Author: Jonathan Farina
Publisher: Cambridge University Press
ISBN: 1107181631
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
This book explores the ordinary turns of phrase by which major nineteenth-century British writers created character.
Everyday Words and the Character of Prose in Nineteenth-Century Britain
Author: Jonathan Farina
Publisher: Cambridge University Press
ISBN: 1107181631
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
This book explores the ordinary turns of phrase by which major nineteenth-century British writers created character.
Publisher: Cambridge University Press
ISBN: 1107181631
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
This book explores the ordinary turns of phrase by which major nineteenth-century British writers created character.
English Prose of the Nineteenth Century
Author: Hilary Fraser
Publisher: Routledge
ISBN: 1315505355
Category : Literary Criticism
Languages : en
Pages : 413
Book Description
Hilary Fraser provides a comprehensive and thorough survey of English prose in the nineteenth century which draws from a wide variety of fields including art, literary theory and criticisim, biography, letters, journals, sermons, and travel reportage. Through these works the cultural, social, literary and political life of the twentieth century - a period of great intellectual activity - can be charted, discussed and assessed. For the first time, an inclusive critical survey of nineteenth-century non-fiction is presented, that traces the century's ideological and cultural upheavals as they are registered in the literary textures of some of its most widely read and influential writings.The book explores the relations between writers who are generally perceived as occupying different discursive spheres, for example between John Stuart Mill, Florence Nightingale and Mrs Beeton; between Cardinal Newman, Elizabeth Gaskell and Hannah Cullwick; and between Charles Darwin, David Livingstone and Henry Mayhew. The establishment and development of different genres and their interactions over the century are clearly mapped. The genre of the periodical essay, a distinctively modern and flexible form catering to the mass readership, is the subject of the introduction, and then more specialist fields are discussed, covering scientific writing, travel and exploration literature, social reportage, biography, autobiography, journals, letters, religious and philosophical prose, political writing and history.
Publisher: Routledge
ISBN: 1315505355
Category : Literary Criticism
Languages : en
Pages : 413
Book Description
Hilary Fraser provides a comprehensive and thorough survey of English prose in the nineteenth century which draws from a wide variety of fields including art, literary theory and criticisim, biography, letters, journals, sermons, and travel reportage. Through these works the cultural, social, literary and political life of the twentieth century - a period of great intellectual activity - can be charted, discussed and assessed. For the first time, an inclusive critical survey of nineteenth-century non-fiction is presented, that traces the century's ideological and cultural upheavals as they are registered in the literary textures of some of its most widely read and influential writings.The book explores the relations between writers who are generally perceived as occupying different discursive spheres, for example between John Stuart Mill, Florence Nightingale and Mrs Beeton; between Cardinal Newman, Elizabeth Gaskell and Hannah Cullwick; and between Charles Darwin, David Livingstone and Henry Mayhew. The establishment and development of different genres and their interactions over the century are clearly mapped. The genre of the periodical essay, a distinctively modern and flexible form catering to the mass readership, is the subject of the introduction, and then more specialist fields are discussed, covering scientific writing, travel and exploration literature, social reportage, biography, autobiography, journals, letters, religious and philosophical prose, political writing and history.
A History of English Prose Fiction
Author: Bayard Tuckerman
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 426
Book Description
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 426
Book Description
The Crisis of Action in Nineteenth-century English Literature
Author: Stefanie Markovits
Publisher: Ohio State University Press
ISBN: 0814210406
Category : Literary Criticism
Languages : en
Pages : 268
Book Description
"We think of the nineteenth century as an active age - the age of colonial expansion, revolutions, and railroads, of great exploration and the Great Exhibition. But in reading the works of Romantic and Victorian writers one notices a conflict, what Stefanie Markovits terms "a crisis of action." In her book, The Crisis of Action in Nineteenth-Century English Literature, Markovits maps out this conflict by focusing on four writers: William Wordsworth, Arthur Hugh Clough, George Eliot, and Henry James. Each chapter offers a "case-study" that demonstrates how specific historical contingencies - including reaction to the French Revolution, laissez-faire economic practices, changes in religious and scientific beliefs, and shifts in women's roles - made people in the period hypersensitive to the status of action and its literary co-relative, plot."--BOOK JACKET.
Publisher: Ohio State University Press
ISBN: 0814210406
Category : Literary Criticism
Languages : en
Pages : 268
Book Description
"We think of the nineteenth century as an active age - the age of colonial expansion, revolutions, and railroads, of great exploration and the Great Exhibition. But in reading the works of Romantic and Victorian writers one notices a conflict, what Stefanie Markovits terms "a crisis of action." In her book, The Crisis of Action in Nineteenth-Century English Literature, Markovits maps out this conflict by focusing on four writers: William Wordsworth, Arthur Hugh Clough, George Eliot, and Henry James. Each chapter offers a "case-study" that demonstrates how specific historical contingencies - including reaction to the French Revolution, laissez-faire economic practices, changes in religious and scientific beliefs, and shifts in women's roles - made people in the period hypersensitive to the status of action and its literary co-relative, plot."--BOOK JACKET.
