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Author: Ovid
Publisher: Penguin Classics
ISBN:
Category : Poetry
Languages : en
Pages : 468
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Book Description
Witty, erotic, sceptical and subversive, Ovid (c. 43BC-AD17) has been a seminal presence in English literature from the time of Chaucer and Caxton to Ted Hughes and Seamus Heaney. This superb selection brings together complete elegies from the Amores, Heroides and poems of exile as well as many self-contained episodes from the longer works, vividly revealing both the sheer variety of Ovid's genius and the range of his impact on the English imagination.
Author: Ovid
Publisher: Penguin Classics
ISBN:
Category : Poetry
Languages : en
Pages : 468
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Book Description
Witty, erotic, sceptical and subversive, Ovid (c. 43BC-AD17) has been a seminal presence in English literature from the time of Chaucer and Caxton to Ted Hughes and Seamus Heaney. This superb selection brings together complete elegies from the Amores, Heroides and poems of exile as well as many self-contained episodes from the longer works, vividly revealing both the sheer variety of Ovid's genius and the range of his impact on the English imagination.
Author: Ovid
Publisher:
ISBN:
Category :
Languages : en
Pages : 500
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Book Description
Author: John S. Garrison
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228004543
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Ovid transformed English Renaissance literary ideas about love, erotic desire, embodiment, and gender more than any other classical poet. Ovidian concepts of femininity have been well served by modern criticism, but Ovid's impact on masculinity in Renaissance literature remains underexamined. This volume explores how English Renaissance writers shifted away from Virgilian heroic figures to embrace romantic ideals of courtship, civility, and friendship. Ovid's writing about masculinity, love, and desire shaped discourses of masculinity across a wide range of literary texts of the sixteenth and seventeenth centuries, including poetry, prose fiction, and drama. The book covers all major works by Ovid, in addition to Italian humanists Angelo Poliziano and Natale Conti, canonical writers such as William Shakespeare, Christopher Marlowe, Ben Jonson, Edmund Spenser, Philip Sidney, and John Milton, and lesser-known writers such as Wynkyn de Worde, Michael Drayton, Thomas Lodge, Richard Johnson, Robert Greene, John Marston, Thomas Heywood, and Francis Beaumont. Individual essays examine emasculation, abjection, pacifism, female masculinity, boys' masculinity, parody, hospitality, and protean Jewish masculinity. Ovid and Masculinity in English Renaissance Literature demonstrates how Ovid's poetry gave vigour and vitality to male voices in English literature - how his works inspired English writers to reimagine the male authorial voice, the male body, desire, and love in fresh terms.
Author: Ovid
Publisher: JHU Press
ISBN: 9780801870606
Category : History
Languages : en
Pages : 580
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Book Description
This landmark translation of Ovid was acclaimed by Ezra Pound as "the most beautiful book in the language (my opinion and I suspect it was Shakespeare's)". Ovid's deliciously witty and poignant epic starts with the creation of the world and brings together a series of ingeniously linked myths and legends in which men and women are transformed -- often by love -- into flowers, trees, stones, and stars. Golding's robustly vernacular version was the first major English translation and decisively influenced Shakespeare, Spenser, and the character of English Renaissance writing.
Author: Carole E. Newlands
Publisher: Bloomsbury Publishing
ISBN: 0857739840
Category : Philosophy
Languages : en
Pages : 286
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Book Description
Virgil, Horace and Ovid are often cited as the three great canonical poets of classical Roman literature. And of the three, arguably it is Ovid (43 BCE-CE 17/18) who has the most enduring legacy. Carole Newlands introduces her subject as an ancient author with a vital place in the modern cultural canon: and also as the inspiration behind figures as diverse as Chaucer, Titian, Dryden and Ted Hughes. She views Ovid as a Latin writer who is uniquely suitable for times of change: he appeals to postmodern sensibilities because of his interest in psychology, his fascination with cultural hybridity and his challenge to the conventional divide between animal and human. This book explores the connection between the historical poet and the works he produced: love elegies, the Metamorphoses and the Fasti. It shows that unlike Virgil - who wrote early in Augustus' reign, anticipating a golden age of peace and prosperity - Ovid was a product of the late Augustan age: one of hardening autocracy and the greater influence of Tiberius behind the scenes. His elegies and erotic myths must therefore be understood as the result of complex, shifting political circumstances.
