contributions from many leading exponents of the cultural history of early modern Britain, including experts on religion, politics, science and art, the book's appeal will be equally wide, demonstrating how every facet of British culture in the period can be illuminated through the study of printed images.
Publisher: Routledge
ISBN: 1351908863
Category : History
Languages : en
Pages : 409
Book Description
Printed images were ubiquitous in early modern Britain, and they often convey powerful messages which are all the more important for having circulated widely at the time. Yet, by comparison with printed texts, these images have been neglected, particularly by historians to whom they ought to be of the greatest interest. This volume helps remedy this state of affairs. Complementing the online digital library of British Printed Images to 1700 (www.bpi1700.org.uk), it offers a series of essays which exemplify the many ways in which such visual material can throw light on the history of the period. Ranging from religion to politics, polemic to satire, natural science to consumer culture, the collection explores how printed images need to be read in terms of the visual syntax understood by contemporaries, their full meaning often only becoming clear when they are located in the context in which they were produced and deployed. The result is not only to illustrate the sheer richness of material of this kind, but also to underline the importance of the messages which it conveys, which often come across more strongly in visual form than through textual commentaries. With contributions from many leading exponents of the cultural history of early modern Britain, including experts on religion, politics, science and art, the book's appeal will be equally wide, demonstrating how every facet of British culture in the period can be illuminated through the study of printed images.
Illustrating the Past in Early Modern England
Author: James A. Knapp
Publisher: Routledge
ISBN: 1351928902
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
Illustrating the Past is a study of the status of visual and verbal media in early modern English representations of the past. It focuses on general attitudes towards visual and verbal representations of history as well as specific illustrated books produced during the period. Through a close examination of the relationship of image to text in light of contemporary discussions of poetic and aesthetic practice, the book demonstrates that the struggle between the image and the word played a profoundly important role in England's emergent historical self-awareness. The opposition between history and story, fact and fiction, often tenuous, provided a sounding board for deeper conflicts over the form in which representations might best yield truth from history. The ensuing schism between poets and historians over the proper venue for the lessons of the past manifested itself on the pages of early modern printed books. The discussion focuses on the word and image relationships in several important illustrated books printed during the second half of the sixteenth century-including Holinshed's Chronicles (1577) and Foxe's Book of Martyrs (1563, 1570)-in the context of contemporary works on history and poetics, such as Sir Philip Sidney's Apology for Poetry and Thomas Blundeville's The true order and Method of wryting and reading Hystories. Illustrating the Past specifically answers two important questions concerning the resultant production of literary and historical texts in the period: Why did the use of images in printed histories suddenly become unpopular at the end of the sixteenth century? and What impact did this publishing trend have on writers of literary and historical texts?
Publisher: Routledge
ISBN: 1351928902
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
Illustrating the Past is a study of the status of visual and verbal media in early modern English representations of the past. It focuses on general attitudes towards visual and verbal representations of history as well as specific illustrated books produced during the period. Through a close examination of the relationship of image to text in light of contemporary discussions of poetic and aesthetic practice, the book demonstrates that the struggle between the image and the word played a profoundly important role in England's emergent historical self-awareness. The opposition between history and story, fact and fiction, often tenuous, provided a sounding board for deeper conflicts over the form in which representations might best yield truth from history. The ensuing schism between poets and historians over the proper venue for the lessons of the past manifested itself on the pages of early modern printed books. The discussion focuses on the word and image relationships in several important illustrated books printed during the second half of the sixteenth century-including Holinshed's Chronicles (1577) and Foxe's Book of Martyrs (1563, 1570)-in the context of contemporary works on history and poetics, such as Sir Philip Sidney's Apology for Poetry and Thomas Blundeville's The true order and Method of wryting and reading Hystories. Illustrating the Past specifically answers two important questions concerning the resultant production of literary and historical texts in the period: Why did the use of images in printed histories suddenly become unpopular at the end of the sixteenth century? and What impact did this publishing trend have on writers of literary and historical texts?
A Descriptive Catalogue of the Etched Work of Wenceslaus Hollar 1607-1677
Author: Richard Pennington
Publisher: Cambridge University Press
ISBN: 9780521529488
Category : Art
Languages : en
Pages : 524
Book Description
A catalogue of over 2,700 etchings, which form an important pictorial chronicle of seventeenth-century England.
Publisher: Cambridge University Press
ISBN: 9780521529488
Category : Art
Languages : en
Pages : 524
Book Description
A catalogue of over 2,700 etchings, which form an important pictorial chronicle of seventeenth-century England.