A History of English Romanticism in the Nineteenth Century
Author: Henry Augustin Beers
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 446
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 446
Book Description
Nineteenth Century Indian English Prose
Author: Mohan Ramanan
Publisher: Sahitya Akademi
ISBN: 9788126019434
Category : Indic literature (English)
Languages : en
Pages : 262
Book Description
This Selection Is An Attempt To Represent The Facility With Which Indians Used The English Language In The Nineteenth Century. It Also Represents The Various Ways In Which Indians Wrote Or Spoke Of Their Country And As Such It Is A Selection Of Statements About India And The Idea Of The Indian Nation. It Includes Political, Cultural, Religious And Literary Pieces And Everywhere The Preference Has Been For Pieces Which Show Indian Eloquence In English. The Figures Included Are Raja Rammohun Roy, Dadabhai Naoroji, Keshab Chandra Sen, Mahadev Govind Ranade, Woomesh Chandra Bannerjee, Badruddin Tyabji, Sir Ferozeshah Mehta, Romesh Chunder Dutt, Bal Gangadhar Tilak, Swami Vivekananda, Gopal Krishna Gokhale, V.S. Srinivasa Sastri, Mahatma Gandhi And Sri Aurobindo. The Collection Is Reader Friendly But The Reader Will Have To Engage Actively With The Authors And Make The Necessary Connections Of Themes And Ideas To Benefit Fully From The Anthology.
Publisher: Sahitya Akademi
ISBN: 9788126019434
Category : Indic literature (English)
Languages : en
Pages : 262
Book Description
This Selection Is An Attempt To Represent The Facility With Which Indians Used The English Language In The Nineteenth Century. It Also Represents The Various Ways In Which Indians Wrote Or Spoke Of Their Country And As Such It Is A Selection Of Statements About India And The Idea Of The Indian Nation. It Includes Political, Cultural, Religious And Literary Pieces And Everywhere The Preference Has Been For Pieces Which Show Indian Eloquence In English. The Figures Included Are Raja Rammohun Roy, Dadabhai Naoroji, Keshab Chandra Sen, Mahadev Govind Ranade, Woomesh Chandra Bannerjee, Badruddin Tyabji, Sir Ferozeshah Mehta, Romesh Chunder Dutt, Bal Gangadhar Tilak, Swami Vivekananda, Gopal Krishna Gokhale, V.S. Srinivasa Sastri, Mahatma Gandhi And Sri Aurobindo. The Collection Is Reader Friendly But The Reader Will Have To Engage Actively With The Authors And Make The Necessary Connections Of Themes And Ideas To Benefit Fully From The Anthology.
From Philology to English Studies
Author: H. Momma
Publisher: Cambridge University Press
ISBN: 0521518865
Category : Language Arts & Disciplines
Languages : en
Pages : 241
Book Description
An exploration of how philology contributed to the study of English language and literature in the nineteenth century.
Publisher: Cambridge University Press
ISBN: 0521518865
Category : Language Arts & Disciplines
Languages : en
Pages : 241
Book Description
An exploration of how philology contributed to the study of English language and literature in the nineteenth century.
Humor and Irony in Nineteenth-century German Women's Writing
Author: Helen Chambers
Publisher: Camden House
ISBN: 9781571133045
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Brings to light unsuspectedly rich sources of humor in the works of prominent nineteenth-century women writers. Nineteenth-century German literature is seldom seen as rich in humor and irony, and women's writing from that period is perhaps even less likely to be seen as possessing those qualities. Yet since comedy is bound to societal norms, and humor and irony are recognized weapons of the weak against authority, what this innovative study reveals should not be surprising: women writers found much to laugh at in a bourgeois age when social constraints, particularlyon women, were tight. Helen Chambers analyzes prose fiction by leading female writers of the day who prominently employ humor and irony. Arguing that humor and irony involve cognitive and rational processes, she highlights the inadequacy of binary theories of gender that classify the female as emotional and the male as rational. Chambers focuses on nine women writers: Annette von Droste-Hülshoff, Ida Hahn-Hahn, Ottilie Wildermuth, Helene Böhlau, Marie vonEbner-Eschenbach, Ada Christen, Clara Viebig, Isolde Kurz, and Ricarda Huch. She uncovers a rich seam of unsuspected or forgotten variety, identifies fresh avenues of approach, and suggests a range of works that merit a place onuniversity reading lists and attention in scholarly studies. Helen Chambers is Professor of German at the University of St Andrews, Scotland, UK.