Author: Ovid
Publisher: University of Oklahoma Press
ISBN: 9780806114569
Category : Social Science
Languages : en
Pages : 564
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Book Description
Ovid is a poet to enjoy, declares William S. Anderson in his introduction to this textbook. And Anderson’s skillful introduction and enlightening textual commentary will indeed make it a joy to use. In these books Ovid begins to leave the conflict between men and the gods to concentrate on the relations among human beings. Subjects of the stories include Arachne and Niobe; Tereus, Procne, and Philomela; Medea and Jason; Orpheus and Eurydice; and many others, familiar and unfamiliar. For students of Latin-and teachers, too-they provide an interesting experience. In his introduction the editor discusses Ovid’s career, the reputation of the Metamorphoses during Ovid’s time and after, and the various manuscripts that exist or have been known to exist. He describes the general plan of the poem, its main theme, and the problem of its tone. Technical matters, such as style and meter, are also considered. In notes the editor summarizes the story being told before proceeding to the line-by-line textual comments.
Author: Lisa Starks
Publisher: Edinburgh University Press
ISBN: 1474430082
Category : Drama
Languages : en
Pages : 296
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Book Description
Uses adaptation and appropriation studies to explore early modern textual and theatrical metamorphoses of OvidApplies contemporary theoretical approaches, such as gender/queer/trans studies, feminist ecostudies, hauntology, rhizomatic adaptation, transmedialityUses adaptation studies in analyzing early modern transformations of OvidFocuses on the appropriations of "e;Ovid"e; (as an umbrella term for "e;all things Ovidian"e;) on the early modern English stageIncludes chapters on Shakespeare and Marlowe as well as other early modern dramatistsDid you know that Ovid was a multifaceted icon of lovesickness, endless change, libertinism, emotional torment and violence in early modern England? This is the first collection to use adaptation studies in connection with other contemporary theoretical approaches in analysing early modern transformations of Ovid. It provides innovative perspectives on the 'Ovids' that haunted the early modern stage, while exploring intersections between adaptation theory and gender/queer/trans studies, ecofeminism, hauntology, transmediality, rhizomatics and more. This book examines the multidimensional, ubiquitous role that Ovid and Ovidian adaptations played in English Renaissance drama and theatrical performance.
Author: Ovid
Publisher:
ISBN:
Category :
Languages : en
Pages : 366
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Book Description
"It is the single most important work of poetry in ancient history" - M. L. Andres, author of 'A Simple but Effective Strategy for Success' & founder of The Block Bard. Ovid's 15-book epic, written in exquisite Latin hexameter, is a rollercoaster of a read. Beginning with the creation of the world, and ending with Rome in his own lifetime, the Metamorphoses drags the reader through time and space, from beginnings to endings, from life to death, from moments of delicious joy to episodes of depravity and abjection.The madness and chaos of some 250 stories, spanning around 700 lines of poetry per book, are woven together by the theme of metamorphosis or transformation. The artistic dexterity involved in pulling off this literary feat is testimony to Ovid's skill and ambition as a poet. This accomplishment also goes a long way in explaining the rightful place the Metamorphoses holds within the canon of classical literature, placed as it is beside other great epics of Mediterranean antiquity such as the Iliad, Odyssey and Aeneid.
Author: Ovid
Publisher: Penguin Books
ISBN:
Category : Fiction
Languages : en
Pages : 230
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Book Description
Parallel latin & English texts.
Author: John S. Garrison
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228004535
Category : Literary Criticism
Languages : en
Pages :
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Book Description
Ovid transformed English Renaissance literary ideas about love, erotic desire, embodiment, and gender more than any other classical poet. Ovidian concepts of femininity have been well served by modern criticism, but Ovid's impact on masculinity in Renaissance literature remains underexamined. This volume explores how English Renaissance writers shifted away from Virgilian heroic figures to embrace romantic ideals of courtship, civility, and friendship. Ovid's writing about masculinity, love, and desire shaped discourses of masculinity across a wide range of literary texts of the sixteenth and seventeenth centuries, including poetry, prose fiction, and drama. The book covers all major works by Ovid, in addition to Italian humanists Angelo Poliziano and Natale Conti, canonical writers such as William Shakespeare, Christopher Marlowe, Ben Jonson, Edmund Spenser, Philip Sidney, and John Milton, and lesser-known writers such as Wynkyn de Worde, Michael Drayton, Thomas Lodge, Richard Johnson, Robert Greene, John Marston, Thomas Heywood, and Francis Beaumont. Individual essays examine emasculation, abjection, pacifism, female masculinity, boys' masculinity, parody, hospitality, and protean Jewish masculinity. Ovid and Masculinity in English Renaissance Literature demonstrates how Ovid's poetry gave vigour and vitality to male voices in English literature - how his works inspired English writers to reimagine the male authorial voice, the male body, desire, and love in fresh terms.