Publisher: Camden House
ISBN: 9781571133045
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Brings to light unsuspectedly rich sources of humor in the works of prominent nineteenth-century women writers. Nineteenth-century German literature is seldom seen as rich in humor and irony, and women's writing from that period is perhaps even less likely to be seen as possessing those qualities. Yet since comedy is bound to societal norms, and humor and irony are recognized weapons of the weak against authority, what this innovative study reveals should not be surprising: women writers found much to laugh at in a bourgeois age when social constraints, particularlyon women, were tight. Helen Chambers analyzes prose fiction by leading female writers of the day who prominently employ humor and irony. Arguing that humor and irony involve cognitive and rational processes, she highlights the inadequacy of binary theories of gender that classify the female as emotional and the male as rational. Chambers focuses on nine women writers: Annette von Droste-Hülshoff, Ida Hahn-Hahn, Ottilie Wildermuth, Helene Böhlau, Marie vonEbner-Eschenbach, Ada Christen, Clara Viebig, Isolde Kurz, and Ricarda Huch. She uncovers a rich seam of unsuspected or forgotten variety, identifies fresh avenues of approach, and suggests a range of works that merit a place onuniversity reading lists and attention in scholarly studies. Helen Chambers is Professor of German at the University of St Andrews, Scotland, UK.
Sylvie and Bruno
Author: Lewis Carroll
Publisher: London ; New York : Macmillan
ISBN:
Category : Juvenile Fiction
Languages : en
Pages : 434
Book Description
First published in 1889, this novel has two main plots; one set in the real world at the time the book was published (the Victorian era), the other in the fictional world of Fairyland.
Publisher: London ; New York : Macmillan
ISBN:
Category : Juvenile Fiction
Languages : en
Pages : 434
Book Description
First published in 1889, this novel has two main plots; one set in the real world at the time the book was published (the Victorian era), the other in the fictional world of Fairyland.
Thinking Through Style
Author: Michael D. Hurley
Publisher: Oxford University Press
ISBN: 0192545396
Category : Literary Criticism
Languages : en
Pages : 567
Book Description
What is 'style', and how does it relate to thought in language? It has often been treated as something merely linguistic, independent of thought, ornamental; stylishness for its own sake. Or else it has been said to subserve thought, by mimicking, delineating, or heightening ideas that are already expressed in the words. This ambitious and timely book explores a third, more radical possibility in which style operates as a verbal mode of thinking through. Rather than figure thought as primary and pre-verbal, and language as a secondary delivery system, style is conceived here as having the capacity to clarify or generate thinking. The book's generic focus is on non-fiction prose, and it looks across the long nineteenth century. Leading scholars survey twenty authors to show where writers who have gained reputations as either 'stylists' or as 'thinkers' exploit the interplay between 'the what' and 'the how' of their prose. The study demonstrates how celebrated stylists might, after all, have thoughts worth attending to, and that distinguished thinkers might be enriched for us if we paid more due to their style. More than reversing the conventional categories, this innovative volume shows how 'style' and 'thinking' can be approached as a shared concern. At a moment when, especially in nineteenth-century studies, interest in style is re-emerging, this book revaluates some of the most influential figures of that age, re-imagining the possible alliances, interplays, and generative tensions between thinking, thinkers, style, and stylists.
Publisher: Oxford University Press
ISBN: 0192545396
Category : Literary Criticism
Languages : en
Pages : 567
Book Description
What is 'style', and how does it relate to thought in language? It has often been treated as something merely linguistic, independent of thought, ornamental; stylishness for its own sake. Or else it has been said to subserve thought, by mimicking, delineating, or heightening ideas that are already expressed in the words. This ambitious and timely book explores a third, more radical possibility in which style operates as a verbal mode of thinking through. Rather than figure thought as primary and pre-verbal, and language as a secondary delivery system, style is conceived here as having the capacity to clarify or generate thinking. The book's generic focus is on non-fiction prose, and it looks across the long nineteenth century. Leading scholars survey twenty authors to show where writers who have gained reputations as either 'stylists' or as 'thinkers' exploit the interplay between 'the what' and 'the how' of their prose. The study demonstrates how celebrated stylists might, after all, have thoughts worth attending to, and that distinguished thinkers might be enriched for us if we paid more due to their style. More than reversing the conventional categories, this innovative volume shows how 'style' and 'thinking' can be approached as a shared concern. At a moment when, especially in nineteenth-century studies, interest in style is re-emerging, this book revaluates some of the most influential figures of that age, re-imagining the possible alliances, interplays, and generative tensions between thinking, thinkers, style, and stylists.